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ALAN: CHAPTER 28

 

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I haven’t eaten anything of true substance for months—just bites of candy bars, portions of cereal, some chicken, rice, carrots. I can eat when I’m high, but I can’t always be high. I’ve lost over one quarter of my body weight. The man staring out of the mirror is not me. It’s not JOHNNY. It’s some dark replacement, a temporary placeholder.

 

When I was in high school, a kid I was supposed to graduate with died of bone cancer during our senior year. I only knew him by proximity, our entire graduating class consisting of about 300 kids, but found myself attending his funeral regardless. When somebody that young dies in a town that small, it sends a ripple through the community that everyone feels.

 

I remember standing in front of his coffin and staring down at him. The boy, his name was Alan (this is a fake name and a real story), would never be called big. In his Earthly life he was never going to be a successful football player and he didn’t have the physique for track. He was a gear head with a very average-sized body. Nothing particularly large or small about him but that was not who I was looking at in the coffin. Average Alan was not staring back at me. This body was a shadow of his existence. His skin looked jaundiced, his cheeks were hollow bulbs, his head appeared to have grown in size, pulling his hair line back although I understood that it was all smoke and mirrors, death’s way of manipulating your perspective. His head wasn’t growing; his body was shrinking, or rather, had shrunk. His fat cells had been depleted.

 

Some mortician’s assistant had painted him and tried to give him blush and color and joie de vivre but . . . he was just a dead kid with make-up on. This wasn’t Alan. This was just Alan’s body, and his killer was hunting me.

 

Now, almost a decade later, I see Alan staring back at me in the mirror. The pasty skin. The bland features. The inhuman persona. I would look more at home in a George Romero film.

 

Is this what I’ll look like when I die? Is this what people will see? Will remember? Is this who my wife will recall? This sad little man hunched over in a chair, spending his days sleeping?

 

I picture the people I’ve seen at nursing homes, men in recliners staring at birds in cages. Old men staring, watching, waiting for the end. These men who were once vigorous young boys, running, jumping, dancing, chasing, fighting, kicking, screaming, laughing, living. This is what time does. Eighty years, ninety years, one hundred years. Time saps away everything precious and leaves you with the remains. It eats all the food and gives you the wrapper and hands you the bill.

 

This is me, a ninety-year-old man watching birds, just glad to finally be out of that hospital and back in the safety of familiar surroundings. Me, sitting in my backyard with a blanket across my lap, my eyes shut, listening to that distant chirp, chirp, chirp.

 

When this journey began, sitting outside to get Vitamin D was a joke, some kind of pathetic attempt to grasp at straws. Today I’ll do anything to try and get better. I’ll do anything for a bit of strength. I’ll take your magic pills. I’ll swallow your magic beans. Somebody tells me that raspberries help cure cancer so I buy a palette full of them and try to eat a few every day.

 

I haven’t heard anything about my cancer markers in some time and have no idea what they’re doing; 300, 600, 14,000, 62. It doesn’t matter. I feel like shit. I shut my eyes and listen to chirp, chirp, chirp and it’s just so beautiful. The birds are so calm and soothing. I watch a small brown one jump from branch to branch. Chirp, chirp. I watch a squirrel run up a tree. I watch a row of ants marching back and forth, back and forth, back and forth at my feet. Somebody walks through my alley and I wonder where he’s heading. The guy looks at me and waves and says, “MERRY CHRISTMAS!” even though it isn’t until tomorrow. I raise my hand halfway up, too tired to speak. This is what Cancer looks like. Saying “Hello” feels like a quick run. Saying “Merry Christmas!” with all of its syllables and uppercase letters and its great, big, tall exclamation point is a marathon.

 

I inhale deeply, hold the breath, count to five, and then slowly let it out. In the house to my left it sounds like someone is showering. In the house to my right it sounds like someone just broke a dish. In the tree 20 feet in front of me I hear a bird chirping and think about how I am the only one hearing this noise; this little bird is singing its song while the world goes to work and pays bills and buys clothes and sleeps and watches reality TV and here I am, sitting in my backyard all alone, the sole audience for the performance of a lifetime.

 

I feel as though I am able to examine the world around me in great and fascinating detail. I feel like I am seeing it in a fourth dimension. I feel like the strands of existence are breaking and tearing and opening up and I’m able to see through them into some other realm of beauty. I’m seeing things that no one else can. I’m seeing the color green for what it is. I’m seeing green grass and it’s so beautiful and I understand that it’s so beautiful and everything I’ve taken for granted, the wonderful, majestic world around me, is suddenly alive and vibrant and vivacious. The trees are towering monoliths, hundreds of years old. The dirt, the grass, the bugs, everything is working together in perfect unison, perfect harmony, a world separate in my very own backyard.

 

I look at it all happening and I see everything. I see every detail. I hear everything. I see how intricately everything works together. I see the ants. I see a bug eat an ant. I see a bug get stuck in a spider web. I see the spider eat the bug. I see a fly. I see a piece of disgusting dog shit and I see the fly land on it and plant maggots in it and everything, everything, everything, even the most disgusting, grotesque pieces of us play a greater role. It’s perfect, it’s flawless, a complicated tapestry of interwoven threads. When I die I’ll feed something, fertilize the earth, turn into a tree, give oxygen to everyone.

 

Perfect.

 

I turn my eyes inward and stare into my body and see my lungs and my heart and my lymph nodes turning black. I see the disease fighting to survive. I try to understand what it’s doing, what it’s thinking, what its purpose is. Maybe it’s supposed to cull the herd. Natural selection.

 

I stand up and go back inside. It’s Christmas Eve 2008. I slowly walk through the house and shut all the blinds, sit down in My Yellow Chair and stare at our Christmas tree, glowing white and red.

 

My mother had told my wife she shouldn’t worry about the tree. She tells her there is so much on her plate. She tells her to just relax. But my wife says no. She says she’s going to put it up. She says we’re going to celebrate Christmas. She says we’re going to be as normal as possible. This is her grasping at her own sense of control in an otherwise chaotic existence. The two of them put up the tree while I watch. That was four weeks ago. Tonight I just soak in its radiance. I want to crawl underneath it and stare up at its electric stars, drowning out the world around me in color and design.

 

Instead I walk to my bedroom and lie down, pull my stocking hat over my face, pull my hood over my head, pull my blankets up to my chin and try to sleep but instead just stare at the back of my eyelids, breathing heavily, trying not to vomit.

 

In the other room I can hear my mother and wife rolling dice for yet another game of Yahtzee. The sound of the cubes hitting the table is like hammers pounding steel. Their voices are like forks scraping against glass plates. Everything feels like hot wax being poured over my brain. I cover my ears with a pillow and squeeze. I can hear them making dinner, something with pasta in it. The smell reaches me and I furl into my hobbit hole even further, deeper. I want to go somewhere else, be somewhere else, be someone else. I want someone to take my place, to deal with these effects. I want to walk away.

 

Jade enters and says, “Dinner’s ready,” and I fall out of bed, onto the floor and pull myself into the kitchen. The delicious aroma of manicotti makes me gag and I say, “Smells great.” Truly, I want nothing more than for someone to take that whole pan of disgusting shit tomato pasta and throw it out the window. I sit down at the table and casually cover my mouth and nose with my hand. My mom asks if I’d like just a little and I shake my head and take a sip of water. I shut my eyes and listen to these two women, my closest family, my caretakers, the one, the woman who brought me into this world and the other, the woman who will be by my side until one of us goes out, talk about recipes and marriage and cleaning.

 

Halfway through dinner I get up and go back to bed and lie down and sleep.

 

I wake up just after midnight. It’s Christmas.

 

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CHRISTMAS EVE: CHAPTER 27

 

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If the fifth floor of the hospital was a kind of relative paradise for chemo in-patients—big rooms, big beds, remote controls, specialty nurses—then the second floor was one step above a skid row methadone clinic.

 

A red-haired nurse who’s seen better days leads us out of the elevator and down a narrow hallway with, I kid you not, a flickering fluorescent light. The tiles in the hallway are cracked and breaking, green and white checkered, garbage cans are over flowing and puddles of water seem to be leaking out from the cracks in the walls. We pass a clock and I see that it’s just breaking 2:15 a.m. and is officially Christmas Eve.

 

My eyelids are getting heavy and my legs are feeling even heavier. I’m running on fumes, and when they lead me into the dark room, no one even bothers turning on a light. I lie down in bed, my wife covers me up, says something about coming back later, my eyes flicker, and she’s gone.

 

I wake up forty-five minutes later, lean over the side of the bed and puke into the garbage can, unsure of where the bathroom is. The cable connecting me to my IV, which they gave me in the E.R., cramps up and starts beeping. Nobody comes. I press the CALL button on my receiver but nobody comes. I press it again… and again . . . and again . . . but nobody comes. BEEP-BEEP-BEEP.

