The Spiraling Cornucopia of Pale Lavender is a 10-part series of fiction. Below is part 2. To read the introduction of the project, click here.
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9I enter another room that is more like a great hall and see that it is more vast than my simple field. So large that I cannot see the roof. 10Where am I? Am I not on a craft? The sky seems endless. Am I on a planet? Where have they taken me? 11The inside of the cavern glows with perfect light that radiates from nowhere. The essence of life gives light to itself. It is a light that exists at the origin of everything. 12Two doctors converse and stop speaking when I approach. 13I feel as though my presence makes them uncomfortable. 14No words are spoken. Instead, we stare at one another and have a conversation of thought. 15Because I am a creature comprised of emotional experiences and every experience shapes me differently, like a fist hitting plaster, every other individual’s experiences make them uniquely who they are and, even if our experiences are identical, we will process them differently based strictly upon our natural birth bend – the organic recipe of our brain bubbles. 16I will try to transmit my pure, raw thought which I apply emotionality to, and I will churn it out into raw and savage words for you to then process through your ear and get filtered through all the bullshit that makes you uniquely you. And so often what I say is not what you hear. 17So much is lost in our primitive grunts. 18The greys speak through emotions. It is not the hearing of an audible voice in your head. It is the feeling of justice. It is the feeling of wrongness. It is the feeling of love. They are able to transmit the very essence of the thought to one another. The very pureness of the emotion. The core. 19Nothing is lost in translation. 20And because of this they cannot lie and in fact do not understand what a lie is. A lie is beyond the fence of their mind. 21I also sense that they don’t know that they don’t know. 22The knowledge of the unknowable does not exist to them. I don’t sense a hole wherein something is missing from. I sense that there is nothing there at all. 23A loud but warm and not altogether unpleasant alarm begins going off. It seems to radiate in the very air itself. The siren is not audible. There are no speakers but rather a general consistency in the air quality that shifts. The local energy wavers and quivers. 24The greys all knew what the “sound” meant by the sensation it gave them. There was no need to make the feelings abrasive. The good feeling gave them the knowledge for what was needed to be accomplished. 25This made me wonder why fire alarms on Earth are always screeching headaches. Especially when you want everyone to remain calm. Would the same effect be created if the powers that be simply played loud but pleasing music that encouraged people to run? I always have a more difficult time completing a task if there is a person screaming in my ear as loud as they can. It’s difficult to concentrate. 26When I realize that I’ve been lost in some stupid rambling thought I suddenly acknowledge that [SEQ. III] 1I am standing in the field again and there is a rainbow that arches across the little stream. The grass is tall, the sky is blue and the clouds are white. 2I can see the day moon sitting in the ocean above me and it is so beautiful and I know that I am in a computer-generated image. I know that I am still on the ship or on another planet or in a machine in a small room or I’m on Earth and everything is being projected onto us but this is not real. 3I know it like I knew the feeling of their lies. I know because I can still feel some kind of emotional residue. 4None of this is real. 5Why am I here? 6What are they doing with me? 7A moose walks to the rivers edge in the distance and takes a sip. It’s weird because he drinks it with his lips and not with his tongue. 8A couple of blue birds fly past me and I feel like a child again. 9On the other side of the stream I see a scarecrow and I wonder who put him up. I do not feel concerned that I haven’t seen any people or that I don’t know where I am. 10The world feels real but I don’t know what I’m doing here or how I got here but it all feels okay. 11This is where I was before they took me but this is not when I was before they took me. 12I hear a large boom and then another and I become fearful. Very fearful. 13My stomach rolls and my knees begin to shake and quiver and I find that I’m having a very difficult time walking or thinking appropriately. 14It is awful. 15I fall to my hands and knees, my stomach washing waves of panic over me. My brain feels like it’s crying. 16With one hand I pull myself to a large rock that is nearby and hide behind it. 17BOOM. What is that noise? Is it a giant? Is it a bird? My mind begins thrusting images of giant birds at me, making me stare at them. Look at this bird with its enormous beak, pulling you apart and splattering your blood against the soil! Watch your neck break and your body become consumed. This giant blue bird with its feathers chasing you through an empty field and squawking. 18Where are these thoughts and feelings coming from? 19I look around the rock and I don’t see anything. I don’t hear the noise anymore. 20I turn and crawl up a small hill where I find a fence that is made from posts of wood and barbed wire. I crawl between the top and middle wire and approach the scarecrow. 21Its face is brown sac cloth and its eyes are made from plastic buttons. One is red and one is blue. Its nose is made from a tightly wrapped fresh condom and its mouth is made from rotten banana peels. It’s wearing a tracksuit that is gray with white tennis shoes. The brand is expensive. Someone has put something in its pants to make it look like he has a comically huge boner. Someone else has smeared mud all over its ass to make it look like it shit its pants. 22At the base of the scarecrow are two small chairs – lawn chairs. There are also some cups, a fire pit made out of rocks with ashes in the middle, a tea kettle that looks like it’s lived a busy life but has never actually been used here, at this spot. It is gray and covered in rust. It is tall and narrow and looks like something you’d find on a camping trip and not in a kitchen. There are old metal forks. A red compass. A stack of pornographic magazines and a pack of cigarettes. I notice that there is no lighter nearby but then I see a box of strike-anywhere matches. 23I see a trail that cuts through the corn where it has been trampled down a number of times by repeated use. 24Then I notice a second path. One leading somewhere and one leading somewhere else and which one will I choose? 25I look up and I see the day-moon and the sun both in the sky, both right next to one another and I don’t think I’ve ever seen anything like that before. 26I feel a strong vibration in my body but I don’t know what it means. 27I push towards the path on the left and it winds through corn that is taller than I am, a mouse in a maze, an Earthling in a labyrinth. 28We are all observed and studied. 29How will I react? 30I feel like a child. 