Tag Archives: lifestyle






The Cancer was gone but—as far as I could tell—nothing had changed. When I got in the car, I still felt sick and we had to pull over twice on the way home for me to throw up. Upon arriving back at the house, I sat in My Yellow Chair and slept wearing my heavy green parka (with a smile on my face).

My wife set the celebratory chocolate cake on the counter with plans to stick it in the freezer, but while I was asleep and while Jade was in the shower and while my mother was outside, my dog pulled it down and ate two-thirds of it.

I never got to taste the cake that I suffered so much for, but my dog looked very happy and slept very well that night.

Slowly, over the course of the next few weeks, my appetite did begin to return and I found myself slowly eating more and more, slowly scooping larger and larger portions onto my place, slowly starting to say things like, “In-N-Out for dinner? Steak? Chicken sounds good,” although I refused to touch any type of alcohol, and for years afterward, was terrified to put anything in my body that wasn’t for purely nutritional value. In fact, I became so entirely hyperconscious of the state and condition of my food that I insisted we get rid of the microwave.

My wife approaches me one night and says that a friend of ours from high school who was now living in Oregon had given us an open invitation to visit her. We jointly decided that this was an ideal point to begin our If Not Now, When? Adventures.

My mother agreed to stay at our home for an additional week to watch our dogs and we hit the road. It was a beautiful and memorable journey up the coast. I look back at photos from that particular road trip and it amazes me to see that it literally looks like my wife was traveling with another man; someone who smiled and laughed but was emaciated and pale. While I was eating better, the weight simply wasn’t pouring back on. Even after gaining ten pounds I was still six feet tall and weighing in at a buck forty.

On our journey we began to talk about baby names and, when we got back, it was that conversation that finally led us to take the paternal plunge. After speaking with the fertility clinic, they informed us that we had eleven completely fertilized eggs that were frozen and ready to implant. I stare at the phone as a single phrase that I’d heard from a woman at church months and months ago echoes through my mind. “I see babies. Lots and lots of babies.”

In February 2010 we began the initial stages of in vitro fertilization and three months later we found out we were pregnant.

With twins.

The pregnancy and delivery were both textbook. Jade went full term and on January 6, 2011, Quinn Marie was born two minutes before her brother, Rory James.

Becoming a father and raising twins has been an adventure in its own right that could (and maybe will?) fill a book. My children are wild and savage and inquisitive beings. Their personalities could not be further apart and every day with them is living life in a full, bright spectrum of color.

Every single day with them has been completely insane in the best way possible, and I have Cancer to thank. Without Cancer I never would have banked. Without Cancer we never would have done IVF. Without Cancer we never would have implanted two eggs.

And now, knowing the life I have, knowing what Cancer brought me, I would roll through it all again if it meant being given the opportunity to raise the two of them together.

Just after the Twinkies turned two, we decided to revisit the fertility clinic and walk through the process again. This time, out of fear that we would become the parents of two sets of twins we only implanted a single egg, which stuck temporarily before we suffered a miscarriage several weeks later.

Tragedies cannot be compared and I can’t tell you that a miscarriage is worse than cancer is worse than my grandfather passing. They are not better or worse, they are simply different perspectives of loss. Each tragedy a unique experience that calls out to us and seems to embed itself in the very threads of our DNA, forcing us to carry it around for the rest of our time on the planet.

A few months later we tried a second time for a third child, again with only a single egg. The results came back positive and for the next nine months we held our baited breaths nervously until October 7, 2013, when Bryce Alison entered the universe.

And then, four years later, we went back for one more family upgrade. On Nov. 14, 2017 Beau Natalie arrived with ten fingers, ten toes, and an opinion about everything.

Every day I have on this Earth, with my wife, with my children, with my family, with myself, is an absolute gift and it’s something that I’ll never take for granted. Everything is beautiful and every day is an adventure. I have had the rare gift to glimpse death in the face, see what my life is worth to me, and then stand up from the table and walk away.

Thoughts of cancer follow me everywhere and the reminders are constant; every time I hear The Ice-Cream truck drive down the street, every time I see the reality show about the family with all the kids, every time I drive past the Wiltern in LA where we saw Ben Folds Five, every time I hear the music of Ben Folds Five, every time someone says the word Arcadia, every time someone mentions Las Vegas or Kings of Leon or the words saline solution or ninjas or George Harrison or the word flood. These things and many, many more are all instant triggers and not a day goes by that something doesn’t drop a red flag and send me back to It. And I’d have it no other way. My baggage is a constant reminder that every day is not a good day to die. But that doesn’t mean that it isn’t my day to die. Because it just might be. Death opens its arms wide and simply pulls in what it can, like an enormous whale consuming krill.

Every day I hug my children. Every day I say “Yes” to opportunity. Every day I embrace the unknown. Everyday I contemplate and cast wonder at the magnificent and magical world around me, the good and the evil, all wrapped up together, living in all things around us, breathing, eating and existing in beautiful and marvelous complexity.

I look at my life—I look at what has come before cancer and I see all the things I wanted to do. When I was in high school I had hoped to someday buy a van and just head out, to drive without direction or purpose. I wanted to write things and create things and live a life that pushed my boundaries of experience and culture and . . . then I got a job that locked up my time and helped to strangle my ambitions.

I was diagnosed with stage 4 cancer. I was looking down the barrel of a gun and pleading for my life and swearing that, yes, when I came through the other end, things would be different and I wouldn’t be so complacent about my life and I wouldn’t be bored or boring and I would do all the things that needed to be done and say the things that needed to be said and if I died with a list of regrets when I was ninety or eighty or seventy or thirty-five, that list would be incredibly short and pathetic and would contain only random and asinine things like “Eat a pizza from the inside out” because I planned to live the rest of my days chasing daily adventure.

I told myself that I would start a family. And I have. I told myself I would pursue directing. And I have. I’ve directed short films and music videos and have worked with musicians whose work inspires me and have gotten my work into film festivals and my music videos featured on Rolling Stone. I’ve started a production company and created commercial spots that air nationally on broadcast television. I chased that dream and I caught it. I told myself I would read Moby Dick. And I have. And it was the worst thing ever but I finished it and can say with utter confidence that you should never pick it up. I told myself I would read Grapes of Wrath. And I have. And it’s one of the best things ever and I can say with utter confidence that you should pick it up. I told myself I would start camping. And I have. I’ve taken my family on meandering, aimless, vacations in a minivan and I can finally high five that teenage version of myself.

I’ve written television pilots and recorded podcasts and learned to cook and had ’80s-themed parties and made new friends that have become my family and have started a blog and am learning to play the guitar and the ukulele and I play hide and seek at least once a week. I’ve started playing Frisbee golf and hiking and I just got a membership to a gun range where I have learned that I prefer a revolver to a pistol but my accuracy is superior with a rifle. I recently killed and cleaned my first fish and by the light of three headlamps, I gutted and cooked it with my bare hands before feeding it to my tribe. I flew to Nicaragua, slept at the base of a volcano, went zip lining, and helped a woman who was being mugged.

I read. Every day. Sometimes out loud with my wife. I write. Almost every day. I keep a journal but I almost never read it. I go to concerts and the theater and I say yes to any strange food that happens across my plate, which is how I ended up eating blood sausage and frog meat. I started a financial budget with my wife and we’ve done a pretty decent job of sticking to it. I love those around me every day because I almost lost each and every one of them.

My mantra has become Year of the Yes. Whenever someone asks me to do something that I’ve never done the answer is yes, yes, yes, always yes. I want to live strong and loud and uncomfortable. I want to find my boundaries and push past them and expand my culture and thoughts and experiences and love for all of humanity and the energy of life itself.

I never want to say that I am too old or too tired or too busy to go attempt something or to succeed at something or to fail at something. Too old and too tired and too busy are excuses invented by lazy people with no personal ambition. Age is relative. Time is relative. Even success is relative. But what we do with our time is not. Every move counts.

Life is too short to be stagnant and The End already comes too swiftly. When Death finally knocks on my front door, beckoning me home, I want to smile broadly, look at my to-do list and I want the last words I see to be, “Embrace Death. You did everything.”



And here is the beautiful lady herself.

Jade, thank you so much for standing by me through the most difficult time of my life. You are amazing and brave and kind and incredible and I can never pay you back.

I can never pay you back. And I hope that the opportunity to do so never arises.

Thank you for supporting me through this entire insane book. Thank you for continuing to support my wild ideas, dreams and goals over the last 15 years. We have gone to the ends of the earth together and I could not have done any of this alone.

Your spirit is beautiful.

Thank you for standing next to me.







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I wake up in a dark room. I am seven years old. I look out the window and there is snow covering the ground. It’s fresh. Strange ice patterns have crawled up the glass panels, trying to creep into my home, into my house. I run to the bed next to mine and shake my sister awake. She snorts and sits up, pushing me away. I stand back and say nothing. I just watch her. And then I see the realization dawn on her face. She knows. She’s been waiting. And now it’s here. It’s finally here.

The two of us bound down the stairs together, two at a time, nearly tripping over each other’s feet. We each grab the banister and rocket ourselves into the living room where we lay our eyes upon one of the sweetest things an American child will ever see:

A Christmas tree pregnant with gifts.

Oh . . . try to remember, try to remember. The full tree, the red globes. The lights. The stockings. The presents. I am seven and this is my currency. These are my diamonds. There are so many boxes of so many shapes and sizes in so many varying brands and designs of wrapping paper. Where to start?!

The night before was torture; lying awake in bed, in the dark, staring at the ceiling. You must sleep! I tell myself. Shut your eyes! But my desperation for what tomorrow brings is too great. I lie in bed until exhaustion overpowers me and, like a robot, my body simply shuts down.

I tentatively reach out and touch the first present, the second present. What’s in the big box? A Super Nintendo? A go-kart? A time machine?! I begin to tear and shred; paper is raining down upon my sister and me as we are swallowed up into a complete endorphin high. Neither of us can hear the other squealing with glee.

All is good. All is happy. Everything is perfect.

This is not a story meant to pluck your heartstrings in a way that says, “Ah, but the seven-year-old did not know what awaited him in twenty years.” This story has a bigger purpose than mere parallel emotional trite.

There is a magic in Christmas morning for children. It is something we have all felt and experienced but have lost having grown up. Certainly, Christmas is still fun and warm and inviting as adults but there is something unique about the quality in the air as a child that, once gone, can never be recaptured.

But here and now I tell you that, as a twenty-six-year-old man, lying in my bed on the fifth floor of the Arcadia Methodist Hospital on January 15, 2009, I feel like a seven-year-old on Christmas morning. That magic was back.

My time, my journey, my experience, my nightmare was finally coming to an end. The light at the end of the tunnel was not only in sight. It was here. Today. From my initial diagnosis to the final drip-drop of chemotherapy, my grand total was 163 days under the gun—3,912 hours of fire-refining damage control.

I wish I could tell you that there was one single moment where I simply crossed a line or walked out the door and then it was over with a bang, finished like a race. But that’s not the case.

This is how Cancer ends.

Not with a bang but a whimper.

A nurse enters, and looking at my final chemo bag, unceremoniously states, “All done.”

I shut my eyes and I pull in breath and I sob in happiness for the first time since my brain cancer came back negative. After so much distress and tragedy and bad news piled on top of us, here it is. Tears roll down my cheeks and onto my pillow and my wife squeezes my hand and my mother squeezes my other hand and the three of us have made it through alive.

We. Have. Survived.