 

The thought of bubbles traveling down the tube into my veins doesn’t bother me so much as the actual noise of the blips. Each tone acts like an arrow through my skull. BEEP-BEEP-BEEP. It holds open my eyelids, slides a metal plate under my eyeball, shoves down, pops it out, disconnects my optic nerve with a hacksaw, and jams a white hot screwdriver into my brain.

 

I reach out into the darkness and push the machine as far away as I can, 3 or 4 feet. I push the CALL button again . . . and again . . . and again. Ten minutes pass. Fifteen minutes pass. Twenty minutes pass. I look around and see a phone just out of my reach but don’t know whom I’d actually ring.

 

Suddenly, in the hallway, I hear footsteps approaching. A shadow begins to grace my narrow vision through the doorframe. Finally. Finally. Finally.

 

A nurse with dark skin and purple scrubs approaches . . . and continues on . . . heading somewhere else. I cough into my hand and shout, “HEY! EXCUSE ME! UH . . . MISS?!” The footsteps stop and I hear the soles of her shoes turn on the tile before they begin to grow louder again. She turns into the room and, seeming unsure, says, “Hi, how are you?” and I say, “This machine, it’s . . . I don’t know what’s—” gag— “wrong with it and—” gag— “can I get some nausea medication? I’m—” gag— “I have cancer and I—” gag— “sorry . . . I just need something for my stomach and I don’t think this call button works,” and the nurse says, “I’ll see what I can do about the medication. Your call button should work fine. I’ll get you some ice chips,” and she turns to leave just as I lose control of my stomach and vomit more blood into the trashcan.

 

Twenty minutes later a man enters and takes my blood. I puke again. I roll onto my side. I mash my face into the pillow. I turn on my other side. I can’t sleep. The sloshing sickness in my stomach is listlessly rolling through my entire body. My brain feels like it’s bleeding. My toenails hurt. My bones hurt. I try to sleep but am wide awake, alone, cold. Where is my medicine? I start to gag again and my stomach feels like someone is twisting a knife into it. I slam my thumb into the CALL button three times in a row before shouting, “HELLO?!” Nothing.

 

Another man enters and says he needs to take my blood. I tell him someone was just here forty minutes ago. He says he doesn’t know about that even though I show him the Band-Aid and the hole. He takes blood from my other arm. I tell him I need a nurse and he says he’ll fetch someone. Twenty minutes later the nurse shows back up. It’s 3-something-a.m. at this point and I feel as though I’m about to begin hallucinating with exhaustion. I ask about my nausea medicine and she says that she spoke to the pharmacy and they said I’d need a doctor’s prescription first.

 

This is how hospitals work. You have stage 4 cancer. You’re skin and bones. You’re a grown man who weighs 130 pounds. You’ve been admitted to the E.R. for vomiting up blood. You have a track record of various ailments and, at 3:30 in the morning, nobody will give you medicine to stop you from throwing up more blood because the doctor, who is asleep, can’t sign off on a form.

 

The nurse, in all of her wisdom, brings me enough aspirin to tame a mild headache. This is tantamount to trying to fix the World Trade Center with Elmer’s Glue. I would kick her in the teeth if only I had the energy. She tells me she’s trying to get a hold of the physician and I say, “Isn’t he asleep?” and she says, “Yes but . . . uh . . . we’re trying to reach him . . . ” and I say, “OK . . . please hurry.” The nausea is growing in me like a weed, choking out my life and energy, taking over all my thoughts.

 

The Useless Nurse leaves and the machine starts to beep again and the first man enters and takes my blood again, claiming that he didn’t get enough vials for all the tests. I tell him that a second man was already here and that he should have quite enough between the two of them and he tells me he doesn’t know of a second man. He pokes me in my arm, takes more vials and leaves, fetching the nurse. She returns, adjusts the machine and says that there’s still no word from the doctor.

 

It’s 4:30. I sit up in bed and stare at my feet, thinking about how I’m not even halfway through this process yet. Wondering if this is how death looks. Wondering if these will be my final memories. Not this moment exactly . . . but a collection of moments just like it—hospitals, nurses, beeping, cleaning solution, needles, blood, vomit, and stiff hospital sheets, crunchy with starch and dried urine. I puke again and the blood seems to be retreating, being replaced by yellow bile. That’s a good sign, I think to myself. I lie back down, place my forearm over my face, and try to force myself to cry. It sounds lame but sometimes a good cry is all you need.

 

Instead of crying, I puke again. My stomach is a war zone filled with corpses.

 

I stand up and make my way to the dark bathroom, the fluid from the IV bag washing through me and cleansing my kidneys from all the poison I’ve taken in. I am a junkie, drugs coursing through my veins, ruining my life.

 

I pee, crawl back into bed, and watch the sky start to turn gray. The clock reads 5:45 and I still haven’t slept. Still no word from the pharmacy. Still no aspirin or ice chips. This place is getting a bad Yelp review fer sher.

 

At 6:15, the second man enters my room again and says he needs to draw my blood. He says they had enough blood but forgot to do one test. Beaten, broken, destroyed, I say nothing. I just stick out my thrice-stabbed arms and let him take as much as he wants. I turn on my side, pull my knees to my chest and wonder where my wife is, where my mother is, where Sue is.

 

I press the call button. Nothing.

 

At 7 a.m. the Useless Nurse shows up with more Aspirin. I swallow it and puke it up. She says she’s still waiting to hear from the doctor. I don’t say anything. She leaves.

 

At 8:50 my wife shows up and I am so happy and hopeless and helpless that I finally do cry. I am so alone without her. I tell her everything and she says, “What? WHAT? WHAT?” and when the first man enters to take my blood a fourth time because someone just called in one more test, Jade says, “No. You’re not taking his blood. Get out. Get out of here,” and the man says, “But we—”and Jade says, “That’s too bad. I’m sure you’ll figure something out. Leave.” And the man turns and walks away.

 

The Useless Nurse enters, and before she can speak, Jade says, “He needs his nausea medication,” and the nurse says, “I know, he—” and Jade says, “No. You don’t know. He’s in here because he’s puking up blood and you give him, sorry, aspirin? ASPIRIN? Where did you go to school? His call button doesn’t work? Where are we? What is this place? You think ice chips are going to help him? He can’t eat. Did you call the doctor?” and the nurse says, “I . . . left him a message . . . ” and Jade says, “Where’s the pharmacy? I’ll go talk to them,” and, twenty minutes later, my wife, not an employee of the medical field, returns with good news. She says that someone will bring me a bag right away—not a pill, but a bag of medication so I can’t throw it up.

 

At 10:15 a.m. we ask if we can go and we’re told that the doctor wants to see us first. At 11:30, we ask where the doctor is and they say he’s making his rounds but will definitely be here before noon. At 12:45 we ask how much longer he’ll be, and they say he’s on his lunch break but will absolutely probably be here directly after that at some point. At 1:15 Jade leaves to get herself lunch. At 2:30, he still hasn’t shown up but somebody tells us that he’s on the fifth floor. At 3:45 people stop showing up to our room. At 4:15, there is still no sign of anyone. At 5:15, a male nurse walks by in the hallway and my wife grabs him and says, “Where is Dr. Manfred?” and the nurse says, “He should be here shortly,” and Jade says, “Can we leave whenever we want?” and the nurse says, “Yes . . . I mean . . . we can’t force you to stay but   . . . a doctor should see you,” and Jade says, “You have 15 minutes to bring him here or we’re walking out this door.” At 5:30 Dr. Manfred shows up sporting an arm cast and says to me, “How you feeling?” I say, “Good.” He says, “Throwing up blood?” I say, “No. Not since last night.” He says, “Good. Call us if anything changes. You may leave.”

 

This is how hospitals work. Well-oiled machines of idiocy.

 

 

 

 

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NODULES: CHAPTER 17

It’s been a few weeks since the last chapter. I apologize. I’ve been out of town celebrating my father-in-laws 60th birthday as well as the birth of my nephew, Gavin John.

But now I’m back.

And so is the story.

We last left off here. Surgery was done. Testicle was removed. And then we went back to the doctor where he informed us that the cancer was back and was 300x more active than previously thought.

That’s called a plot twist. And it was a true to life WTF moment. Very hard reality to swallow.

The previous chapter covers the very beginnings of chemotherapy, getting the IV, the drips beginning and Jade and I wondering what comes next.

And now we press on with chapter 17: Nodules. We’ll pick up with the very first morning following the very first chemo.

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I open my eyes and immediately notice two things: The first is that the sun is trying to peek through my blinds, scooping its rays around the edge of the window. The second is that I feel incredibly hung over and the sensation seems to just be amplifying by the second. I take several deep breaths and fumble around in the gray light, looking for a cup of water while trying not to wake my wife.

I manage to kick my feet off the side of the bed and take three big gulps from a cup filled with something that’s the same temperature as horse spit. My stomach churns and rolls and I gag and the water rises up my esophagus and into my mouth. I hop off the bed, pursing my lips and waddle into the cramped bathroom, pulling my IV (mine, mine, mine) behind me. I bend over and open my mouth and the three gulps fall gracefully into the toilet like Olympians at the high dive. Ker-splash.