31I am lost and I am not afraid and not fearful but I feel like something terrible is going to grab me. I don’t want it to grab me. It will touch me. The black sleeves and the green hands with cuts and warts. And what are those hands attached to? What is on the other side of those hands? Is it a witch? No. It is faceless. 32A hungry, lusting darkness that lingers at the fringe of the peripheral. 33And where are you? What are you? Why do you make me feel like this and do you like it? Is my fear necessary to the world? Does my fear feed a creature that needs it the way my breath feeds the trees? Is my fear powerful? 34When the path ends I see that there is a small white farmhouse but I also see that it exists in a tiny little community. There is a small community playground with a swing set and a merry-go-round and a tractor to sit on and dig with. There is also a water fountain inside the head of a giant inanimate lion. There is an old barrel that is very tall and lying on its side – kids get in and run. It’s a human gerbil wheel. I see children running in it now. Four of them. Five of them. A girl in overalls tries to stand on her hands as the barrel spins, taking her in a full rotation, spinning her a day into the future around their imaginary sun. 35An old woman sits on a swing by herself. I notice that the other swing is empty and I know that she used to be married and that she used to have a husband and that she is very sad that he is gone and she misses him terribly because they were together their entire lives. Their whole life. 36They were together when she was fifteen and he was sixteen and they’ve now been together for sixty years. 37They don’t remember life before one another. 38The memory of their individual lives before their counterpart existed has long ago been washed away off the placards of remembrance. 39They were together for so long that she considers him a true extension of herself. 40He had the authority to act on both of their behalves because they had achieved such simpatico that they had become the same person in two bodies with two separate interests. 41They understood and achieved true love and compassion for the other person until they understood what the other person wanted perfectly. 42Her husband has been dead for three years and she doesn’t have any friends. She has people in her life but she would not consider them friends. They are okay to eat lunch with but she couldn’t share these thoughts and emotions with them. 43They don’t understand and none of them has ever lost a husband and she wishes she could speak to someone about it. 44And because I know I am supposed to, I approach her and ask how she is and she looks at me because the question is very straightforward. Her face crunches up and then becomes very kind and she says she is alright and I tell her that the day is beautiful and she agrees and I see the foot marks in the ground where her wooden shoes have been dragging back and forth in the dirt. 45Her skirt looks homemade. It is white and comprised of chicken feathers. She wears a pilgrim style bonnet that is white and her chest is covered in purple sheen although it is completely transparent. It projects a perfect twenty year old chest onto her body and it deceives the eyes in order to look as real as possible and this is what these people do here. 46It is okay and acceptable because it isn’t a question. 47She tells me that she is fine and I ask her if she knows which one of these buildings is a schoolhouse and then I hear a loud BANG or BOOM and it’s the same sound as before and she tells me to run with her. 48She gets off the swing and starts to strain towards a home. She is old and moves very, very slowly but I stood by her and I helped her as she hung onto my elbow. I notice that her back is quite hunched over. 49She takes me to a small plot of land that is filled with doors – just regular house doors – but they all appear the same. 50Identical black doors. 51There are no numbers on any of them. Just handles. 52She approaches one in the front row and opens it. Inside I see stairs spiraling downwards. 53I don’t ask if we are going underground because I know that we are not. 54The doors are vices that hold the fine fibrous Fabric of Feich open like surgical clamps hold open a wound. 55These doors lead to Someplace Else. 56It isn’t on this Earth but it also is not off this Earth. It is a kind of side-step to a higher perception of reality that exists on top of us, an overlay that we cannot perceive. 57We have not yet discovered where this other place is in relation to our world or planet or solar system or existence. 58Scientists have gone through and acquired samples and have found strange molecular patterns, sacred geometry and interesting fruits and flowers but still no people and the doors are too small to take any major tool through – like an astro-scope or bio-splitter. 59But I also know that scientist is a very loose term because the people in this village are the only people on this planet. 60There is no one else. 61The moment I heard the bang I knew. It was like the vibration alerted me. There are no others but these. 62I know this to be true. 63But what is out there? What is beyond their city? 64I need to know. Do I need to know? Do I want to know? Why does it matter? Why does it matter what is beyond their city? Why do I care? 64Is this my human nature? 65Is curiosity just an advanced form of the house cat and the laser pointer from the future of my old world past? Is my entire life someone’s stupid video? Am I the punch line to an advanced joke? 66Are alien children watching us and cooing, “Oh! He’s becoming curious! Watch him play with his curiosity! Hehe! He is going to see what that scratching noise is! He’s going to go investigate the odd auditory stimulation! Tee hee!” 67I have my life happening right here and I have problems at hand so why does it matter if there is a desert or a mountain or something else entirely out there? 68Right now I have to deal with this problem and that’s how I need to live my life. I need to appreciate the now and right now I need to get to safety and this old woman is walking very slowly but finally we do get close to the doors but before we do I see in the distance a great metal rod stamp out of the clouds and slam into the earth. 69BOOM !! And then another. And another. And another. BOOM !! BOOM !!BOOM !! The sound hits my ears seconds after the vision does. 70I ask her what they are doing and she says that they are collecting and I say, “For what?” because I already know who. 71She says that they are fixing them – hey, Chuck! – but I don’t know what she means and I also know that there are other people out there. 72Why was I so certain there was nobody else out there? How could I have known that? 73How could I have been so certain that it was true but now here I am being proven completely wrong? What else am I wrong about? What else is sneaking up on me? What else am I living with that I need to re-examine and release? 74She opens the door and enters first.
Return next Monday, May 30th for part 3 of 10 as we visit a prison at the center of time, witness the mystical collection of energy and fall into complete oblivion.
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