The nurse pulls out my IV for the last time, and just like that, I am free. While I’d love to tell you that it ends there, it doesn’t. Because the reality is I’m still very sick. I still have gasoline and particles of nuclear fusion soaring through my veins and it will be weeks before they’re out and it will be months before I feel like an actual living human again. Who knows how long it will take for my eyebrows to come back . . . .

Sue leads my entire nursing staff into the room, six of them total. It is this group of complete strangers that have made me feel as much at home as I possibly could have over the course of the last six months. They’ve given of their time and energy to help me keep my attitude highest when it wanted to live in the depths of oblivion. They were my cheerleaders, my team, my friends, my family in a time when I needed all of those things. These people went above and beyond their duty to bring me safely to The Other Side. They guided me back across the river Styx.

Sue sets a chocolate cake in front of me and says, “For when you get appetite back.” The cake is the most delicious and unappetizing thing I’ve ever seen and it turns my stomach but I value the personal token of friendship deeply.

I remember the first hospital we’d visited where they’d forgotten my paperwork and I try to imagine what six months under the care of The Careless would have been like. I shudder.

I stand up slowly and individually hug each of them, staining the shoulders of their smocks with my tears. I embrace Sue last, our special mother-nurse and I whisper, “Thank you,” in her ear. Her body is small and frail and I realize that I currently have the same physical build.

She says, “Mike will take you outside. Sit down,” and she signals to a wheelchair. The Wheelchair. The Final Wheelchair. Mike steps behind me, grabs the handles and pushes me into the hallway where my wife snaps a photo of me with the group of them. It will become something that I cherish deeply.

Mike begins to push me forward, and Sue says, “See you later,” and I turn around and say to her, “Sue, I don’t want you to get the wrong idea but . . . I hope I never see you again.” She smiles and laughs and says, “Yes . . . . Yes, I hope I never see you again either. Be healthy. Be well!” and then she turns and disappears into another room, with another patient, to change another life.

Mike pushes me to the front door where my mother is waiting for me with the car. I stand up, turn, and shake Mike’s hand. He’s always been a man of very few words and so he just says, “Good luck,” and I say, “Thank you for everything.”

I turn and walk out of the hospital and into the light.




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TWO FRIENDS, part 1 & 2: CHAPTER 38



 During the summer between my eighth- and ninth-grade years, I ended up meeting a boy my same age named Rob who lived across town from me. He is a mental fixture in my childhood and was a very important part of my adolescence, and although I wrack my brain over and over, I can’t seem to recall how the two of us first met. Presently, as a thirty-year-old man, this makes me very sad as I know that things I hold dear to me are beginning to slowly evaporate while I’m not looking.

His parents had divorced long before I knew him, and he was mostly left alone throughout the day during summer break. His mom’s small house became our kingdom; its four walls were ours. We could crank the stereo and listen to our music as loud as we wanted. It was that summer that Rob introduced me to Jack Kerouac, Neil Gaiman, and rock and roll.

He would date a girl, I would date a girl, we’d break up with them and date each other’s ex-girlfriends; once we even made out with the same girl at the same time, both of us feeling her up while awkwardly trying to avoid each other’s hands. That encounter finally ended with the three of us all giving a collective, “This is weird, yeah?” and then driving to Burger King for lunch.

A few years later, Rob and I began to change and grow apart (as people do). He began spending countless hours at the library (pre Internet) researching Buddhism and Hinduism and various forms of monkhood. He claimed to spend hours each day in his room meditating on nothing but clearing his mind and disconnecting from the world.

We’d spend endless hours bickering wildly over the existence and nature of God, me with all of my “hard facts” he was ignorantly overlooking. I would point and condemn, using fear as a weapon. It makes me grimace to remember the things I’d say; the way I’d try to shove a very specific brand of American Christianity down his throat like a horse pill. “Just take two of these and you’ll be fine!”

Religion was a drug to me. It lifted me up and made me feel good and certain and right. I couldn’t get enough – I mean, who doesn’t want to feel absolute certainty in the unknown? Certainty gives us a sense of superiority. And superiority damages relationships. And eventually, as most drugs do, it devoured me and alienated my friend. It’s funny how religion – a supposedly cosmic belief system based in love, unity and the divine – can separate and isolate human beings so harshly if we allow it to.

Years passed and Rob and I grew further and further apart, only seeing each other randomly in the high-school parking lots. We became involved with different groups of friends but still nodded silently to each other when we passed by happenstance in the halls.

Then, sometime during our junior year, I heard from a mutual friend that he had suddenly taken a bus to California. It wasn’t until years and years later that the two of us would meet again, this time at his new home, a Hare Krishna community in Santa Monica he’d been living in since he left South Dakota. We were different people—both of us half a country away from our hometown, both of us half a decade older, me a bit balder from genetics, he with a purposefully shaved head save for a sprout of hair in the back. I wear a T-shirt and ripped jeans, he an orange robe.

We’ve both matured as men and are able to discuss our cosmic curiosities in a more social manner, taking the time to learn from one another rather than attempting merely to teach and talk. He asks me to stay for lunch and we walk through a veritable buffet of vegetarian Indian cuisine and he purchases my meal for me. We say grace together and dig in, reminiscing about people we once knew.

He tells me that he had discovered this temple during one of his various faith studies, contacted them, and they’d sent him an invite along with the bus fare. At seventeen years old he had packed a single bag, got on the Greyhound, and never returned.

Once I was diagnosed with cancer, he and his new wife were one of the very first and very few to come visit us in the hospital. Then, six months later, toward the end of my treatment, he invited my family to his temple for a small lunch. It could not have come at a better time as I was truly feeling as though I needed to unload a minivan of emotional baggage. There were dark things happening deep down in my soul and they were going to come out; Pandora’s box was going to crack open. I was feeling very bad things and I needed to say them. I needed to get them into the air around me and I needed someone I trusted to hit them all like Whack-A-Moles when they appeared.

Looking back, I hope to God that these emotions were simply my renegade hormones speaking; my lack of AndroGel and imbalance of testosterone. But even today, years later, I can’t say with any absolute clarity. I can’t say for certain that I wasn’t on the brink of something darker.

Rob, who was now going by the name of Haladhara, and I sat down at a small table while, at my request, our wives and my mother sat down separately. We both say our customary blessing and then I thank him for buying me lunch yet again. He says, “Dude . . . dude . . . c’mon. It’s the least I can do.”

I look at my large plate with my meager portions and remember the last time I ate here—I had heaping stacks of food. He asks, “How is everything? How are you doing?” and I reach out and pick up a biscuit that might be made out of potatoes and spinach and I take a bite. I say, “I’m not very good, man. I’m not doing very good,” and my voice cracks on that last word and he says, “What’s wrong?”

I look around the restaurant and see people seated at different tables. My initial fear when we walked in the door had been that I would throw up and make a scene. My new fear is that I was about to start crying uncontrollably with an audience.

I say, “I’m . . . so . . . I don’t know. Just inside. Everything feels all weird. It feels all sick,” and he says, “But it’s gone, yeah? It’s all—you’re out of it?” and I say, “The cancer is gone . . . but the cancer—it’s never been the problem. It’s the chemo. The chemotherapy is the monster, and I’ve got one round left. I don’t know if I can do it. I don’t know if I have it in me,” and Rob, or Haladhara, puts down his food and puts his fingertips together and just listens to me talk. I ramble.

“It hurts so much. I can’t walk. I can’t talk. I’m . . . pain . . . everything is fuzzy. The ice-cream truck made me cry. Jade is giving me baths. I can’t take care of myself. Can’t walk. Can barely think, talk . . . . I can’t eat. I don’t know. If I had to do this again, I can’t say, I can’t say, I don’t know that I wouldn’t just . . . kill myself. I don’t think I can do it again.”

These are the darkest words I’ve ever spoken and I consider this moment to be my darkest hour. I glance around the small room and find that no one is looking at me but everyone is paying attention. I try to stifle my gasps but I have no control over anything. I put my face into my hands and try to hold back visceral wails that seem to be clawing their way out of my very soul. Thinking these monstrous and loathing thoughts is evil and poisonous toxicity—thinking about suicide. Speaking the words out loud feels so much more tangible and dangerous. It feels as though I’m speaking some kind of taboo truth into them that I hate, bringing it to life or somehow birthing it into our world. I don’t want to say it, don’t want to admit it but I want to get in front of the problem, get it into the air, out in the open; murder it before it murders me.

I am broken.

Rob reaches across the table and puts his hand on mine and says, “You’re going to be all right. You’re so strong. Everything you’re going through is difficult. But you will get through it. You are inspiring.”

This moment between two people. This compassion. This empathy. This kindness. This is what God looks like.



At some point in the early 2000s, my brother-in-law, Jarod, moved to Bozeman, Montana, where he began work as a bartender while attending college. It was at this bar he met a girl and fellow employee named Lucy.

The two hit it off well enough, and when Jarod discovered that she was moving to Los Angeles, he volunteered to connect her with my wife and myself.

So one extremely windy day, we all met at a Starbucks and drank overpriced burnt coffee and chatted about our plans to “take over this town.” She was one of the nicest people I’d ever met; she wore a constant smile, made well-timed jokes, and laughed when expected. All that aside, we were living in different parts of the city, and the three of us were simply too preoccupied with other things to navigate a new and strange friendship.

It would be years before either Jade or I saw her again.

Fast forward several tax seasons until I’d finally found myself working as the lead editor at a start-up post-production company in Studio City. The owner, an enormously tall Dutchman named Radu, had a weakness for cheeses, Entourage, and loose women. He had a constant interest in “The Dakotas,” a cowboy land filled with bars, gunfights, and no electricity that I had apparently somehow escaped, presumably on the back of a wild stallion.

He’d wander around the office, ducking through doorways, moving from edit bay to edit bay proclaiming, “Rah-DO-IT!” if he agreed with something you were creating.

A year into my job there, he decided to bring on our very first assistant editor; a young lady named Amber who had just finished college up north and was now trying to get her foot into some steady work.

One Wednesday, Radu called a meeting (which usually just entailed Amber and I sitting at a table in the front lobby while he showed us his favorite moments from Entourage and splurged on exotic cheeses) to tell us about a new client we had coming in; some foreign documentary that needed editing. “I know neither of you speaks Spanish—hell, Brookbank barely speaks English—but we’re going to just Rah-do-it. You got it?” Honestly, he was like a character out of a TV show.

I reach out for a piece of cheese, and he slaps my hand away. “This ain’t no soup kitchen! You pay for that cheese? Were you born in a barn, Dakota? You probably were born in a barn—go buy your own Velveeta cheddar slices, whatever. This is good cheese. Fine, here’s one piece, just to try. Savor it because you’ll probably not get anymore again. How much you think this cheese platter cost? Forty bucks.”

I say, “This cheese tastes like a jock strap,” and Radu says, “You have the etiquette of a possum. Shut your mouth when you eat, you rat bastard. Now, listen, the client is Such and Such—” except he actually names the client and doesn’t say such and such and Amber says, “Such and Such on Miracle Mile?” and Radu says, “Yes; you know them?” and Amber says, “Yeah, my best friend Lucy works there—we graduated from Bozeman together,” and I say, “You went to Bozeman? Lucy who?” and Amber says, “Lucy Such and Such!” and I say, “Black hair? Thin? Laughs when she’s supposed to?” and Amber says, “Yes!” and I say, “My brother-in-law is Jarod. Do you know him?” and she says, “I know Jarod!” and Radu says, “I ain’t got time for this. I’m going to take a shit. Nobody touch my cheese,” and then he leaves the room.

This is how I met Lucy for the second time.