I gag, gag, gag again but nothing comes up. I sit down on the floor and hear Jade in the other room shift around, “Are you OK?”

“I’m just . . . sick.”

A nurse enters and asks if everything is OK and I tell him that I puked and he tells me that it’s a side effect. I thank him and expect him to leave but instead he takes my blood and I wonder if they’re going to do another cancer marker test and if those numbers are going to be lower than 900.

Jade turns on the television and the show with the million kids is on again so I just turn my head and stare at the drip-drip-drip and try to imagine my numbers dropping, 900-899-898, even though I know there’s no possible way it could be decreasing so rapidly.

By lunch the nausea has increased so much that I consider just making camp in the bathroom. I keep munching on ice chips but my wife continues to suggest that I eat something solid. “Panda Express?” she asks, “In-N-Out?” she asks, “Chipotle?” she asks.

I cover my eyes with my forearm and gag. I tell her she should just go grab some-gag­-thing for her-gag-self. She leaves and a nurse enters and takes my blood and I wonder what those cancer markers look like: numbers floating around in my blood like alphabet soup? The nurse thanks me for some reason and then I flip through the channels and, of course, there’s nothing on, so I just find the least offensive show I can and dig in, some episode of Family Guy, but it’s on the final act so it ends too quickly and then I watch an episode of Seinfeld and Jade is back with food and I manage to take a couple bites.

 

The Hazmat Nurse comes back in and changes my bag to Medicine #2, something called Platinum and I can only picture Madonna. “One bag down!” I think and am genuinely happy. “I feel a bit pukey but this isn’t so hard!” The Hazmat Nurse exits and a short Asian woman in a yellow shirt and lanyard around her neck enters. “I’m Dr. Yen,” she says and offers a tight but friendly smile, adjusting her glasses with her index finger. “I’ll be your oncologist, OK?” This is the good friend/specialist to whom Dr. Honda had recommended us. This is the woman who will oversee the ritual. This is our personal witch doctor. She smiles politely and says, “How are you feeling?” and I tell her that I’m a little nauseated and she tells me that it’s normal and that she’ll order me some anti-nausea medication. I thank her and ask what I should expect and she takes a few steps toward my IV pole, examines the bag and then takes a few steps back. She says, “Here’s what we’re dealing with. Most people, your regular cancer patient, they’re going to get what’s called outpatient chemo, OK? There’s a clinic, like the one at my office, and they come there and hang out for a couple hours, OK, and they leave and go home and go to work and then come back two weeks later and get another two-hour treatment and so on and so forth, OK, until we’ve, uh, eradicated the cancer, all right? OK?” and I say, “OK. But that’s not what I’m doing,” and she says, “No.”

She walks around the bed and looks at the Panda Express and says, “Panda Express. Man, I love those egg rolls,” and my wife smiles and offers her one, but Dr. Yen shakes her head and says, “No, I try not to eat them. Too greasy.” Jade sighs and pops half of it in her mouth while the doctor continues.

“You’re going to stay with us for six days and we’re going to give you chemotherapy every day, for six hours a day. Six and six. Once it’s over, we’ll release you back to your home for two weeks and then, just when you start feeling better, we’re going to bring you back in,” and I say, “Uh . . . wow,” and she says, “We’re going to do this three or four times,” and I say, “ . . . All right.”

 

She asks me if I have any questions and I say, “A million,” and she says, “Shoot,” and the first and foremost that’s been resting on my brain for the past month is, “Am I going to die?” and with wildly strong confidence she answers, “No. You won’t die. Well, I won’t say won’t. I’ll say you shouldn’t die because there’s always that chance but your odds are very good. You’re young. You’re strong,” and I say, “OK. Then do what you have to do,” and she says, “Listen to me. I’m going to hit you with a Mack truck. I’m going to run you over. I’m going to take you right to the edge . . . and then I’m going to bring you back. You’re not going to like me very much,” and I just smile and look at the bag and say, “Keep them—” gag “—coming.”

 

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The only thing that’s saving me, poison or not, is the constant, drip-drip-drip that’s running into my arm. The miracle of modern medicine. The blessing of science and technology.

Later that night, my parents show up, having driven straight through from Mitchell, South Dakota, all the way to Los Angeles over night. It’s a 1,500-mile trip and they took it in one 22-hour hit.

My mom walks into the room first and throws her purse in a chair and bends down over me and hugs me and just cries. I say, “It’s OK, it’s OK. I’m just fine,” and she says, “You’re not fine! You have cancer! You’re getting chemotherapy! You keep telling me you’re fine on the phone and it’s not a big deal but Theresa (my sister) ran into June (my mother-in-law) and she says that you’re not well at all and that this IS a big deal and that you haven’t been completely up front with us about this! John Lowell   . . . what . . . how sick are you?” and I say, “The doctor says I’ll probably survive,” and my mother wails and says, “Pro-bab-lee?!” in all italics like that and holds me tight and it’s not until years later when I have children of my own that I’m able to actually imagine a shadow of the pain and fear she must have been experiencing.

 

She loosens her grip and leans back and I say, “Mother?” and she says, “What?” and I say, “Listen. I just need to tell you . . . that . . . you have . . . mascara running down your face,” and she laughs and slaps me and says, “John Lowell. Shut up. Mascara.” She stands up and exits into the bathroom to fix herself up while my dad bends down and gives me one of those Dad Hugs that is sort of in the styling of one-arm-draped-loosely-around-your-neck-side-squeeze things and then quickly stands up and says, “You look good. Down in the parking lot I told your mom that she needed to be ready because you were probably going to look pretty sick, like one of those kids on the quarter collections you see in restaurants but—you look good.”

He sits down and says, “They feed you here?” and I say, “Not food,” and my mom comes out of the bathroom and says, “Did you guys eat?” and Jade says, “I ate. He’s been feeling pretty sick,” and I realize that it’s already happening. They’re starting to talk about me like I’m not here, like I’m just this thing that’s happening and everyone needs to take care of.

 

The next several days play out in a slow-motion blur of blood withdrawals, bad food, reality shows, chemotherapy bags, good nurses, bad nurses, sleeping, and vomiting. I become intimately acquainted with the toilet as I bow down before the porcelain throne and give my tithe.

My parents come and go—they’re staying at our house while they’re in town—and Jade, working a part-time job, stays the night with me if she doesn’t have to work in the morning. The second and third night she sleeps on the cot because, as romantic and harlequin as it is for two young lovers to share a single hospital bed, it is actually extremely uncomfortable and nearly impossible to sleep while your partner continues to shudder with dry—gag—heaves.

Nurses periodically bring me nausea medication but it’s never quick enough to stop the sickness or strong enough to fight it back. They try pills and they try intravenous injections and it seems to take the edge off but not enough to actually stop it from cutting.

On November 26, while my wife is outside the hospital smoking a cigarette (I won’t even get into the irony of it), an older gentleman sporting a plaid button-up and thick glasses enters my room and introduces himself as Dr. Sharpe, a partner to Dr. Yen. He tells me that she’s busy at their office today but he wanted to come by to quickly speak with me.

I say, “Nice to meet you,” and he pulls up a chair and says, “Likewise,” although there is no smile in his voice. It’s just a word rolling off a tongue, a guttural noise that has some human meaning.

He opens a manila folder, pulls the glasses from his face, and holds them halfway between himself and the paper. “The reports of your CAT scan are back and it says here that you have several nodules on your lungs.”

 

Silence.

 

“Nodules? What is that? What is—”

 

“Sorry. Tumors.”

 

“Tumors? On my lungs?” and there are so, so many thoughts flying through my head at this one moment but the one thing, above all else that I just can’t seem to process is the term lung cancer. I mean, I know that I have cancer. I’ve accepted that and am taking the proper precautions to make sure it doesn’t spread and I’m lying on this bed, plugged into this beeping machine that’s lowering chemicals into my body and probably killing my kidneys and I gave up my testicle and what’s that now? Lung cancer? Did I mention that my wife is outside smoking a cigarette while I’m being told this?

 

“Yes. Lung cancer. There are several dark spots,” and I say, “Several like three?” and I can feel my voice starting to crack and there’s nothing I can do to control it. There is, in fact, nothing I can do to control anything. I wipe my nose with my hand and pretend that I’m just wiping “casual snot” away and not “crying snot.”

“I’m not exactly sure. A lot. Maybe 17 of various sizes.”

And then he stands up and says, “But this,” and he signals to my IV bag, “should take care of it. You should probably be fine.”

 

Probably.

 

And then, without saying goodbye, he leaves and I am alone.

 

Alone.

 

The reality show plays on mute and I stare at the TV but I don’t see anything. My vision goes blurry and my nose starts to run and tears stream down my cheeks and my head slumps down and it has broken me one week in and—

The doctor pokes his head back in, the way someone might pop back in to say, “Did I leave my keys here?” but instead of inquiring about a misplaced item, says, “Oh, sorry. I forgot to mention, there are also spots on your heart,” and then, like that, he disappears.