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There are people that you meet from time to time and you can just tell that karma is out to get them, or is, at the very least, lying dormant and waiting for the perfect time to strike. Then there are people who, conversely, you meet and you just think that even their dandruff should be considered good luck powder in most circles.

Lucy was one of these latter. Although, it should be stated that she does not, so far as I am aware, have dandruff. When you meet her, you immediately think to yourself, “You’re a wonderful person. You’re happy and you know what happiness is and I can simply tell that you are a good friend with a trustworthy personality.”

Over the course of the following years, Lucy and my wife and myself all keep up, fighting through the weirdness that is LA friendships in order to get together for the odd and random dinner. Our friendship matures and Lucy ultimately becomes a close friend of both my wife and myself.

Then, one day, years later, I’m sitting in My Yellow Chair with my blanket when my phone rings and it’s Lucy and she’s asking if she can come over to visit. Of course, we say and when my wife shouts, “Come in!” a few hours later, Lucy hobbles into my living room wearing a full blown please-sign-here leg cast.

After the initial, “What-the-what?!” and “Is that fer real?!” questions out of the way, she regales us with her tale of woe.

Two nights ago, she says, she was coming home with her roommate. It was about 11 p.m. and she had to park about a block away from her house. “It’s a good neighborhood though so not a big deal.”

She and her roommate exit the car, begin the track back up the block and—someone punches her in the back of the head, knocking her 110-pound frame to the ground. She rolls over in time to see two young men begin to stomp, literally stomp on her leg until it is cracked and broken, only stopping when porch lights begin to turn on from her wretched screaming. The two boys take her purse and disappeared into the darkness while her roommate fumbles with 911.

I say, “They . . . stomped . . . on your leg . . . until it snapped?” and she says, “Yes, with their feet. They just jumped up and down on it. They shattered my leg. And, yes, I’m moving to New York City.”

There is silence between us when my wife says, “New York? Isn’t that dangerous?” and Lucy says, “I don’t know. Probably. Maybe. Certain neighborhoods. I just can’t—every day I think they’ll be there. Every day, no matter where I am, I’m afraid they’ll be there. If I’m in a parking garage at nine p.m. or a Target parking lot at eleven a.m. I think they’re following me—I mean, I know they’re not following me, but I’m waiting for them to come back. I was mugged and I’m afraid it’s going to happen again. I’m afraid of them returning. Do you know what I mean?”

I look at her and I say, “Yes, I know exactly what you mean.” I know what it’s like to have them return again and again and again. Mine doesn’t come in the form of two cowardly men; mine comes in the form of bad news over and over and over. Testicular cancer, surgery, heart cancer, lung cancer, grand mal seizure, fainting, puking, RLS, blood vomiting, insomnia, constipation, atrophy, platelets, blood transfusions, lockjaw.

The process has a way of getting under your skin, into your soul and making you not trust The Good News. Cancer wasn’t done with me; it was going to come and find me in some parking lot and finish the job. Lately I’d just been spending my days waiting for the other shoe to drop.

I say, “New York will be awesome. Be safe,” and Lucy leaves for her new life where she will find success in producing. I love Lucy’s story because it shows that goodness and opportunity can come from anywhere. Two bottom feeders break your leg, steal your purse, and re-route your train for New York where you find more happiness and success than you ever had in Los Angeles. It’s a high price to pay, but the even higher price is a life lived in mediocrity.

Feeling suddenly inspired to make moves and to get out there and to feel the hustle that I heard Lucy talking about, I decide to e-mail my boss. I’ve been in correspondence with him over the last few months, and he, to his great credit, has been nothing short of compassionate. When I had to leave he said, “Go, take as much time as you want. Whatever you need. We’ll work with you,” and for an employee, that inspires comfort and safety. In an industry where everyone is flaky, it was a breath of fresh air; while dealing with a disease that was unpredictable, it was wonderful to have predictability. It was nice to know that, at the end, my job was there.

I’d hit him up every three to four weeks just to touch base and say hi, let him know I was still alive. He writes back with, “No problem! Just beat that cancer! Quit worrying about the job! It’s here! It’s yours! Just get better! Good luck!”

So it is upon this day that I write him one final time to give him the good news, “My cancer is gone and it looks like I’m going to wander the Earth for a few more years after all. I should be able to return in about six weeks and I just want to say thank you so much for keeping it open for me.”

Our medical bills were now into the hundreds of thousands and we needed a financial Band-Aid soon. This job was the only rope I could see that would pull us to safety.

I send the e-mail and I hear the whoosh indicating that the digital file is flying through cyber space and I imagine Phil’s e-mail giving him a little bing notification. I imagine him reading it and smiling and feeling warm and fuzzy that he is such a huge part in helping me to gather the shattered pieces of my life and glue them back together. He can sleep easy tonight knowing that he and he alone was the boat that sailed my job through the storm. He was the captain at sea while I was in the infirmary. I stare at my blank computer monitor and I think, “I hope he knows how much that means to me. I hope I was articulate enough.”


I receive an email. From Phil. Wonderful! I quickly open it up, excited for the warm words of encouragement from o captain, my captain. I smile and begin to read, paraphrased as, “Johnny. I’m so glad to hear you’re better. Unfortunately, I gave your job away two weeks after you left and didn’t have the heart to tell you. I’ll put out a couple feelers. Be well. Phil.”

I reach over and sip my hot tea, fold my hands and purse my lips as I try to decide what my emotional response should be to this terse letter.

I look toward the door and, nodding, I see our collection of footwear. It appears the other shoe has finally fallen.




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I can’t believe that the emergency room has a waiting room. I mean, I get it but . . . you just would not believe the lines in the Los Angeles E.R. It rivals the DMV. It truly does.

After two predictable hours of mentally dissecting Georgia O’Keeffe paintings (How did she get a corner on the medical market??) we’re finally called into a private room where they deduce that I need another blood transfusion, “But,” the nurse tells me far too casually, “Before we can get to that, we’re going to need you to sign these contracts here, here, here, and here, Mr. Brookbank.” I grab the pen and say, “Oh . . . kay . . . . What is this for? What am I signing?” and the nurse says, “Just in case you get AIDS from this blood you can’t sue us,” and I say, “EXCUSE ME?” The nurse laughs and says, “The chances are very small—I mean, less than one percent,” and I say, “Nothing to do with you but, honestly, my luck has been pretty shady lately so, just to abate my own curiosity, would you mind walking me through your screening process before potentially pumping me chock full of AIDS blood?”

The nurse says, “Someone comes in and gives blood—small vial. We test that blood. If it’s clear, we ask them to come back—typically a day or two later—and this is when we’ll take several bags of it.”

I say, “OK, go on.”

And the nurse says, “Well, it’s possible that they contracted AIDS in those two days.”

And I say, “That’s not the end of your screening process? You test the blood again, yes?”

And she says, “Yes, we do but . . . there is always room for human error and that’s where this—” and her finger pokes the contract, “comes in.”

I say, “I see,” and look at my wife who says, “If he gets AIDS—I mean, if you give him AIDS—what does that mean?”

And the nurse says, “Well, he will have AIDS.”

And my wife says, “Yes, I’m clear on that but . . . we have no follow through? He just has AIDS? You’re not held responsible?”

And the nurse says, “Not if you sign that contract.”

And so I say, “And what if I don’t sign the contract?”

And the nurse says, “Then you can’t have any of our blood.”

And I say, “Any of your AIDS blood?”

And she says, “Any of our blood at all, AIDS or otherwise.”

And I say, “Cold move.”

And the nurse says, “I know. I just work here.”

So I sign the paperwork and the nurse says, “Good choice. I’ll be back to get you in a bit,” and then she leaves us.

In the waiting area where we’re all staged sits a robust African American woman with a cast on her foot. I see her all by herself looking nervous and so I direct my chauffer to the given target and Theresa begins to slowly wheel me over to her. I say, “You waiting to get your blood drawn?” and she nods and I say, “What happened to your foot?” and she says she slipped and fell and broke it. I grimace and say, “Could be worse,” and she says, “Oh, not being able to walk is pretty bad enough,” and I laugh and say, “But it could be worse so you’re pretty lucky,” and then I say, “Hey, I’m afraid of needles. How about you go in there before me and when you come out, you tell me if the nurse is any good. If she’s shoddy I’ll request someone new.” The woman nods and agrees and laughs.

She says, “Are you getting your blood drawn, too?” and I say, “Yeah,” and she says, “I hate them needles,” and I say, “I know. That’s why you need to be the guinea pig. I don’t want to get jabbed a bunch. You gotta take one for the team,” and she laughs and says, “Why you here?” which is a pretty invasive question and so I cough a couple times, really hard, into my fist and say, “I’ve got this really contagious disease that they’re still trying to figure out. It’s like the bird flu but with no remedy. It’s airborne.” I sniff really loudly and then cough into my sleeve and say, “Sorry.” The woman slowly pushes her wheelchair back and says, “Maybe you . . . should have one of those masks or . . . ” and I say, “Yeah, I basically live in a bubble at my house – like a little plastic tent. But once in a while I get to come out. I’m just not supposed to be very close to people. You should be fine,” and then I cough into my hand again and simply look at the floor, in silence.

Behind me, I can feel my sister touch my shoulder. She’s not very good at this sort of game so I’m sure she’s very uncomfortable right now. I look up at the woman and smile and she smiles back with a mouth full of fear and weirdly friendly eyes that seem to say, “Act natural. Act naturaaaaal . . . . ” And then I start to laugh and I say, “I’m just kidding!” and she laughs as well and my sister releases a burst of awkward laughter and then I say, “I was actually at church—that’s my family over there. We were over at church this morning and I was standing in the lobby and suddenly everything just went dark. I passed out. When I woke up, my tongue was white.” I stick it out and she pulls her lips back in open disgust and says, “Ick.” I say, “Thank you, yes, I know,” and she starts to laugh again and says, “You passed out in church?” and I say, “Yeah, right there,” and she says, “Boy, I bet they all thought you were having a gen-u-wine religious experience!” and then she has a mock seizure. She says, “Why do you think that happened?” and I say, “Well . . . I have cancer,” and she says, “Oh, OK. Yes. CANCER. I get it. You’re like Mr. Funny Guy, huh? Do they keep you in a cancer bubble at home?” and my sister and I both stare at her dead pan and I say, “There is no such thing as a cancer bubble.”

A long moment passes before the woman says, “Oh, dear,” and then I laugh and say, “It’s OK. I actually don’t have cancer anymore but I’m still in chemotherapy,” and then a nurse enters and calls the woman’s name. The two of them disappear into a back room and reappear moments later, tape now stitched around the woman’s arm joint. I say, “How is she?” and she says, “It was fast,” and I say, “Good.”

The black woman looks at me and says, “God bless you,” and I say, “Didn’t you hear me? I said I don’t have cancer anymore.”


***   ***   ***   ***   ***


Two floors up I’m getting another blood transfusion; the platelets are draining back into my body like a soggy hourglass. My wife clicks through the TV. Nothing is on and we watch all of it.

This is the first time that cancer has proven to me that, just because it’s gone, it’s not vanquished. Just because it’s out of sight, doesn’t mean it’s out of mind. Cancer is the king who, once dead, you realize has booby-trapped the whole palace.

I stick out my tongue and say, “What color is it?” My sister looks up from her phone and says, “Pink,” and I know I’ve won another battle and I’m also certain that the war is coming to an end. I just have to wonder how much PTSD is going to come along with it.

A few days later everything is back to “normal.” My dad is clicking away on his laptop, my sister is nowhere to be found, my wife is at work for the day, and my mother is making random notes on napkins, a habit she’s exhibited my entire life. On every vacation she takes she’ll find herself a pen along with a napkin or some form of old scrap paper and begin jotting down short-hand journal entries. I can only assume it’s some form of coping mechanism.

As I walk past her I look down at the paper and read: dad & t arrive / movie / popcorn w caramel / enchilada / Harry Potter / church / faint / blood-plates / butterfly needle and then there’s a picture of a smiley face and a series of numbers. I say, “Mother?” and she looks up. I say, “Have you ever seen A Beautiful Mind?” and she says, “I don’t know. Who’s in it?”

I look over at my dad, who’s staring at me, the clicking stopped. “That’s her, yes. YES. Hahaha,” and then click-click-click. My mom writes down A Beautiful Mine onto the paper and asks if it’s about coal or something. I say, “Yes,” and walk out the back door to sit in the sun for a bit.

Growing up, my grandparents lived right down the street from me and it seemed that, without fail, any time I drove by, the two of them would be resting on their front porch. When I was a child and full of enough energy to power a small village, I thought this was strange, the idea of people sitting and doing nothing, but today . . . something is going on inside of me. I’ve been given a gift. Cancer has been a crystal ball into my future and it has said, “Look! Behold! Observe! Here is a glimpse into your life! THIS is what it feels like to grow old! Your energies will be sapped and your motivations will run dry! Thank me! Thank me for showing you this!” and in my head I say, “Thank you, Cancer. Thank you for showing this to me. I’ll never be the same after this . . . . Thank you.”

But today I am the same. Today I have no energy and today I am an old person. I find my sister sitting outside and smoking cigarettes while texting her boyfriend. I sit down next to her but don’t say anything. I just push my face into the sky and shut my eyes. The sunlight is as tangible as a warm washcloth.

My sister says, “I love you,” and I open my eyes and find her crying. Tears are rolling down her checks like broken faucets and her hands are shaking. I say, “I love you too, Trees—what’s—what’s wrong? Did you and Jes break up?” and she laughs and makes a noise that sounds like it means, “No.” She shakes her head and stares at her feet.

She says, “I saw pictures of you that mom had sent over on her phone and you . . . . I’m sorry . . . . You didn’t look very good. You looked sick, you know,” and I say, “Yeah, OK. I mean, I am sick,” and she says, “You’re not sick! You have CANCER,” and I say, “Had . . . not have.”

She looks at me and says, “I showed up and I wasn’t expecting my big brother to look like this. In real life you look— I’m sorry . . . so much worse,” and I say, “It’s my lack of eyebrows that freak you out, huh?” and she laughs a snorty-pig laugh and shakes her head.

“You look really, really terrible and you’re my big brother and it’s scaring me,” and then she just breaks down. Meanwhile, my stomach rolls over unexpectedly and I bend over and vomit at my feet, spattering spittle onto my socks.

I say, “Sorry,” but my sister just stands up and walks away. Away from the picnic table. Away from me. Away from the backyard, around the house . . . .

. . . And then she’s back and I say, “What was that?” and she says, “That was my last cigarette. I’m not—I can’t—I’m not smoking anymore, ever again,” and I smile, thankful that Cancer is changing the lives of those around me in powerful and positive ways.




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When I open my eyes, moonlight is still shining through my windows and my wife’s breathing is still soft and rhythmic. I know I won’t get back to sleep so I just Imagine. When there is nothing to do, it’s all there is. When everything is gone outside, when your body has been reduced to rubble, when your emotions are running rampant and every thought clouds your brain with fog, all you can do is Imagine.

I focus in on one single thing, one detail, one moment, one idea and I circle around it, staring at it, examining it and dissecting it. The thought this morning is My Fourth Round. I try to Imagine what one level deeper will look like; I Imagine it as a deep sub-basement. A cellar. There aren’t many people here and those who shuffle around in the darkness are pale and sinewy. I Imagine a nurse in the not-too-distant future pulling an IV out of my arm and saying, “All right, you’re done,” and then I Imagine walking out of the hospital and entering into the sunlight and feeling alive and free and while I lie there in the darkness, in my True Reality, everything still seems far away and unattainable.

People say to me, “One more round! Just one more round! The light is at the end of the tunnel!” and I see the light but it doesn’t look like it’s getting any closer. I understand that time is passing but why does it have to happen in Matrix bullet time?

I push my blankets back and drape my legs over the edge of the bed. I need to pee. I stand up and take a deep breath and my wife turns over and says, “Are you OK?” She’s like a mother with a new baby, sensing every movement in the silence. I say, “Yeah. Just gotta pee, ” and I smile and she says, “Shout if you need something,” and I smile again, open the bedroom door and exit.

Walking through the darkened house, I hear a faint click-click-click of computer keys and round a corner where I find my dad sitting at our dining-room table doing work remotely on his laptop, a twice filled bowl of Cocoa Puffs next to him. He looks up and smiles but doesn’t say anything. I say, “Hi,” and, “What time is it?” and he says, “Seven a.m. my time. I’ve been up for two hours,” and I nod, and doing the simple math, figure it must be around 5 a.m. here. I pee and walk into the kitchen and he keeps typing without looking up.

I want to sit down at the table and speak to him and ask him what he’s doing or ask him how he’s doing or ask something, anything that will fill the silence in the kitchen. Click-click-click.

I open up the cabinets and the fridge, searching for food that I won’t eat; some repressed muscle memory pushing me on, not wanting to face the fact that I don’t fully know the man sitting in my dining room even though I’ve lived in the same house with him my entire life. I open up a cupboard filled with frying pans and just stare at them, trying to look busy. I say, “What are you working on?” and he says, “Building my website,” and I say, “Ah.” I pull out a box of Cinnamon Toast Crunch and a bowl before putting them both away. I consider going back to the bedroom but the darkness in there is just too heavy and I know I’ll drown in it. I end up sitting down at the table and staring at the back of his laptop, at the glowing logo. I say, “What’s your website about?” and he says, “Cars I’m working on . . . building stuff.” Click-click-click.

I am dealing with complete anarchy in my personal life and pushing forward every single day, one step further, one step further, one step further and here I am, sitting at a table in an empty house with my biological father and I have no idea how to confront this situation. I have no idea what to say, what to do. I try to make a joke but neither of us laughs. I start to feel funny (strange, not haha) and just lie my head in my hands. He asks if I’m OK and I say, “Sometimes.”

My sister enters the room. My mother enters the room. My wife enters the room. Cereal is made. Oatmeal is made. Toast is made. Orange juice is poured. My sister sits down next to me and says, “What are you doing?” and I say, “What am I doing-what? What do you mean?” and she says, “Your tongue is kind of a weird color,” and when I examine myself in the mirror I see that it is indeed the same shade as raw beef that’s been left in the sun for too long. My wife says, “Do we need to go to the hospital?” and I turn on her like a corner and say, “No, no, no. No hospitals. No emergency rooms. No nothing,” and my dad says, “If we need to take you to the hospital, you will go. I will overpower you. I can overpower you,” and I understand now, today, what he meant, but at the time it inflamed my emotions. Even though it sounds like a joke, he wasn’t messing around. He wasn’t being coy. He genuinely meant what he said. He would bear hug me and drag me kicking and screaming to the E.R. if it’s what my wife said I needed.

I turn on him next and say, with as much acidity as I can muster, “You touch me and I will fight you.” At first glance this looks like the eternal power struggle between father and son, a story as old as time, but on second glance it’s just my struggle. To control something. Anything. He raises an eyebrow and looks at Jade, who looks at me and so I say, “The E.R. is a waste of time. We’re going to show up, sit in a waiting room for two hours. They’re going to draw some blood and tell me to hydrate. I don’t need a replay of The Adventures of Blood Vomit. I don’t need Christmas Eve take two. I don’t need to stay another night there. What I need is to relax and take it easy. I did it your way last time and it was a total bust and now we’re doing it my way. This time it’s my turn.”

Grasping at control.

Jade never answers. Instead she just exhales deeply and turns away. My dad turns back to his laptop. My sister’s phone buzzes and she reads a text. I say, “Who’s that?” and she says, “None of yer bizzznus,” and I say, “Is it your boyfriend? Is it that guy I met? Is it Jes?” and she glances at my dad—click-click-click—and makes wide eyes at me that seem to say, Shut up! So I do. She texts something back and I say, “What did you just text him back? Was that Jes you were texting? That guy you were dating? The guy I met?” and she says, “I told you to shut up,” and then she walks outside.

I met Jes about a year previous and we’d only spoken on two separate occasions. He was a nice enough fellow but had recently, I guess, gotten involved in and charged with conspiracy to manufacture marijuana and was going to be doing some prison time. No one was really sure which members of our family knew or did not know so my sister was very sensitive about the subject being broached at all. My extended family is full of strange secrets and double-crosses and so most things, regardless of how lacking in logic, are just taken with a grain of salt.

I stand up and move to My Yellow Chair before closing my eyes. I’ve been up for about two hours and it’s starting to make me feel strange, light headed. I say, “Church this morning?” and my mother says, “Yes,” and my wife says, “If you’re OK,” and my sister is outside, and my dad goes click-click-click.

I shut my eyes and nap.

When I wake up there is an electric movement in the air that says something is happening. Grab your things, c’mon, let’s go! It’s time! I slide my feet into a pair of old yellow sneakers and stand up. “I’m ready.”

My mother spruces her hair up. My wife spritzes herself with perfume. My sister changes shirts and jeans and shoes and then shirts again and then ties her hair back and then lets it down. I feel strange again but, since feeling strange has become a complete recurring theme in my life, I simply ignore it and soldier on.

We all gather by the front door and my mother says, “Mike, are you ready to go?” and my dad looks up from his computer and says, “Huh?” and my mother says, “To church? We’re leaving,” and he goes click-click-click . . . CLICK, and then shuts his laptop and we all walk out the door.

In the car I lay my head against the glass and feel the bumps in the road gyrate my skull and shake my brain. Next to me I can hear my sister click-click-clicking on her BlackBerry, every button a stapler to the temple. The problem with those phones is that even if you silence the “clicking sound” feature, those buttons are just built to click. Click-click-click! CLICK-CLICK-CLICK! CLLIIICCCKK!! Click-click-click.

I turn to my sister and say, “How is work?” and she starts to tell me about her job and about how she thinks her boss doesn’t like her and how she’s thinking about quitting and all the scandalous things that happen there and I nod politely and ask questions and in the front seat my dad says, “These billboards are all in Spanish. I can’t read Spanish. Wait, I think that one says something about the number three… and maybe something about a burrito.” I say, “That’s El Pollo Loco.”

My sister says, “So what are you going to do when you go back? Back to work? Are you going to have the same job or what?” and truly, truly, it’s a fear that has weighed on my heart since this first happened, since this all began. What next?

Will I be able to just jump back into my career, back into my job? Will I be able to sit in an edit bay for ten hours a day after knowing that death is imminent? Will I be able to commute an hour each way and wile away in a cube while my life escapes through me one moment at a time? I don’t know.

I don’t think so.

When I am released back into the world I want to break the social norms and destroy the constraints and I want to live by a set of guidelines that work for me because, quite frankly, the ones I’ve been using aren’t really blowing my hair back. I don’t think humans were meant to live like caged chickens and . . . .

. . . I begin to speak; to relay these thoughts to Theresa. I begin to pour my heart out, wearing my fear on my sleeve like a patch. I turn my head and glance back out the window but continue to talk. The words are coming easier and easier, the fears becoming easier to speak about. It feels good to get it off my chest and then, suddenly, my sister just blurts out, in the loudest voice I’ve ever heard, the word, “HOLA!”