I’m sitting hunchbacked, head tilted down, tears dropping onto my groin in such quantity that it’s actually looking like I’ve pissed this stupid blue robe. My wife enters and says, “What’s wrong? Are you OK? What happened?” and I say, “I have lung cancer and heart cancer. I have stage four cancer,” and I sob and take a breath and say, “Do you know how high those numbers go?” and Jade is silent so I say, “Four. They only go to four.”

 

I believe the human spirit can evolve through nearly anything and, given enough time, most things about cancer even become routine and expected. Months and months down the road, the brokenness and isolation and hopelessness will be old hat but today it is brand new. Today I’ve been told that my cancer is twice as strong as it was when I walked in the door. Today the hopelessness is fresh and new and horrific. My wife and I are twenty-four and twenty-six, respectively, and I’m wondering if I only have months to live and my wife is wondering if she’ll be a widow before her twenty-fifth birthday. We wonder how far this can go. How deep is this hole? How dark is this blackness? And we wonder it all in silence as we squeeze each other’s hands and shoulders and we both stare at our feet and we shut our eyes and we gasp and sob, confronted by the potential of personal death here and now.

 

The sun goes down as I’m left wondering what I’ll think of Cancer once I’m on the other side, in Remission. I try to imagine how it will look when I’m standing much further away. How will it change me? Will it change me?

But yes, I already know the answer to that. When I come out the other side, I will be something altogether new and transformed. I already know that I’ll never be the same. I already know that Cancer is my chrysalis, and when it cracks open, something that flies will emerge.

 

Jade lies on the bed next to me and runs her hand through my beard and says, “I’m going to quit smoking,” and I can smell the stale cigarettes on her fingertips. She doesn’t stand up and dramatically march to the garbage can, throwing her soft pack of Parliament Lights 100s into the trash. She doesn’t make a declaration of Cold Turkey. She doesn’t even immediately denounce her nicotine habit that has lasted her a pack a day every day since she was sixteen. Instead she just says, “I’m going to quit smoking,” and I believe her and one week later, she does. She snuffs out her final cigarette, leaving me to wonder how many years my cancer has purchased her . . . this thing that’s killing me is saving her. I wonder about Cancer and alternative purposes or “Higher Purposes” or silver linings. Call it whatever you want. It’s all the same. Bad news with happy endings.

Drip-drip-drip.

822-821-820.

I think about dying and death and cemeteries and morgues and morticians and corpses being embalmed. I think about the blood being sucked out and some foreign chemical being pumped back in so as to preserve the host.

Drip-drip-drip.

809-808-807.

Someone comes in to take my blood out of my body and away to a lab. Someone else comes in and gives me new chemo, some chemical pumping into my body to preserve the host.

Alive or dead, I am a corpse.

 

***   ***   ***   ***   ***

As always, thank you for reading. Next week continues with CHAPTER 18: INTERMISSION

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SURGERY: CHAPTER 13

 

 

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We drive to the hospital on a Friday morning for my out-patient surgery. I always assumed that, when the time finally came, I would be considerably more depressed or mournful. But instead, there is a freedom that is both liberating and intoxicating in the air. I’m just happy that this will soon be over. Today.

Take my nut. Just save my life. Take the poison before it spreads.

As I sit in the waiting room, no thoughts of hormone supplements cross my mind. The word eunuch never enters my brain. The only thing I can think about right now, the only impending doom I can imagine, the enormous, inevitable snowball that’s rushing toward the small village that is my psyche, is the thought of the IV.

But, thankfully, I tell myself, it’s the last one for a long, long time. “Just get through this one and you’re good. You’re gold. You can do it.”

On the television in the waiting room is a talk show where the special guest is a young musician speaking about coffee enemas. I stand up and turn the TV off just as a nurse calls my name.

My testicle leaps nervously into my stomach and it feels like it’s trying to give me one last hug. I say, “I hate goodbyes,” but it won’t let go.

The nurse leads my wife and I into a cream-colored room and instructs me to put on The Gown. When I come out of the bathroom, dressed for surgery, she’s ready to stick me with the IV and for some reason I feel like this is The Line. I feel as though, at any point before the IV, I was free to turn around and run away and lead a life anyway I chose, but the IV . . . . It represents a kind of umbilical cord to the hospital. Like red vests at Wal-Mart—they make it very easy to differentiate between who belongs here and who doesn’t.

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I tell the nurse that I’m afraid of needles and she just laughs and I lean forward and say, “No, listen. I’m afraid. Do you have a numbing shot? I’ve heard that such a thing exists.” And she says, “A shot before the shot?” and I say, “ . . . Yes,” and she says,

“ . . . Sure.”

The nurse excuses herself to get the pre-numbing needle and returns with a freaking golden retriever! Bedside manner, ladies and gentlemen. The extra mile.

I say, “What the H-E-C-K is this!?” and the nurse says, “This is Samantha. She’s our therapy dog. We let children pet her before they get shots—I mean patients—we let all patients of every age pet her before they get shots.”

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I say, “I see,” and stare into Samantha’s eyes while I lie back. They’re a beautiful brown, almost golden color, and I hand my arm to The Extra Mile Nurse and Samantha pants and smells my right hand and The Extra Mile nurse taps my left forearm. Samantha says, “Don’t worry, kid, everything is going to be all right because I love you just for being you,” and I say to The Extra Mile Nurse, “Don’t forget the numbing needle,” and she says, “Of course,” and I feel a poke and I look deep down into Samantha’s eyes while I hold my breath and I wonder how many hundreds and thousands of children this dog has been loved by, how many eyes have stared directly into hers. I wonder where she sleeps at night and how she’s treated.

“All done,” The Extra Mile Nurse says and I say, “I only felt one poke,” and she says, “I know; the numbing shot worked!” and I look over on the table and only see the remains of a single syringe.

The Extra Mile Nurse turns to leave and pats her leg and takes Samantha with her, and I feel my hand run down her head, down her back, down her tail, and she’s gone.

I never see either of them again.

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Later, another, younger nurse comes in and tells me that she’s here to give me a “cocktail.” She says it will help take the edge off and make me a little sleepy. I ask her where she was twenty minutes ago.

She plugs a bag into my IV and I . . . take . . . a nap . . . .

Minutes or hours or days have passed. I wake up, and I’m still in the same room. I feel my crotch. My testicle is still there. My tumor is still there. For a true moment, I was hoping they had pulled a quick one on me and had it all done with.

The Young Nurse comes back in, tells me that it’s time to go, and takes me away. Two more nurses meet her in the hallway and the three of them navigate me through wide, bright, green corridors. I watch the overhead lights wash over me and try to remember every movie I’ve ever seen that uses that shot. I listen to the wheel on my gurney squeak.

This is it.

They push me around a corner, and I sit up and look over my shoulder and wave to my wife. She waves back and shouts, “Good luck! I love you! I love you!” and then I’m all alone, surrounded by scrubs.

They push me through a set of double doors and into a large room that smells like rubbing alcohol. Two women help me slide from my bed onto another bed. No—this isn’t a bed. This is an operating table. I’m on The Slab.

I lie back and stare at the ceiling, where a gigantic light on a rotating arm hangs above me. A pretty young lady with red hair leans down over me and says, “Are you comfortable?” and I adjust my shoulders and say, “Yes,” and she says, “Good.” She says, “I’m going to inject you with something. Is that all right?” and I say, “Is this—is this the stuff that’s going to put me down?” and she laughs as her thumb slowly pushes on the plunger, and there is an explosion in my chest that rises into my mouth that tastes like copper. I lick my lips and say, “See you on the—”

Other side.

When I wake up moments later I find myself sick and wanting to vomit. An oxygen mask covers my face. I try to sit up and look around because I have this feeling of complete nakedness. Not of nudeness, not the sensation of being unclothed, but of being exposed and out of place. I can only equate it to the feeling I get when I suddenly find myself walking through the young teen’s bra section at Target. What—how did I get here? I hope no one sees me—where’s the exit? Run! No, don’t run, you’ll look suspicious. Walk slowly—no, not that slowly, you’ll look like you’re perusing. Just keep moving.

I look to my right and see a row of hospital gurneys that are all empty and I suddenly feel a sense of impending doom, like I’m the next and final victim in some mad science experiment.

Why do I taste pennies?

My throat hurts fiercely. I bring up my hand to rub my trachea and see that there’s a tube taped to my forearm. Oh, yeah. Everything hits me in a quick wave: Cancer. Hospital. Testicle. I remember why I’m here, what I’m doing. I lie down and hold back my gag reflex. The only thing worse than being in the bra section at Target is puking there.

Suddenly, a nurse is standing above me but I don’t remember what she looks like or how old she was. She asks how I’m doing, and I tell her that it feels like I’m burping up pennies. She laughs and asks if she can touch my beard. I have to pause and reflect if she’s having a bad day and needs a therapy dog like Samantha to help her through it. I willingly tilt up my chin and she runs her fingers through my face pubes.