That’s what she says. She says, “HOLA!” and she nearly shouts it, like she’s welcoming the Chilean soccer team back to their home country after winning a major victory. “HOLA!”

I turn my head to put this interruption into context and I see her . . . on her phone. It was on silent so I didn’t hear it ring. Apparently I had just been talking to myself. I look into the front seat and see my mom and dad both staring straight ahead in silence.

I am pouring out my heart to the world passing by. I say, “Are you kidding me?!” and my sister says, “What?” and I say, “I’m sitting here talking to you and—“ she just holds a finger up over her lips and says, “Shhh.”

How dare you shush me! My brain explodes in rage and indignation and I raise my fist in the air, but my sister merely mocks me. I whisper-shout, “You think the cancer kid can’t beat you up?! You think I can’t take you down?! Well, you’re probably right but I’m going to remember this! All of this! HOLA, indeed!” and then she puts her finger to her mouth and shushes me again, violently, truly wanting me to hush.

I say, “Who are you talking to?” and she mouths, “Shut up! Jes,” and I say, “Jes? Jes, your boyfriend? Jes, the guy you’re dating? Jes, the guy I met?” I pause and then say, “Give me the phone . . . . ”

Theresa glares at me, unsure how to accept this challenge. She knows we’d met before (twice) and she knows that we got along all right (twice) but she has no idea why it is I would want to talk to this man after having not seen him for close to a year.

She says, into the phone, “My brother . . . wants to talk to you . . . . I don’t know . . . . I don’t know . . . . Is that OK? OK.” And then she holds out the phone and I reach out for it but she pulls it away at the last minute, leaving me grasping at air. I say, “What?” and she just raises her fist in the air, mocking me again and says, “I’m serious.”

I push the mobile device to my ear and say, “Hello. Jes?” And he mumbles something, sounding unsure, unsure of our conversation, unsure of himself, unsure of everything. I say, “What’s going on?” and he says, “You know, not much, uh . . . . ”

We sit in silence for a moment and then I say, “So, you’re going away for a bit?” and he agrees and my sister slaps the palm of her hand against her face. I turn my head and look out the window and I say, “I just wanted to say that I think we’re both going through something very unusual and I hope that when we come out the other end we can be very different people. I hope these things change us for the better and uh . . . keep it together, man,” and he says, “Oh . . . uh . . . thanks. Thank you,” and I say, “See ya,” and hand the phone back to my sister who just stares at me for a moment before speaking into it and saying, “Hello . . . hi. Yeah . . . I don’t . . . know . . . . ”

Years later, the two of them will be married and I’ll stand up for them at their wedding, not simply because they asked me to but because I believe in their marriage. Prison will affect and change Jes in fantastic ways and when he comes out of the darkness, he will be a new man, ready to embrace life for himself. Today he’s one of the kindest, most thoughtful people I know and I would put my personal reputation on the line for him at any turn.

Life has a very funny way of changing us.

We take the Highland exit and I mentally take note of the spot where I slipped into my grand mal seizure. I don’t know it then, but I’ll red flag it for the rest of my life. A mile up and I take another mental note of the spot where I woke up. I mark the trees, the light poles, the bus stop. I sigh and everything swims in front of me for a moment but then is gone. A few miles later we hang a right on Wilshire and pull into the parking lot of the church.

My family shuffles down the sidewalk, I leading the way for a change. I turn around, perhaps too quickly, and say, “Remember to silence your cell phones,” and everyone reaches into their pockets to do so. When I turn back around I feel something in the very furthest recess of my brain, a white mist. Then I feel something in my toes.

We enter the lobby and find ourselves standing in a throng of individuals. I’ve just walked a block and am feeling extremely exhausted . . . far more tired than I have any right to be, even in my present state. I think, “Something is not right. I need . . . to sit . . . down.”

I take two steps toward a support column in the center of the room and that white mist suddenly makes a lunging maneuver from the back of my brain and circles around to the front. The feeling in my toes shoots up my legs and into my thighs and everything is becoming a strange water-color painting.

My wife says, “Are you all—”

And then I feel my knees buckle and the weight of the world is on my shoulders—every screaming child, every warring nation, every lusting adult. Every prayer is being shoveled on top of me and I’m slowly drowning. God reaches down, grabs the room and spins it like a top (or perhaps a dreidel, depending on your religious orientation) and my right foot shoots out to establish my balance and my left foot shoots forward to counter.

Someone says something else and I’m trying to stand up but it’s all so heavy and spinning and then the words are just electrical motor engines and the darkness on my brain consumes my eyeballs and the world around me fades . . . to . . . black.


***   ***   ***   ***   ***


When I open my eyes it takes a few moments for my reality to click on but when it does, it’s just like a light; everything is illuminated. I’m here, the church, the people, the embarrassment. Don’t be embarrassed! But I am, I’m lying on a floor in a room filled with strangers who are all staring at me. Drink this! A cup of water. Great. I would love to throw this up in front of you all when I’m nice and ready. Don’t stand up! Great, I’ll just hang out down here. Just lay down! No. Absolutely not. I will not look as though I’m taking a nap in the center of the floor. I understand what happened here was a little weird and everyone is a little freaked out but I don’t need to lie down. I am a grown-ass man.

I sit up cross-legged and say, “Jade, please help me up,” and my dad says, “Just hang on, John,” and I say, “Help me . . . up,” and they do because, unless they’re going to pin me down, I’m not lying here like Lieutenant Dan.

My sister says, “Whoa. Your tongue is . . . really white,” and I say, “What do you mean, white?” and the rest of the my family suddenly makes a noise like a vampire seeing a cross and even a couple of people standing next to me take a small step back. My wife snaps a photo on her phone and shows it to me.

Oh, I think, they meant white. Like paper. Or snow. Or a ghost. My tongue had been drained of all color and now it just looked like someone had shoved one of those weird albino dog turds between my lips.

I clap my hands together and say, “Well . . . so . . . to the hospital then?” and without any verbal agreement, we all just turn and start walking back to the car.





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Days pass like kidney stones. Dr. Oz is playing and so I think it must be around noon. I want to push the TV off the shelf. I hate how standardized it is. I hate how scheduled it is. I hate how predictable the entire process is. I hate that everyone on the TV is so happy and falsely charming and plastic. I hate them gazing out at me, into my house, not seeing me but trying to talk to me, give me advice, counsel me, imagining that they, the daytime teevees, know everything what the world is going through; the details, the minutia, the process.

My hormones are going off the wall and through the roof. My testicle (both my testicles) are missing and I’m angry and then I’m sad. I tell my mom that I love her and then I want to break a vase but only one that’s owned by a person that pronounces it vozz. I cover my head with a blanket and just want to be left alone in the silence. I want to paint my nails black, embrace death, and write gothic poetry about moonbeams, dark angels, and religious sacrifices. I shut my eyes and try to logically explain to myself that I’m not upset or happy or sad, it’s all hormones. It’s all just a chemical reaction in my brain and your brain is misfiring left and right. I would see a piece of vanilla cake and want to cut it with a knife . . . but not to eat it. I just want to hurt it because it’s pretty.

I begin to feel as though my emotions (like everything else) are outside of my control. Imagine you’re at your workplace and you’re doing a phenomenal job and you have been doing a phenomenal job for a year or two. You’re at the absolute top of your game, proud of your achievements and when raise time comes around, you go into your boss’s office and he fires you on the spot for not performing at company standards.

So, of course, you’re really mad. You’re furious at him and at the company. And that’s fine because those feelings are totally normal for that circumstance.

Now imagine you’re sitting on a beach and you’ve got the place totally to yourself, with nice weather, good food, a special someone. You sit back, pull out a beer, and then you feel that horrible flood of emotions mentioned above. They’re not tied to anything; there is no event, past or present. They just show up randomly and you want to hiss and fight.

When you lose control of your hormones, you lose control of yourself. You become a slave to their chemical whims and it’s very scary because it all happens at a moment’s notice.

So I stand up and coast slowly into the bathroom where I remove my shirt, pull out my AndroGel-steroid-hormone-medication pump (or, My New Testicles) and apply two full squirts of the gel onto my shoulder blades. It quickly dissipates into a sticky residue that I have to let dry on my skin, covering me in a thin sheen that “no one is allowed to touch under any circumstances. Doctor’s orders.”

I hobble back into the dining room just as Dr. Oz is ending and I stare at him with his chiseled features and his piercing eyes and his charming smile and voice like buttered bread and I say, “If I ever meet you, I’m going to bite your ear off,” and then it’s 12:30 and he’s gone and something else comes on and the television is just as predictable as—something unexpectedly moves past the living room window in a dark blur. It’s outside and it was quick but I saw it, whatever it was. I say, “Uh . . . Jade,” and she says, “Yeah?” and I look over at my mom and she says, very sheepishly, “What? What? Whaaaaaat?” and I say, “Who is here?” and Jade says, “Someone is here? I need to pick up the house!” and then I hear footsteps whose tone, weight, and cadence immediately harkens me back to my childhood. There’s a sudden knock on the door. It’s brief but with a level of force that I recognize.

When I see that both Jade and my mother are waiting for me to get up and answer the door, I simply do so vocally. “Come in!” The doorknob twists and in walk my sister and dad.

I stand up in a state of shock, my nipples hard from the cold air, my frame an old flannel on a wire hanger. My sister and dad approach me, both smiling, knowing they’ve surprised me. My sister reaches me first and throws out her arms but I jerk backward and throw up my hands as though I were fending off a mugger, screaming something that sounds like, “I-wahh-kooo!” which is not so much a word as it is a guttural noise that translates roughly to, “Don’t touch me, I’m wearing AndroGel Man Poison.”

I tell my sister that if she were to touch me she’d grow a mustache and so I instead stick out my arm, shaking hands with her. She stares at me and grips my hand and tears suddenly fill her eyes and I say, “Thanks for coming,” and she, never good with words but always full of emotions, croaks out, “Yes, yes, of course. Always. Anything. Wouldn’t miss it.” I release her hand and step around her to my father, who I’ve never seen eye to eye with. I stick out my hand and he embraces me and I say, “Thank you for coming,” and he says, “How do you feel?” and I say, “Good . . . . That’s a lie. I’m sick.” He releases me and I wander back to My Yellow Chair, slip down into it, cover myself up with a blanket and shut my eyes while my dad speaks, always in his precise and succinct military fashion.

“We drove all day yesterday and then all night. Stopped in a Kmart parking lot and slept for two and a half hours and then kept going. Made it from South Dakota to California in record time; twenty-one and a half hours!”

This is my dad. These are his passions. Personal time trials.

He asks what we want to do today and I shut my eyes and say, “This is it,” and he says, “You guys wanna go to the beach?” and I say, “No,” and he says, “Car museum?” and I say, “I can’t walk.” He purses his lips and I say, “Welcome to the suck.”

My dad sits down next to me, unfolds a newspaper, and begins to read. My sister sits at the table and texts her boyfriend. And so goes the rest of the day.


***   ***   ***   ***   ***


Cancer made me into an agoraphobic. I was afraid to go anywhere, everywhere, because, and I know I’ve probably mentioned this to death, my sudden trigger vomiting was so powerful and out of control that I was afraid I would be caught in public without access to a restroom. My home was my comfort zone and I didn’t want to leave it for fear of being caught in the open.

My home was my sanctuary.