She tells me that she thinks I might be Amish—a remark I get often thanks to the pattern in which my beard naturally grows; two long side burns into a neck beard thing I call The Hanging Tomato Plant. Hair simply refuses to grow on my cheeks or upper lip.

I tell her I’m not Amish, as far as I know, but secretly wish I were, which is true. I tell her my throat really is sore and she tells me it’s because they stuck a tube down it and I ask if they used a hammer to get the job done.

I shift my eyes to the left and have a quick daydream. I suddenly see my naked, flaccid body on a slab. I see a tube shoved down my throat. I see eight people standing around me, cutting me, sucking my blood into machines, moving my penis and pulling my testicle out through a hole in my abdomen; a male C-section. I see the tumor, a big black pulsating alien brain connected to veins leading back into my cavity. I see them cauterize the wound. I see scissors and sutures. And I see this nurse, standing next to me, holding my penis up with a gloved hand to keep it out of the way of danger.

My eyes shift back to the right.

After what The Faceless Nurse deemed an acceptable length of time, someone wheels me downstairs to a second recovery room where they prop me into a recliner that I swear was the softest chair I’d ever, ever been in.

A new nurse, a chubby blonde woman in her late fifties, gives me some crackers and apple juice, and I’m certain she was probably a kindergarten teacher at some point and is just role-playing with me.

I tell her I feel sick, hoping to get some kind of high-powered-hospital-quality medicine that is going to take away these waves of nausea, but instead, she brings me a bed pan shaped liked an old man’s kidney.

Gee, thanks. You shouldn’t have.

She takes one step back and I puke three times; acidy strings of yellow and white saliva get stuck in my beard. The Teacher Nurse says, “Are you Amish?” and I wipe my chin on my sleeve and hand her the kidney. She says, “You should probably just keep that.”

Over her shoulder, I see my wife enter the room and, thank you, thank you, thank you, I’m no longer alone. I’m no longer scared or afraid. It’s just her and me and that’s it. She says, “Gross! You puked! In front of everyone!” and I laugh.

She hands me a real life cactus that has been decorated with construction paper flowers and adorned with various Game Boy cartridges. At my heart, I am a stupid little vomiting boy.

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I say, “Thank you. This is very nice. I’m going to puke again,” and she says, “OK,” and takes the flowers from me. I grab the defiled bedpan and hold the rank and frothy mixture up to my mouth. I heave once, twice, and then puke doesn’t come up but instead some kind of salty cracker concoction. When I look up I see both my wife and The Teacher Nurse staring at me. I look to my left and see another older nurse that I hadn’t registered before watching me, as well. Where were these people coming from? Did they hear there was going to be a show? I politely ask them all why they’re staring at me and each of them, in turn, looks down at their feet.

I stare back into my bedpan and can feel all three sets of eyes slowly rise up, waiting, watching, anticipating me, each of them so excited to watch me erupt. “Oh, yes,” they are surely thinking, “Here he goes—his breathing is getting heavy! This is going to be amazing!”

Nothing comes out and there is a collective sigh. Sorry to disappoint. I tell The Teacher Nurse that I have to go to the bathroom and she says, “Number one or number two?” and then I’m positive that I’m stuck in some weird role-play with her. I say, “Uh, I just sort of have to pee,” and she says, “OK, that’s number one. Let me help you up, sweetie.”

I hobble across the floor with a 4-foot, 2-inch, fifty-something year old woman “supporting” me. Her perfume is pungent. She opens a door, and I mumble my thanks before shutting it and opening my robe and this is the first time that I realize I’m wearing some kind of—I don’t really know the best way to describe it—a nut-sack diaper, I guess.

It’s like a jock strap with no cup.

Scrotal

I exit the bathroom and excitedly ask the nurse if I get to keep my new accessory and she says, with an air of English dignity, “It’s called a scrotal support. And yes, it’s yours to keep.” The best gift a boy could ask for. I say, “It’s perfect. You’re so sweet. You shouldn’t have.”

The Teacher Nurse helps me back to my chair where I find a doctor handing a folder to my wife. He says, “I don’t know what you’re going to do with them, but we took ’em,” and Jade smiles and says, “Thanks,” and the doctor says, “From what I could tell, we got it in time and it hasn’t spread.” My heart leaps in my chest. It’s over. “But,” the Doctor Guy continues, “check in with your urologist next week. I’m sure he’s going to want to follow up with you.”

Sure, sure, whatever. I. Am. Healed! Hallelujah! I hear a chorus of angels playing the mambo. I want to dance with them but my scrotal support is simply too constricting.

A nurse pulls out my IV and wheels me to the hospital exit. My wife pulls up in the car, and I feel like a woman having just been released from childbirth. Except I have no baby.

I have no baby.

And my balls are . . . completely gone . . . every chance of children I have rests on the shoulders of others.

Jade honks the horn, and I saunter over to the car and crawl into the passenger seat. She hands me the manila folder and says, “One last surprise.” I open the file and find three digital photos that have been printed out on high gloss paper, each one more gruesome than the last.

She says, “I figured that little bastard has given you so many problems in the last month you’d at least want to see his face.”

Inside are three pictures of my bloody testicle sitting on a blue rag with a small gray tumor stuck to its side. We go home, frame one, and put it on a shelf in our living room.

Jade says, “We made it. We survived cancer.”

 

***   ***   ***   ***   ***

Well, that’s the very end of the story. Thanks for reading!

Just kidding. There’s still an awful lot of shit heading right towards this fan.

Tune back in next Monday for THE BLACK TENDRILS: CHAPTER 14 as Cancer reaches out from the grave.

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BABY BLOCKS: CHAPTER 11

 

Another double whammy this week on the chapter front. We’ll start out with BABY BLOCKS: CHAPTER 11, which will mostly round out our cryo-banking experience (as far as it’s detailed here) followed closely by TIME OFF: CHAPTER 12, which is a shorty and doesn’t really work as a stand alone.

If you’re new to what we’re doing here, I’m releasing my book Cancer? But I’m a Virgo one chapter a week All. Year. Long. This week is chapter 11 and 12 but it’s not too late to catch up! To start reading from the very beginning, just click here!

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Three hundred million: That is both the amount of money Forrest Gump made theatrically, as well as the average number of human sperm per serving, according to Wikipedia.

Fifty-six: the yearly average number of people on the Sioux Falls, South Dakota, bowling league, as well as the number of healthy sperm in my semen analysis, according to Dr. Chaplips, whom I currently have on the phone.

I ask him what the chances are of me getting my wife pregnant. I hear him lick his lips and, judging by the crackling noise coming through the line, I assume he still hasn’t solved his oral issue. “Aaahh,” he says. “Almost impossible. Very unlikely.” I say, “One thousand to one?” and he pauses before saying, “Probably higher.”

“Higher? Like what? What are my chances of a standard human pregnancy?” I don’t know why I’m doing this to myself. I don’t know why I’m asking these questions. It’s already too late to do anything about it because the cryobank suggests that I abstain from myself for three days previous to each deposit. I just feel this desire to know how defective I am. If I were a term paper, what grade would I receive?

“Probably more around one hundred thousand to one.”

I take a couple small breaths and ever the Dumb and Dumber enthusiast, say, “So you’re telling me there’s a chance?” He’s clearly never seen the movie because he just says, “No. I’m not.” I thank him and hang up. I tell my wife the great news. “Babe,” I say, “We never, ever, ever have to use condoms again! Don’t you get it? I’m as sterile as a crayon! A potato has more potential for reproduction than I do! This is fantastic! This—this sucks . . . . ”

 

Inside I can feel the growth, the landmass, the intruder, the Cancer, growing larger and larger on my testicle. Every moment of every day I am reminded of it. Every moment of every day, I have a constant throbbing pain. Every day it grows and grows and grows. What was once a tiny pea is now a lima bean. It’s getting bigger. It’s stretching out. It’s making itself at home. And still I can do nothing. If I want to bank what little functioning sperm I have, there is nothing to do but wait. If I want children, I must gamble with my life. True Russian roulette.

The pain grows and the doctor prescribes me Vicodin, which I begin to pop like Tic Tacs or cashews or addictive prescription drugs. The pain grows more and I pop more Vicodin and the pain grows more and I pop more Vicodin and the pain grows more and I wait and wait and wait to bank. The banking will take a month. The banking will take thirty days. Cancer will take full advantage of me in that time, feeding itself and fueling itself off me.

The waiting gives me anxiety, and I neurotically touch My Lump, the way people will continue to play with a hangnail or tongue the sore spot in their mouth. My body wants it out, and I’m forcing it to stay in. My body hates me, and I am sorry.

Call me selfish. Call me crazy. Call me reckless. But I’ll have my children.

Even if it kills me.

Fast forward a couple blurry days, and I’m taking the Olympic Boulevard exit off the 405 freeway at 8 a.m. I’ve got my first appointment scheduled with the sperm bank this morning and am very excited to open a savings account with them.

The building is tucked away and is fairly understated, causing me to drive around the block a couple times before I find it. The parking lot only holds about eleven cars and most of the spaces are empty. On the front door is an intercom switch. I hit the button and wait. Someone buzzes me in.

Hidden buildings, hi-tech locks, espionage! This is getting dead sexy, and I’ve seen enough James Bond movies to know that the chicks involved are going to be hot. I open the door and put on my “cool face,” expecting to see some smoking bombshell blonde in a short nurse’s skirt. In my head, she looks just like the girl on the cover of Blink 182’s Enema of the State album. Those clowns at the semen analysis place don’t know shit about shit, making me rub one out in a dentist chair. These people here are professionals. I have no doubt about that. Professionals. Hot Nurses. Hot Nurse Professionals.

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(ABOVE: THE DREAM.)

 

I cup my hand over my mouth, smell my breath, and walk into a reception area containing only six chairs. An older gentleman who arrived before me lowers his newspaper and glances at me through Coke-bottle glasses. We make eye contact and both immediately think, You’re here to jack off! and then, JINX! 1-2-3-4-5-6-7-8-9-10!

He lifts his paper back up, and I turn my attention to the Hot Nurse Station where I come face to face with Bill Cosby and Mimi from The Drew Carey Show. The first sits behind an ancient IBM whose white plastic sheen has turned the color of eggnog, while Mimi digs through towering filing cabinets twice her height.

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(ABOVE: THE REALITY)

 

Now it should be noted that these two people are not actual Bill Cosby and not actual Mimi from The Drew Carey Show but individuals who look so incredibly similar that they could be hired to work at a children’s birthday party as cheap duplicates.

One final word on their characters: I will describe the first person as both “Bill Cosby” and then as “she” but trust me when I say that both of these descriptors are not only accurate, they are also absolutely necessary.

Bill Cosby says, “License, please,” and I slide my ID over the counter. Without looking up, she says, “Is this your current address?” and I say, “No. I didn’t drive that far.” She looks at me sideways, and I say, “It’s a South Dakota license.”

She glances back at it and laughs far harder than is deemed even remotely necessary for what can only be considered a subpar joke. She then repeats her folly to her coworker, Mimi, in a fit of giggles. Mimi says, “What? You’re laughing too hard. I can’t understand,” and so Bill repeats it again, the poor joke becoming less and less funny with every turn.

“Riiiiiight . . . . Buzz him in,” Mimi commands and Bill Cosby opens a door, ushering me to The Back. He/she hands me a small cup—sort of the ATM deposit envelope, if you will—and then says, “Choose any door on your right.” I examine each of them in turn and discover that they all look identical save for room 4, which has been decorated with wallpaper adorned with silhouettes of naked women.

I choose the room I’m standing in front of. I figure it’s the closest to reception and therefore probably the least used. Only a true pervert would choose this room, so close to other people. Only a true sicko would choose—I stop analyzing my choice.

Bill Cosby hands me a disc. I look at it: an adult DVD artfully titled Bangin’ at the Cabo Cabana. I say, “Thank you,” and he/she turns and walks away.

I enter the room and shut the door. Lock the door. This is not what I expected on the drive over. It’s a 4 x 4 closet with a 7” flat screen television and a stack of hardcore, full penetration, tit-squishing, spread-’em-wide, take-no-prisoners, anything goes, pornographic magazines.

I flip through a couple, and the pages are genuinely stuck together, crusty with usage. The classic joke isn’t that funny when you find your fingers running over a stranger’s dried semen. I drop the magazines and pop in the DVD. At this point, I’m still not certain if I’m going to watch it to the end. I’m not sure how I feel about this, making children like this. “Son, I remember the day I ejaculated you. I was in a closet by myself, watching a Puerto Rican girl get sandwiched by a couple of brothers who kept high-fiving.”

Curiosity being what it is, I hit play and turn the volume down. There is a pair of headphones connected to the television but I have no desire to touch them, let alone put them on my head. I wait. And then it begins. The most horrific thing I could imagine begins. From the sky, eight individual baby blocks drop until they’re in the middle of the screen. On each block is a letter and, all of them together spell out the name of the production company, which I won’t name here, a production company that, obviously, specializes in making porno strictly for sperm banks.

Everything really has been thought of. Half of me is disgusted and half of me applauds their ingenuity and sense of entrepreneurial pioneering. Actually, half and half is an unfair ratio. I’ll call it a 90/10 split, respectively.

And then, just like that, without any set up or story, without someone entering a room or taking off their clothes, without any dialogue or foreplay, from frame numero uno, Bangin’ at the Cabo Cabana immediately earns its title.

I reach up and hit stop. The screen goes black again. Much like the girl in the video, I feel as though I’ve gotten my fill of Hector (my name for the male actor), and I’m really concerned that if I watch the video to the end, the guy, rather than choosing to go with the “traditional” adult ending, will just decide to neatly collect his “product” in a little plastic vial and then set it on a nearby counter and frankly, if that happens, I believe I would just go limper than a spaghetti noodle in a bubble bath.

Mimi and Bill Cosby stop outside my door to chat about a party this weekend, some kind of dinner date. Mimi has a bad cough, full of phlegm. Bill Cosby does most of the talking and laughing. I double check to make sure the door is locked.

I’m so ashamed to be here. Not that I’m ashamed that I have cancer or that I’m sterile. I’m just feeling these very powerful emotions of human shame about masturbating. I can only equate it to pooping in the woods. You know it’s OK. You know everyone that you’re with is doing it and it’s totally normal but you’re just afraid someone is going to come around the corner and catch you in your most exposed state.

Snap out of it, Brookbank! I yell at myself. You’re paying them to be here! Now pull out that dick, and get yer whack on!

I do. And with the help of those sticky-paged magazines and the blonde cop with the nightstick on p. 27, it takes considerably less time then the dentist’s reclining chair experience did. I’m not really going to get into the logistics of the deposit itself, but I will say this: Even after my final visit, I’m still not completely certain what the best way to get the “money” from my “wallet” into the “envelope” is.

Once the deed is done, I screw the yellow lid on and it’s only then that I realize that they’ve never told me what to do with it. At the semen analysis place there was a Mr. Ed style half-door that I opened and placed the jar into to be gathered up by a faceless technician in the next room. I search the walls. Nothing.

I put my pants back on (yes, I felt the strange need to remove them completely, as the only thing that could make this a bit more awkward is dried cum gracing the cover of my jeans), unlock the door and slowly, slowly open it. I don’t want to alert anyone that I’m done. More shame. Shame. Shameful Shaming Shame!

Should I leave my cum basket behind? Should I take it with me? Which is the least horrendous situation: the one where I abandon it in the room and a stranger finds it, or the one where I’m caught in the hallway trouncing around with a porno snack pack?

After weighing the pros and cons endlessly, I decide to plant the plastic container into my palm and sort of twist my hand backward so that no approaching person will see what I’m carrying. I walk through a small labyrinth of narrow hallways up to another counter with more bulletproof glass, and I stop to wonder how many times sperm banks have been robbed. I set my collection of human sperm down on the counter and ring a bell. DING! ATTENTION EVERYONE IN THE GENERAL VICINITY! THIS YOUNG MAN HAS JUST COMPLETED HIS JACK OFF! CONGRATULATIONS, SIR!

I turn to leave and almost make it back to the exit when a small Asian woman who looks like Michelle Kwan wearing a baggy blue hazmat suit (helmet and all) pops her head out from the sliding glass door and says in a Darth Vadery voice, “Excuse me . . . sir . . . . ” All these dots are where Darth is doing his heavy breathing. “I need to ask you . . . a few questions . . . . ”

I come back over to Darth Kwan and, with my canned specimen resting next to her writing hand, she says, “How long . . . have you been . . . absent . . . ?” and I just assume she means abstinent.

She says, “Did you get it all . . . in the cup?”

I want to tell her that most of it went on the floor because of their stupid little cup technology. I want to tell her it’s on the TV and all over the magazines and on the headphones. I want to tell her that someone needs to go in there with some baby wipes and give every object in that room a cursory once-over.

But I don’t. Instead I just nod and say, “Yes, ma’am. It was a clean escape.”

At the front desk they charge me a hundred bucks and I say, “A hundred bucks? But I did all the work!” and ol’ Bill Cosby certainly thought THAT one was funny. And I don’t blame him/her.

 

***   ***   ***   ***   ***

 

 

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I’ve been banking “successfully” for several weeks now. Every Monday and Thursday, I come into work feeling like a completely twisted weirdo. My producer asks me how my morning is, and I turn to him, a guy I call Cookie Dave, and say, “Cookie Dave, this morning I jacked off into a cup inside of a commercial business. If I’m being totally honest with you, the last couple weeks have been pretty strange.” He hands me a small napkin with a cookie in it and asks if I’d like it. “Thank you.” Peanut butter. My favorite.

He asks me how the whole “cancer thing” is going, and I say, “They’re going to cut out my ball in a few days. They’re going to just . . . cut it out completely,” and he says, “Ouch,” and takes another bite.