The following day we go out for Mexican food and then to an early show of My Bloody Valentine in 3-D. For ninety minutes, I sit between my dad and sister and watch naked chicks get hacked to pieces. The movie was my choice and I regretted every minute of it. As the credits begin to roll I feel my stomach turn over and I stand up and say, “I think . . . I’m going to be sick,” and my mom says, “OK, we’re leaving,” and I say, “No . . . I’m going to be sick right now,” and people are sort of just shuffling in the aisles like lost sheep stupidly grazing and I’m about to heave and puke and when it happens I know, I can just feel it, that it’s not going to stop, it’s going to roll and wave and heave and push and pour and nothing within a 15-foot radius will be safe from my spray and so I shout the word, “MOVE!” and everyone does. Everyone in the entire row sits down or steps aside and I run with the undiscovered fusion energy of an atom bomb. I leap over laps, hurdle seats, lunge down stairs, race up the inclined aisle, marathon down the halls, find the restrooms, kick open the doors, push pass a group of people in line, shove past a man just entering the stall and just as I say, “Excuse m—“ it all comes up, red and yellow and brown and lumpy like potatoes, again and again and again, spittle and saliva and bile hanging from my lips and pouring from my nose. My hands clutch the handicap rails and I hate everything about this. I’m angry at myself for puking, for vomiting, for not being able to keep it together.

There’s a very internal struggle happening wherein I start to get very angry at myself and pick and peck and poke and say, “You pussy. You pussy. Get your shit together. Pull it together,” and I puke again and it’s cherry red and I don’t know what I’ve eaten but it just looks like more blood. I wish more than anything that I were just at home, back in the comforts of my four walls, my territory, my familiar space; back in My Yellow Chair, under my jacket; back on the couch, under a blanket; in my bed. Somewhere where “making a scene” is not considered “making a scene.”

You know you’re amongst close family when you can puke in front of them and they all just keep eating dinner like nothing happened.

I heave again and a tear runs down my face, dropping into the toilet. My stomach feels like it’s tearing open and I push my knuckles against the cold tile wall. My legs shake and I bend down, proposing to Queen Porcelain, my knees instantly soaking with the piss of strangers.

I hate what I’ve become.

I hear a door open and I dry heave and cough and dry heave and cover my hand over my mouth and wipe my lips on my sleeve and push my face into my shoulder and I just want to weep. I hate being such a convalescent. I am twenty-six years old. I should be in peak health!

There’s a tap on the bathroom stall and my dad says, “Are you OK?” and I say, “No . . . but . . . yeah. I’ll be out in just a minute,” and he says, “OK,” and then I hear him take a few steps away from the door and wait.

My father and I have never been emotionally close and so I anticipate him waiting for me in the hallway, taking the extra ten steps and giving me that “casual privacy” you would offer to someone who is sick. But instead he sits on the sink and waits and suddenly the bathroom isn’t so bad.




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I’m sitting in the backseat of our Pontiac Vibe in the parking lot of the Arcadia Methodist hospital. My breaths are coming in quick staccato bursts, my heart threatening to beat right through my rib cage. My mother is sitting in the passenger seat saying, “Just relax. We’re in no rush . . . just calm down,” and my wife is saying nothing, knowing that there is nothing to say. She sits in the driver’s seat biting her nails and checking her Facebook, knowing that I just need to process these emotions myself.

I throw myself back onto the seat and say, “I’m not going. I can’t go back in there! I . . . . Please, GOD, don’t make me go back in,” and then I’m curling my knees into my chest and covering my eyes with the bend of my elbow and just begging for a miraculous healing because I am terrified of chemotherapy.

It is burning and damaging and destructive. It is fire and earthquakes and hurricanes. I am a witch being led to the pyre again and again and again. I’m walking over hot coals, walking into the pain willingly, tirelessly, for the third time. It was easier when I didn’t know. It was scarier when I didn’t know but it was easier. The unknown was untouched territory that I slowly felt through in the dark, finding the rhythms of my sickness, the pulse of my body, the schedule of my Sub Life.

Now I know. Now I’m aware. I see the guillotine and the hangman’s noose. I see myself curled over and hurling up blood in less than 24 hours. I see my bones feeling like glass. I see my stomach churning and rolling as paint thinner is pumped into me. The fire is lit and everyone is chanting, “C’mon, c’mon, c’mon . . . round three,” and I say, “It’s not even the end! It’s not even the end . . . ” and images of doing this entire thing one more time keep flashing through my head and I’m so scared and I’m so alone and I don’t want to get out of the car. I just want to die, to die, to be struck dead. I am Prometheus and my liver is eaten and renewed and eaten and renewed and eaten and it doesn’t end, it never ends. God, if you won’t heal me, kill me! I am begging for a miracle, either of fantastic goodness or diabolical madness, anything that will deviate me from my current course of action.

I can taste the saline they pump through my veins to flush my IV. I can smell the cleaning supplies. I can hear that beeping IV ringing in my ear, stabbing my brain. I can hear that machine in the hall breathing for the man who is either still alive or very dead. I can feel the needles resting in my arms, and my eyes are glass and my ears are bleeding and everything stinks, physically stinks of rot and death and body odor.

Jade shuts her phone off and says, “Johnny,” and I say, “Hhhhh,” and she says, “We need to go inside now,” and I stand up and hold her hand and she takes another picture of me outside of the hospital, paper thin and red eyed and then we’re walking inside and you already know how this plays out.

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It is an easy life to wake up every morning and to hate our jobs. It is an easy life to piss and moan while we drive to work. It is an easy life to hate our bosses and to begrudgingly accomplish a list of tasks set out before us. It is an easy life to be put upon, allowing the world and circumstances and fate to blow us this way or that way and to kick the ground and say, “If only my luck would change.”

It’s easy to be a victim.

Whether it’s a bad marriage or a job that is uninspiring or a disease that catches us off guard, it’s easy to slouch down, shut our eyes, and feel sorry for ourselves.

It is also very amazing how quickly our perspective will shift and change once these horrible responsibilities that have been “placed on our shoulders” are suddenly gone and missing. How desperately we would eat the scraps from the table we were previously dining at.

Sitting in My Yellow Chair, I think to myself that I would do near anything to have my job back. To have any job back. I would go back to the video store I worked at as a senior in high school, I would go back to the coffee shop I worked at as a junior, I would go back to the sandwich shop I worked at as a sophomore. Paperboy, garbage man, toll-booth attendant, just let me live. Let me stand in the sunshine and talk to someone. Let my cares be menial and pointless and let me eat turkey sandwiches for lunch. Let me leave at five and drive home in bumper to bumper traffic and give me my thoughts—reasonable, logical thoughts. Let me think of my wife as the woman I married and love dearly; let her be the object of my affection and desire and let me not see her as my caretaker any longer. Let me grow old and come to take care of my mother. Don’t let my mother stand by idly and watch me die, cradling her son in her arms as I shrivel away, fading further and further into The Black.

Give me Life. Give me Freedom. Give me Adventure. I want to sail. I want to scuba dive. I want to scream. I want to skydive. I want to camp, hike, and swim. I want to travel in an RV. I want to visit Nicaragua and Ireland. I want to live in the woods. I want to fire a gun. I want to make a movie. I want to write a book. I want to have a family, grow old, and die with no regrets. I want to learn to play guitar, cook, and perform sleight of hand magic tricks. I want to stand up in front of a large group of people and say, “THIS is my story. THIS is what happened to me. THIS is how I got through it.” I want to donate my time to something, someone, anyone. I want to donate my money to something, someone, anyone. I want to make a difference. I want to talk to a child with cancer and say, “You’re going to be OK.” I want to alter and inspire those around me. I want to effect change. When I die, I don’t want to say, “I wish I . . . . ” Instead I want to say, “I did all.” If I saw it, I took it. Life is a fruit tree and everything is waiting to be picked and gobbled up. Some fruit is higher than others but, with the proper motivation to climb, all is attainable.

All is attainable.

More than anything, though, when I come out the other side of this disease, and you believe me, mark my words, I will—when I come out the other side, I am going to be a different person. Baptized by fire, existence will not look down on me but I will look down on existence, and I will conquer it and I will own it and I will eat everything it has to offer.

When I can walk, I will run. When I can think, I will write. When I can move, I will create, accomplish, execute.

Until then . . . until then, I will sit here and I will hibernate and I will simply try to inspire myself.

Cancer has a very vicious duality to it. The one side, the first side, the more prominent side, is very sad and dark and depressing. It’s very aggressive. It has sharp teeth and it bites and it (literally) kills you and (figuratively) those around you. It attacks your mind, body and spirit. It chips away at you piece by piece and makes you hate yourself and your life and your existence. But then, there, on the obverse side, is the stranger side of Cancer; the bit that people rarely speak about and the bit that the public rarely sees. Cancer is inspiring and life changing. It will clear your mind. The world comes into focus. The path becomes clear; the path of movement and forward momentum; the plan of attack.

My mother looks at me and says, “What are you thinking about?” and I look up and say, “I just want to live,” and she says, “I know . . . you will,” and I say, “No . . . I mean . . . when this is over. I want to go—” I reach up and touch my jaw. Something feels Wrong. Off. Stiff.

I place my thumb under my jawbone and apply pressure and I rub my cheek and I try to open my mouth but suddenly my teeth are clamping down on each other with the tenacity of a bear trap and my mom says, “What are you doing?” and between pursed lips I say, “I . . . can’t open my mouth.”

And so, how do you respond to that? Someone has a seizure, call 911. Someone is turning yellow, put them in the sun. Your heart hurts? You’re probably having a heart attack. Your face is going limp? You’re the victim of a stroke. These are obvious decisions but . . . I just can’t open my mouth. My mom says, “Does it hurt?” and I say, “Uh . . . no,” and then we both sit in silence trying to figure out what to do in the least dramatic scene of all time.

I wave my mom over and lift up my hands and she grabs me and I stand up and I say, “Let’s go for a walk,” and, instead of going outside, we just manipulate ourselves in a great big circle around and around and around the inside of my house. I make seven laps before I’m completely winded and need to take a break.

In the kitchen I lean heavily on the counter, stick my fingers between my teeth, and try to pry my mouth open. It’s a scene directly out of a Tom and Jerry cartoon. Jade enters and says, “What are you doing?” and I say, “I can’t open my mouth,” and Jade says, “Why?” and I say, “I don’t know. I think I have lockjaw,” and Jade says, “Right . . . ” and I say, “Look at me! My jaw . . . is locked! I cannot open it! I have no key! How much more evidence do you need?!” and she steps forward and examines my face and says, “Hmmm. We could take you to the doctor?” and I say, “NO! No more doctors! No more IVs! No more hospital beds until I have to go back for the chemo. We’re figuring this out on our own. Who do we know? Can we Ask Jeeves?” and all of my words are coming out in chunky gusts and gasps.

My mom says, “Your aunt used to be a nurse,” and I say, “Yes! Absolutely! That’s right. Get her on the phone. Let’s solve this mystery!” and now my teeth are biting so hard into each other that it actually is starting to hurt and I’m getting so tired from standing up that I decide to go lie down on the couch, burying my face deep down into the crevices of the pillows.

I hear the phone click and my mom says, “Drink milk,” and I say, “And then what?” and she says, “I don’t know. I guess that’s it. Something about . . . blood and . . . I don’t know.”

Jade raises an eyebrow and shrugs and says, “You should probably get more calcium in your diet anyway,” and I say, “But of course,” and she pours me a tiny glass and I drink half of it, gag, drink the other half and sit down. Jade brings me another glass and I sip on it before, slowly, like oil on the Tin Woodman in Oz, my joints begin to loosen and I can stretch my jaw and talk again.