“Yes,” I say. “Ouch,” I repeat. Cookie Dave tells me to call him when I’m done with my edit, and he exits just as my boss walks into my bay and begins telling me about some zombie movie he recently saw. I try to listen, but his words all run together into a sonic blur. He says, “Dead,” he says, “Blood,” he says, “Tumor,” and I say, “What?” and he says, “TWO MORE! They’re making two more sequels!” and I say, “I have cancer,” and he sits down on my couch and says, “What?”

I try to explain it in the most succinct way possible. “I felt a lump on my nuts . . . . I went to the doctor . . . . I have cancer.”

“Uh . . . uh . . . ” he stammers. This speech pattern and the blank looks and the blind stares and the hopeless get-well-soon phrases are something to which I’ll shortly become accustomed. He looks at me like I’m a puppy that’s had its hind legs blown off and now rolls around in one of those sort of cute, sort of depressing doggy wheelchairs. “Well . . . uh . . . that sucks.” “Yes,” I say. “It does suck. I have surgery in a couple days and they’re going to try to remove it. I need some time off,” and he says, “Yes! Yes! Absolutely! Anything you need! Any time off you need, you take it!” And then, again, “That sucks, man. That really . . . sucks.”

The room is silent, and I feel my tumor throbbing, calling out to me, begging for attention. I sniff and rub my nose, not crying, just trying to make noise to break the horrible silence. He says, “Wow,” and I say, “This zombie movie . . . . It’s good?” and he says, “They run!

The throbbing continues and the black venom stretches out slowly into my body while I do nothing but wait.

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Next week is pretty monumental as we are going to be covering SURGERY: CHAPTER 13, wherein the tumor and the testicle will be attacked by strangers wielding blades and laser beams. So if that appeals to you (why would it not?), then you’re in for a real treat.

 

 

 

 

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TRY, TRY AGAIN: CHAPTER 10

 

Like many people, my wife and I have always wanted kids. The problem, however, with having kids is that you actually have to have them. You actually have to say to yourself, “Today is the day that I’m going to try to have a kid. Today is the day that I’m going to throw all protection to the wind and go for it. It’s a big decision that no one should make lightly or while under the influence of alcohol, hard drugs or cancer.

 

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My wife asks me, “Do you want to have kids?”

And I say, “Of course.”

And she says, “When?”

And I say, “When I’m done dying.”

She considers this answer and then tries a new angle, “I’ve been thinking . . . ” and I know her sentence isn’t over so I just wait. “I’ve been thinking that maybe we should . . . try now.”

I look at my watch even though I’m not wearing one. I push the hair out of my eyes, even though I don’t have any. I cough into my hand even though there’s nothing in my throat and I say, “Now now or now later?” and she says, “My clock says now now would be the best time.” She says, “What if . . . what if we just get pregnant now? Naturally? And we can do that together and experience that together and just . . . . ”

It’s the first time I realize how much she loves me. Cancer isn’t just affecting me. It’s affecting her. And not just in the way that proximity calls for, either. If she wants to be with me, stay married to me, and still have kids, she’s going to have to go through the very invasive process of in vitro fertilization, which, for her, is going to consist of so much more than spunking into a cup: hormones, shots, surgeries, egg retrievals. While I get to look at porno in a room by myself, she has to be probed by a group of strangers.

I stand up and give her a hug and look her in the eyes and try to make the moment seem like something I saw in a movie but it’s simply not because we both know the reality. We both know that I’m dying. Or could die. Or might die. Or might survive. We both know that we know nothing. We both know that this is all we know. Each other. Doctors and medicines and surgeries are about to invade our lives and this is all we can control. Each other. Right now.

I say, “OK,” and I’m certain.

And then we’re in the bedroom and there is so much pressure on me to perform that it is a complete failure, and I should go to summer school or read the CliffsNotes on sex or SOMETHING. It’s so bad that I have to apologize and stop. All I can think about is a ticking clock, and I don’t know if that clock is my life or her cycle, and I can just feel my tumor throbbing, and I just keep having an image of spraying out black venom, octopus ink instead of white semen. I know that’s disgusting and I apologize but it’s all I can think about.

I never share the image with Jade.

A few hours later we try again and the next day we try again and the next afternoon and the next night and the next day and again and again and again and sometimes it works and sometimes it doesn’t and why are my hands so sweaty?

It’s midnight and Jade tells me she wants to buy a pregnancy test. She tells me she thinks she might be pregnant and . . . I’m so excited. We’re so excited. This is it—that ray of hope, of sunshine, of light in the dark storm. Something that is ours. We drive to the local drug store and buy a pee test and a Diet Coke.

She chugs it like a frat boy and whizzes on the stick. We wait for the longest seven minutes of our lives. We stand in the bathroom, staring at the test, waiting for the blue line to appear or not appear or is it a plus sign or why do they make these things so hard to read?

Something starts to come through . . . and it looks like she’s pregnant!! We’re squeezing hands but not saying anything and then . . . the weird symbol fades and we let go of each other and stare at the blank stick and shake it a bit and try to read the directions again: 1. Pee on stick. 2. Wait. Check and check.

We try again and the same thing happens. We ultimately decide that maybe she’s pregnant (YAY!) but not pregnant enough (understandable). So we just keep having as much sex as we can and peeing on sticks every couple days, and ultimately, she isn’t pregnant, and I have to start cryobanking my semen in three days and that’s it. Game over. We won’t be getting pregnant The Old-Fashioned Way. If we want it, we’ll have to pay $12,000 for it. If we want it, we’ll have to find a clinic and hire a doctor and go through procedures and hope and pray and leave it in the hands of others. Anger rises up in both of us. That anger that shouts, “It’s not fair!” and it isn’t. But it doesn’t care. Whatever “it” is.

It’s not fair that every drunk jackass can accidentally impregnate his girlfriend and it’s not fair that people are throwing their babies away and having abortions and leaving them behind dumpsters and flushing them down toilets and I know one guy who has 22 kids with 14 different women, and I want to approach him and stick a knife in his throat for hogging all the good karma.

All I want doesn’t matter.

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This week we’re dealing with pregnancy the old fashion way. Next week we’re going to be dealing with it in a very different capacity so be sure to come back NEXT MONDAY to read about SPERM BANKING.

And if you haven’t already followed this blog. PLEASE DO!

 

 

 

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DR. CHAPLIPS: CHAPTER 9

Cancer Monday. Another chapter. If you’re caught up, keep reading. If you’re new – welcome! We’re reading one chapter a week from my book Cancer? But I’m a Virgo? A dark comedy that chronicles the absolutely hilarious time I had cancer. And, of course, when I say “hilarious”, I actually mean that I’ve never been more depressed in my entire life. But potato / potahto, am I right? No. I’m wrong. Nobody says potahto. Nobody.

If you’d like to start from the beginning, click here!

This chapter is, for me, so far, the most exposing. This is the beginning of our IVF cycle. The doctor’s are gearing up to take my single remaining testicle and so we’ll need to do some sperm banking if we want to have kids.

In case you’ve ever wondered what that world looks like. Gaze your eyes upon . . .

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Another doctor’s office. Another Georgia O’Keeffe painting. The sun beats in through a west-facing window, and I think the AC must be broken. My wife holds my hand. Am I sweaty? Is she clammy? I can’t tell. The thumb of my free hand rubs the denim of my jeans. I try to concentrate on the fabric to pass the time until—

The door opens and a man in a knee-length lab coat enters. He sits down across from us and the very first thing I take in about him (after the lab coat) is that his lips are incredibly chappy. Not just Chapstick chappy but I’ve-been-lost-in-the-desert-for-two- weeks-was-rescued-and-came-right-to-work chappy. White, dead skin juts at all angles like shards of milky, broken glass. His little pink tongue keeps darting out and licking them like a weasel gathering eggs, and I’m fairly confident that he’s simply eating the dusty flakes.

Oh my goodness, I can’t stop staring. It’s like a woman with her cleavage exposed. I want to look you in the eyes. I genuinely do. But your tig ol’ bitties are boring directly into my soul.

He shakes my hand, and I make a note to wash it the first chance I get. He welcomes us to the clinic. He explains to us what The Process will look like.

IVF.

In vitro fertilization.

Or . . . How To Make Babies With Science. Petri dishes, egg retrievals, frozen sperm. That sort of thing.

 

“The first step,” he says, “is to do a semen analysis. We need to see where your numbers are,” and I look at Jade and then back at his incredibly disgusting lips. I say, “Uh . . . OK. What does that . . . entail?” and he explains that I simply have to masturbate into a cup. Simply right now. Simply in public. It’s all very simple.

I cough into my hand but quickly pull it back, realizing that’s the one I shook his with and now most likely contains some sort of lip contagion. I look at my wife and I look at my feet and I look at the Georgia O’Keeffe vagina painting and I say to the doctor in the most, “Liiiiiiiiisten,” type of way possible, “I, uh . . . actually. I actually just, uh . . . masturbated . . . this morning and I’m not sure . . . I’m not sure I’m going to be able to really, frankly, hammer another one out today,” and he says, “You’ll be fine,” and my wife says, “You’ll be fine,” and the doctor says, “She can help,” and my exit strategies have all been blocked off. These two perverts are going to force me at gunpoint to tug my leather tether.