Cancer is, if nothing else, a very tragic adventure unlike any other that I’ve been on. Like a haunted house, it keeps you on your toes and it keeps you guessing and it makes you roll with the punches. Seizure! Swerve, block. Blood transfusion! Uppercut! Heart cancer, lung cancer! Pop-bang! “And now here comes his signature move: Lockjaw!”

Of all the things Cancer is, boring is not one of them.

I shut my eyes and wonder what tomorrow will bring.

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I haven’t eaten anything of true substance for months—just bites of candy bars, portions of cereal, some chicken, rice, carrots. I can eat when I’m high, but I can’t always be high. I’ve lost over one quarter of my body weight. The man staring out of the mirror is not me. It’s not JOHNNY. It’s some dark replacement, a temporary placeholder.


When I was in high school, a kid I was supposed to graduate with died of bone cancer during our senior year. I only knew him by proximity, our entire graduating class consisting of about 300 kids, but found myself attending his funeral regardless. When somebody that young dies in a town that small, it sends a ripple through the community that everyone feels.


I remember standing in front of his coffin and staring down at him. The boy, his name was Alan (this is a fake name and a real story), would never be called big. In his Earthly life he was never going to be a successful football player and he didn’t have the physique for track. He was a gear head with a very average-sized body. Nothing particularly large or small about him but that was not who I was looking at in the coffin. Average Alan was not staring back at me. This body was a shadow of his existence. His skin looked jaundiced, his cheeks were hollow bulbs, his head appeared to have grown in size, pulling his hair line back although I understood that it was all smoke and mirrors, death’s way of manipulating your perspective. His head wasn’t growing; his body was shrinking, or rather, had shrunk. His fat cells had been depleted.


Some mortician’s assistant had painted him and tried to give him blush and color and joie de vivre but . . . he was just a dead kid with make-up on. This wasn’t Alan. This was just Alan’s body, and his killer was hunting me.


Now, almost a decade later, I see Alan staring back at me in the mirror. The pasty skin. The bland features. The inhuman persona. I would look more at home in a George Romero film.


Is this what I’ll look like when I die? Is this what people will see? Will remember? Is this who my wife will recall? This sad little man hunched over in a chair, spending his days sleeping?


I picture the people I’ve seen at nursing homes, men in recliners staring at birds in cages. Old men staring, watching, waiting for the end. These men who were once vigorous young boys, running, jumping, dancing, chasing, fighting, kicking, screaming, laughing, living. This is what time does. Eighty years, ninety years, one hundred years. Time saps away everything precious and leaves you with the remains. It eats all the food and gives you the wrapper and hands you the bill.


This is me, a ninety-year-old man watching birds, just glad to finally be out of that hospital and back in the safety of familiar surroundings. Me, sitting in my backyard with a blanket across my lap, my eyes shut, listening to that distant chirp, chirp, chirp.


When this journey began, sitting outside to get Vitamin D was a joke, some kind of pathetic attempt to grasp at straws. Today I’ll do anything to try and get better. I’ll do anything for a bit of strength. I’ll take your magic pills. I’ll swallow your magic beans. Somebody tells me that raspberries help cure cancer so I buy a palette full of them and try to eat a few every day.


I haven’t heard anything about my cancer markers in some time and have no idea what they’re doing; 300, 600, 14,000, 62. It doesn’t matter. I feel like shit. I shut my eyes and listen to chirp, chirp, chirp and it’s just so beautiful. The birds are so calm and soothing. I watch a small brown one jump from branch to branch. Chirp, chirp. I watch a squirrel run up a tree. I watch a row of ants marching back and forth, back and forth, back and forth at my feet. Somebody walks through my alley and I wonder where he’s heading. The guy looks at me and waves and says, “MERRY CHRISTMAS!” even though it isn’t until tomorrow. I raise my hand halfway up, too tired to speak. This is what Cancer looks like. Saying “Hello” feels like a quick run. Saying “Merry Christmas!” with all of its syllables and uppercase letters and its great, big, tall exclamation point is a marathon.


I inhale deeply, hold the breath, count to five, and then slowly let it out. In the house to my left it sounds like someone is showering. In the house to my right it sounds like someone just broke a dish. In the tree 20 feet in front of me I hear a bird chirping and think about how I am the only one hearing this noise; this little bird is singing its song while the world goes to work and pays bills and buys clothes and sleeps and watches reality TV and here I am, sitting in my backyard all alone, the sole audience for the performance of a lifetime.


I feel as though I am able to examine the world around me in great and fascinating detail. I feel like I am seeing it in a fourth dimension. I feel like the strands of existence are breaking and tearing and opening up and I’m able to see through them into some other realm of beauty. I’m seeing things that no one else can. I’m seeing the color green for what it is. I’m seeing green grass and it’s so beautiful and I understand that it’s so beautiful and everything I’ve taken for granted, the wonderful, majestic world around me, is suddenly alive and vibrant and vivacious. The trees are towering monoliths, hundreds of years old. The dirt, the grass, the bugs, everything is working together in perfect unison, perfect harmony, a world separate in my very own backyard.


I look at it all happening and I see everything. I see every detail. I hear everything. I see how intricately everything works together. I see the ants. I see a bug eat an ant. I see a bug get stuck in a spider web. I see the spider eat the bug. I see a fly. I see a piece of disgusting dog shit and I see the fly land on it and plant maggots in it and everything, everything, everything, even the most disgusting, grotesque pieces of us play a greater role. It’s perfect, it’s flawless, a complicated tapestry of interwoven threads. When I die I’ll feed something, fertilize the earth, turn into a tree, give oxygen to everyone.




I turn my eyes inward and stare into my body and see my lungs and my heart and my lymph nodes turning black. I see the disease fighting to survive. I try to understand what it’s doing, what it’s thinking, what its purpose is. Maybe it’s supposed to cull the herd. Natural selection.


I stand up and go back inside. It’s Christmas Eve 2008. I slowly walk through the house and shut all the blinds, sit down in My Yellow Chair and stare at our Christmas tree, glowing white and red.


My mother had told my wife she shouldn’t worry about the tree. She tells her there is so much on her plate. She tells her to just relax. But my wife says no. She says she’s going to put it up. She says we’re going to celebrate Christmas. She says we’re going to be as normal as possible. This is her grasping at her own sense of control in an otherwise chaotic existence. The two of them put up the tree while I watch. That was four weeks ago. Tonight I just soak in its radiance. I want to crawl underneath it and stare up at its electric stars, drowning out the world around me in color and design.


Instead I walk to my bedroom and lie down, pull my stocking hat over my face, pull my hood over my head, pull my blankets up to my chin and try to sleep but instead just stare at the back of my eyelids, breathing heavily, trying not to vomit.


In the other room I can hear my mother and wife rolling dice for yet another game of Yahtzee. The sound of the cubes hitting the table is like hammers pounding steel. Their voices are like forks scraping against glass plates. Everything feels like hot wax being poured over my brain. I cover my ears with a pillow and squeeze. I can hear them making dinner, something with pasta in it. The smell reaches me and I furl into my hobbit hole even further, deeper. I want to go somewhere else, be somewhere else, be someone else. I want someone to take my place, to deal with these effects. I want to walk away.


Jade enters and says, “Dinner’s ready,” and I fall out of bed, onto the floor and pull myself into the kitchen. The delicious aroma of manicotti makes me gag and I say, “Smells great.” Truly, I want nothing more than for someone to take that whole pan of disgusting shit tomato pasta and throw it out the window. I sit down at the table and casually cover my mouth and nose with my hand. My mom asks if I’d like just a little and I shake my head and take a sip of water. I shut my eyes and listen to these two women, my closest family, my caretakers, the one, the woman who brought me into this world and the other, the woman who will be by my side until one of us goes out, talk about recipes and marriage and cleaning.


Halfway through dinner I get up and go back to bed and lie down and sleep.


I wake up just after midnight. It’s Christmas.







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You know that feeling when you’ve got the flu and your stomach is just rolling around in your guts? That feeling where the back of your throat feels sensitive? That feeling where you just shut your eyes and cover your mouth and try to take some slow and easy breaths, telling yourself, “Just relax. Don’t puke . . . ” but no matter what you say you know that you’re going to eventually lose it and you’re going to have to make a mad dash for the bathroom and hopefully, hopefully, hopefully you’re lucky enough to actually make it to the toilet before your lunch bursts from your cheeks like a fire hose?


That feeling? You know the one. That’s how chemo makes you feel all day long.


Somebody says, “You need to eat something! Want a bite of salmon?” and you just shake your head and wish they’d stop talking about fish.


You know that feeling when you haven’t eaten anything all day and you’re so hungry that you’re actually considering feasting on really weird foods that you typically wouldn’t touch? You’re like, “Oh, if I only had a cheese-covered pretzel right now! If I only had a meatball sandwich with black olives and mayonnaise! If I only had a taco pizza that was folded in half into the shape of an actual taco . . . . ”


That feeling when you’re just starving and ravenous and you don’t want to eat, you simply want to consume . . . . That’s how chemo makes you feel all day long. Because you can’t eat. Because you throw everything up. So you’re constantly starving.


Two feelings that exist on completely opposite ends of the spectrum come together in your body and cause the perfect storm. It’s loving and hating someone. It’s giggling and crying. It’s jumping and falling.


This is chemotherapy’s intermission Round 2.


I’m sitting back in My Yellow Chair wishing that the doctors would just put me in a drug induced coma for the next few months, loss of time be damned.


One of our friends comes over. It’s easier to meet us at our house, on a level playing field, than it is in my hospital room, which is truly one floor above a morgue. She’s pregnant and stays for dinner. My wife and mother talk to her about the baby and her boyfriend and their life and their plans and their names and how excited they all are. Meanwhile, I sit in My Yellow Chair, eyes closed, breathing slowly and willing myself to not puke in front of our guest.


For dinner, I gorge myself on 12 grains of rice and half a baby carrot.


I slowly stand up, casually excusing myself. My wife and mother both rise, “Do you need help? Are you OK?” but I wave them off, smile and mumble, “Just fine.” (Breathe deeply). “Be right—” (breathe deeply) “back . . . ” and then I disappear around the corner, into the bathroom, and shut the door behind me.


I drop to my knees, grab the toilet seat, stick my face six inches above the water and puke, once, twice, three times. I lie my face on the cold porcelain and try to remember a time before this; when my biggest concern was being punctual for work. I heave again and more stomach bile rises up in my throat. I hate what I’ve become. This is not who I am. I’m supposed to be sitting at that table, telling jokes and making people laugh and I’m supposed to have my legs crossed with one arm thrown tightly around my wife but instead I’m a dying animal, hunched over the toilet with my face stuffed into a receptacle for human waste.


My lips are dry and my throat is parched, an ancient tube filled with desert sand. All I want is water to pour down onto me, into me, through me. I want to feel the cold refreshing waves rush over my tongue and down my gullet, filling my belly with icy relief until I can hear the liquid sloshing inside of me. But I know that if I drink, if I swallow, if I even open my mouth, I’ll be sick. I know that any water I drink comes back up and I know that the process is painful. I know what I want and I know that I can’t have it and then I’m trying to stand up, clutching the edge of the sink. I’m pulling myself up, saying, “To hell with the pain,” and my weak knees are shaking and I punch the faucet and the water is pouring down and I know it’s going to hurt so bad but I just need something to ease my constant thirst and then I thrust my face under the falling water and chills run down my spine and I’m taking in huge gulps, barely stopping to breathe. I gasp and shut my eyes and drink more and my stomach is expanding and stretching and crying out for me to stop but the water tastes so good and I want to scream and cry and I want to drink more and so I do. It’s rushing down my cheeks, down my chin, soaking the collar of my shirt and I’m swallowing and coughing and swallowing again and I know I’m about to regret this.


I lie my head on the counter and just listen to the water run out of the faucet and down the drain, the sound one of the most peaceful things I’ve ever heard. My hand fumbles around and finds the handle, brings it down and everything is silent. My legs give out and I drop back to the ground, palms down. I breathe heavy, trying to relive the immediate relief of the cold water but only feeling the hurt coming on and my gorge rising. My stomach is crying out in pain and I don’t care. This is the price I pay.


I throw myself at the toilet and a fountain of water bursts from my mouth with such force that I’m sure my cheeks are gyrating under the sheer magnitude. Every splash, every drop, every ounce comes rushing out and I feel it all—the perfect negative of all the goodness I’d previously ingested.


I tip over sideways and wipe my mouth on my sleeve. Someone knocks on the door and Jade asks if I’m all right. I mumble something and she goes away.


My stomach starts to cramp and I roll over, facedown, curling into a tight ball on the floor. I turn my head and see dust bunnies under the sink. So many dust bunnies. They’re reproducing. I rest my face against the frigid tile floor and try to push the chill through the rest of my body, which suddenly feels on fire.


Breathe . . . slowly . . . gag . . . breathe . . . slowly . . . gag . . . gag . . . . I sit up, bend over the toilet again and vomit up more creamy acid that, instead of being yellow, is pink in color. My stomach contracts and I vomit again. Bile that is not pink but red. My stomach contracts and I vomit again. Bile that is not red but crimson. Bile that is not bile but blood.


I stare at the pink droplets branching out in the water like a family tree and wonder where it’s coming from, why it’s coming from my mouth, my stomach, ulcers . . . definitely could be. Definitely could be caused from stress. Could the lining of my stomach be torn from vomiting so much? So harshly? Makes sense. It could definitely be that. Could it be stomach cancer? Giant tumors growing in my belly, eating away at my innards, making me rot from the inside out? No. It most definitely couldn’t be that. It’s most definitely not that thing. It’s probably one of the first two that I mentioned . . . the, uh . . . the ulcers or the ripped stomach lining. I decide to just let that be what it is and assume that my body will simply repair itself in the following days.


Do I want to go see a doctor about this? Absolutely not. Do I think that I probably should? Logic is a wild beast when dealing with matters of the heart. One can make oneself believe nearly anything if the event calls for it. Persuasion, to an audience of yourself, is astoundingly simple. I say, “Of course you don’t want to go to a doctor . . . because there is no need. They would make much to do about nothing and you have, if nothing else, this under control.


I have this under control.


This thing, this thing that belongs to me, this bit of knowledge, is mine and mine alone and it is something that I can hold in my hand and look at and decide what will become of it. When I’m in a hospital bed being wheeled up and down hallways and shoved into machines and having drugs pumped into me and having my lungs tested and my vitals taken and my blood drawn, it’s all out of control. Nothing is mine; not even I am mine. But this . . . this is mine.


What has become of me? How did I get here? This is me understanding that I have lost total control. This is me bent over a toilet filled with my blood. This is me, completely helpless to my inner maladies and my outer surroundings.


This is what Cancer looks like.


In the other room, I hear our friend packing up to leave and someone knocks on the door again and Jade says, “Angie is leaving, do you want to come out and say goodbye?” and I just say, “Uh . . . I . . . can’t,” and Jade says, “I’ll give her your best,” before I hear her footsteps disappearing down the hall.


I puke again and, looking down into the toilet, I realize that there is so much blood resting in the bowl that if I had stumbled upon this horrific scene unknowingly, I would assume that one of those I-didn’t-know-I-was-pregnant girls had decided to drop calf in my house.


A few hours later, another friend, Jake, arrives just to say hi. My mother opens the door and says, “My . . . you look just like Jason Bateman,” and, truly, Jake does. I say, “Teen Wolf 2,” and Jake, probably too stoned to function, just smiles at me, having not seen me for quite some months. The change that has taken place in my face has been gradual, sneaking up on me the way holiday weight does; but to Jake, who last saw me fifty pounds heavier, is visibly shocked at my physical appearance. He stares at me and says, “There are two black holes where your eyes should be.” I nod and pat the couch. He sits down and my mom begins asking questions about Jason Bateman’s recent resurgence into the public’s eye. She talks about his career in the ’80s and about his sister, “His sister, what was her name? She was on Family Ties, I believe. Sarah? Samantha? Jennifer? Jennifer Bateman?” and then she turns to Jake and asks, “What is her name?” and she says it with such genuine interest that I think she must have forgotten that this is not Jason Bateman nor is this fellow in any real relation to Jason Bateman, nor does he have any idea who Jason Bateman is outside of his roles on Arrested Development and, of course, the aforementioned Teen Wolf 2.


My mother says, “He got arrested? For what?” and I say, “No, it’s . . . a show . . . . It’s . . . ” and she says, “On TV?” and I say, “Yes. A show . . . on TV,” and she says, “Is his sister on it, too?” and I say, “I . . .don’t think so,” and she says, “Was this back in the ’80s?” and I say, “Yes . . . it was in the ’80s. He and his sister Samantha Bateman starred in it,” and she says, “Huh . . . I’ll have to check this out on IMBD Database dot com,” and I say, “I-M-D . . . nevermind.”


And then Jake leaves and then I throw up more blood and something inside of me says that maybe I shouldn’t be hiding this and so I casually wobble into the dining room, supporting myself against walls and counters like a wino on a bender, sit down next to Jade and say, “Jade?” and she says, “Oh, geez. What? What is it now? What have you done? What is happening?” and I say, “Wh-what? Wh-what do you mean?” but my inflections are all wrong so I sound really guilty.


I say, “I just threw up,” and she says, “What’s new?” and I say, “It was bloody . . . I mean . . . . It was blood. I just threw up blood. From my mouth.”


Jade stares at me but says nothing. She slowly sets down her pencil and slides her Sudoku puzzle away from her. She stands up and walks to the closet while I say, “I think it’s fine. I think it’s just a stomach—” gag “thing and it’ll probably—” gag, “take care of itself but—” gag, “I just wanted you to—” gag, “know.”


Jade slips on a coat and I say, “You going to the store? You going to pick up some Pepto-Bismol? You mind grabbing a Butterfinger while you’re there?” and she says, “We’re going to the hospital. To the E.R. Now,” and I say, “Hey, uh, wait now. What’s that?” and she says, “You’re vomiting up blood. BLOOD. You’re throwing up blood. Do you look at that scenario and think that’s normal?” and I say, “Well . . . ” and she says, “SHUT UP. You’ve got cancer of the almost everything and now you’re throwing up blood. I’m not taking chances. You’re,” and I try to interject but she says, “NO. Whatever you’re going to say. No. Just put on your sweater and your jacket and your hoodie and your overcoat and your scarf and your hat and your mittens and let’s go,” and like a scolded puppy, I stick my tail between my legs and do as I’m told.


On the way to the hospital, my mother sits shotgun while I sit in the backseat thinking that everything is out of my control. Stupid secret. Should have just kept it all to myself. Should have just let my stupid stomach heal all on its own. Two or three days, I bet that’s all I’d need.


We pull into the parking lot and I manage to walk into the E.R. by myself. A young male nurse approaches and leads us into the back, sets me on a table and tells me that a doctor will be with us shortly.


Various people come through this long and narrow room that we’ve been put in—more of a hallway with beds, curtains, and various machines than an actual room. I lie down on the thin bed and breathe slowly, not wanting to vomit again because it hurts so badly. The contractions rack my body with pain and cramping and my skin breaks out in sweat and then chills and I can feel the stress and strain all the way down in my toes.


I shut my eyes and think about how I wouldn’t even be here if I’d just kept my big, dumb mouth shut and not said a damned word. Jade says, “Are you OK?” and I say, “No,” a black mood rising up inside me that’s very ugly. I don’t want to be here and I don’t want to hear what some stupid doctor has to say and I don’t want another IV and I don’t want to be lying on this cold, hard excuse for a bed and I don’t want to be around all these sick people with my already compromised immune system and I don’t want to keep throwing up and I don’t want to wait one more minute for this incompetent physician to walk through the curtain because this is the EMERGENCY ROOM AND JUST WHAT IS THE HOLD UP?!


Sometimes being mad at something is the only control you have. More often than not it’s the wrong thing to do, but like a secret that’s been told, once it’s out there, it can never come back.


I tap my foot on the ground and Jade says, “Relax,” and I say, “I shouldn’t even—we shouldn’t even be here. This is a waste of time and money. Time and money!” and Jade says, “Relax,” and, “Smile,” and she takes another photo of me.


I say, “How do I look?” and she says, “Really horrible,” and I say, “Then you probably got my good side.” The curtain shifts around and a young doctor who appears to be too young to be a doctor enters and sits down and says, “OK, so what are we dealing with here today?” and I say nothing because I already know how this works. I sit here and play the garden gnome role—silent and stupid looking—while my wife dishes all the details. She says, “He has this and that and he’s sick with this and that and we’ve been here and there and they’ve told us this and that and here’s this paperwork and these cards and this information and then a few hours ago he started throwing up blood,” and the doctor looks at me and says, “How much?” and Jade looks at me and my mom looks at me and I say, “Just a little,” and Jade says, “How much?” and I say, “I don’t know, like . . . a quarter size every time I puke,” and the doctor says, “And how often do you vomit?” and I say, “All the time,” and he says, “And what color is it?” and I say, “The blood . . . is red . . . ” and I cross my legs and my arms. Take. THAT!


Doogie Howser presses the tips of his fingers together just below his nose before saying, “OK. We’re going to need to do a rectal exam,” and both of my eyebrows rise into the air and I don’t need to hear one more word because I am stepping into this situation and taking control. THIS will not be taken away from me. My butthole is MINE. I say, “No, we won’t,” and now it is the doctor’s turn to raise his eyebrows and lower his hands and he is clearly not used to a patient in the E.R. telling him what will and will not be done. He says, “Excuse me?” and I say, “We won’t be doing a rectal anything,” and Jade says, “John . . . ” and I firmly say, “No.


Jade sees that this has gone beyond basic stubbornness into the realm of the untamable and so turns to the doctor and says, “What is it for? The rectal exam?” and the doctor says, “We need to see what color the blood is, if it’s pink or red or black. If it’s black, it’s very bad,” and I say, “It’s red. Bright. Red,” and the doctor says, “We need to do a test to see what color the blood is. The rectal exam gives us the closest—” and I say, “It’s bright red. It’s not black. You cut your finger. Blood comes out. It looks like that,” and the doctor, ignoring me, says, “It’s really just a quick procedure,” and I say, “Are you listening to me?” and the doctor says, “It’s very brief, just a quick culture and—” I say, “I’m going to be sick, hand me—” gag— “something. Quick,” and the doctor grabs a kidney shaped bedpan and hands it to Jade who hands it to me. I lift it up to my mouth and puke up a sizable chunk of red blood, stand up, walk over to the doctor, hold it under his face and say, “Is that a good specimen?”


The doctor looks at me and says, “That’s red blood. You probably just tore your stomach from vomiting too hard. I doubt it’s ulcers but we’ll give you some medicine anyway. I’d like to keep you overnight just to make sure. Is that OK?” and I say, “No,” and Jade says, “John . . . ” and, this just being stubbornness now and not actual decisiveness, I say, “Fine.”



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