He escorts us into another, larger room, filled with worker bees buzzing around with papers and folders. The three of us approach a desk together and the doctor tells the young woman sitting in her swivel chair that I need a semen analysis done and she is just so very, very, professional. She just says, “OK,” and he says, “It might be slightly lower than usual because he just masturbated this morning,” and no one even acknowledges how bizarre this statement is. What a strange place this must be to work! I just look down at my hands. My dirty, dirty, masturbating hands.

The doctor shakes my hand (gross) and tells me, “Good luck,” and he walks away, probably to eat an aloe vera plant.

The woman behind the desk hands me a cup and says, “Back through that door on the right. No lubrication. No spit,” and she looks directly at my wife and I say, “Oh . . . Ooooooh . . . . ”

 

We walk through the appropriate door and find ourselves in a room roughly the size of a hotel conference hall. Everything is white. Everything is sterile. The fluorescents buzz in the ceiling. On the walls: Georgia O’Keeffe.

Of course.

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ABOVE: Georgia O’Keefe paintings of flowers and / or vaginas.

Sitting next to the door is a small table cluttered with Sports Illustrated Swimsuit Editions. Motivation. In the center of the room is a chair that can only be described as something you would get a root canal in. It’s black, leather, and constantly at a slight recline. I sit in it and assume that this specific posture has been scientifically proven to help nervous men climax in public places.

“How do we . . . ” I begin to say and my wife laughs at the sudden and absolute absurdity of our lives. She says, “I don’t know!” as she unzips my pants and gives, what can only be considered, her best. As long as that little power ring is on her third finger, I know that she is my sidekick through everything.

I stare at the ceiling, at the fluorescent lights. Everything is so bright. To my left are Venetian blinds leading outside where I can see passersby meandering to and fro. I look at the door 25 feet away from me and ask Jade if it’s locked. She says yes and continues with her medical chore. Tug-yank-jerk.

The lights buzz. The receptionists chat. Phones ring. People pass by. My tumor throbs. I ask Jade to stop and she says, “Why? Are you close?” and I say, “No. I think my dick skin is starting to look like that doctor’s lips,” and she laughs and says, “Oh, my gosh! I couldn’t stop staring! They were so flakey! Did he just come from the desert?” and then I laugh and she squeezes into the chair with me.

 

We kiss and try to be cute and romantic but then I say, “I’m telling you . . . this morning . . . ” and Jade says, “NO!” like it’s a personal challenge to milk venom from the snake. She goes back to town, and I bite my bottom lip but not in that sexy way that girls do it but more in that way where I’m trying to focus through the pain. Where is my power animal? I picture a lamb screaming.

I shut my eyes and imagine any number of perverse sexual acts but they all end with my dick being shoved into a meat grinder and lit on fire.

Finally, in a mode of complete desperation, I grab the wheel in one hand and her tit in the other. I put my mind into Zen mode and focus on success and focus on success and focus on suck sex.

I’ll skip the rest of the details but suffice it to say that this tale ends with me spraying a pathetic amount of jizz into a plastic cup. There is no clean way to say that. Romance of the twenty-first century, baby.

Covered in sweat and shame, we exit the room and approach the receptionist from earlier.

She knows. Oh, she knows.

“Everything go OK?” she asks, and I tell her that a little mood lighting could go a long way. She smiles and hands me a receipt. She asks me to sign and I say, “You need the ol’ John Hancock, huh?” and she laughs and the woman next to her laughs and a guy a couple yards away laughs and suddenly everything is all right. We’re all humans and we all know how awkward this is and we all try our best to be professional.

I sign my name and limp away.

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BIRTHDAY PRESENT: CHAPTER 5

Welcome back to the on-going serial auto-biography Cancer? But I’m a Virgo. We’re blasting out chapter 5 today after a late start this week. If you haven’t had a chance to jump in yet, it’s not too late! Just click here to start from the beginning! C’mon! You know that one of your resolutions was to read more books this year.

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PART 2

“What is to give light, must endure burning.”

-Viktor E. Frankl . . . whoever he is

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I’m sitting in a waiting room somewhere in Pasadena, staring at a magazine that is listing the 100 most influential people of the year. Lady Gaga, Jay-Z, and Bill Gates are all in attendance. I do a quick scan but don’t see any glossy celebrity snapshots of Jesus.

The waiting room is empty. The couch I’m sitting on is leather and cold. I touch it with my finger and wonder if the cow that this skin belonged to had a nice personality. I touch my tumor by squeezing it between my thighs. It’s still there. Maybe this doctor will simply give me some pills, and I can wipe all the sweat off my brow.

The woman behind the bulletproof glass calls my name, and I walk through a locked door. They weigh me, measure me, etc., etc. The nurse leaves, and I’m sitting alone in the Examination Room. The walls are covered in pictures that children have drawn in crayons, all with personalized messages addressed to a man named Dr. Odegaard.

“Thanks for fixing my arm,” wrote James, 7, with a drawing of himself in a cast, standing in front of a tree. The drawing is so bad I have to wonder if he had to create it with his lesser-used hand.

“You’re the best. Thank you for the Band-Aids,” wrote Tiffany, 6, who decided to draw birds flying over a rainbow.

I try to imagine what my drawing would look like. There would be a picture of a smiling rooster. Above it, in bubble typeface, it would read, “Thanks for saving my dick. I owe you one.” –Johnny, 26.

The doctor enters and asks me a few questions. First the preliminary stuff because it’s my first visit to see him, followed by the more intimate inquiries. “What seems to be the problem?” And, “Describe the lump.” And, “Which testicle is it on?” And this is where I sort of mumble something about a trick question. Mumble something about my uni-testicle. Mumble some off-colored joke that he doesn’t laugh at. He asks me to pull my pants down, and I ask him if the door is locked. He tells me that no one will come in, and I comply.

He snaps on a rubber glove and fondles me in a professional manner. He hums and grunts a couple times, makes the sort of noise you might make after seeing a two-headed turtle—not absolute shock but more of an idle fascination.

He tells me to pull my pants up and that he definitely feels something. He tells me that he’s recommending me to a good friend of his, a urologist (penis doctor; see also dick doc) named Dr. Honda. It’s the 11th of September, and it will be six more days with this thing growing inside of me before I get any real answers.

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On September 17, 2008, I turned 26 years old. My wife and I spent it indoors, she having made me a cake and purchased me a few books. The day was regular enough, the cake was regular enough, the weather was regular enough and, as far as birthdays go, it would forever be branded in my brain as the most irregular day I had ever experienced.

We arrive at Dr. Honda’s office, a nice brick building in Arcadia, just after noon. My wife and I sit down in the lobby and she immediately picks up a Better Homes magazine and begins scouring it for ideas to, presumably, make our home . . . better.

Everyone in the room with us is old. Really old. Nursing-home old. They’re so old, that they each have some kind of caretaker visiting the facility with them. I try to imagine the day, hundreds and hundreds of years from now, when I’ll be too weak to take care of myself. The day, thousands of years from now when I can’t bathe myself any longer. The day when I eat more pills than food. Millions of years away.

My wife turns to me and says, “What do you think he’s going to say?” and I say, “You know what I think,” and she just laughs and shrugs. She still thinks it’s a cyst or an ingrown hair or an extraterrestrial’s tracking device, all things that are more realistic possibilities than that cancer-thing-that-other-people-get-and-it-never-happens-to-you disease.

They call my name, and I walk back through the door, alone. Every step I take, I am closer to understanding what this thing is. Closer to knowing that it’s either cancer (which I know it is) or an alien GPS system (which it probably isn’t but in many ways would be easier to deal with).

I jump up on that bed-table-thing with the giant roll of single-ply toilet paper covering it and glance around the room. There are no children’s drawings. Instead there are just diagrams of penises and vaginas that go on and on, wall to wall. Dongs that have been split in half lengthwise to show me what the inside looks like. Uteruses and ovaries that resemble cow heads. Black arrows pointing to the dangly bits, informing me what is in my pants. A part of me wants to examine them closer, wants to read all the scientific jargon, but the other, louder side of me doesn’t want to get caught staring at a drawing of a 16-inch schlong.

The door creaks, and Dr. Honda enters the room. He’s a slim Asian man with a mustache and a big smile. He immediately makes me feel welcome and, as I will come to shortly learn, this is not a professional trait of all doctors. He has bedside manner, a characteristic and skill that cannot be taught.

He shakes my hand and introduces himself. He asks me a few questions about life, what do I do, am I married, do I have kids, where am I from, and then my pants are suddenly at my ankles yet again and I’m Porky-Piggin’ it, naked from the waist down.

As he’s squeezing my GPS tracking system with a rubber-gloved hand, I hear footsteps fast approaching in the hallway and quickly ask if the door is locked. He says they’ll knock first. Yeah, I think, But I’m sure it’ll be that knock-knock-open that people are so wont to do.

“My ultrasound guy is here today. I’m gonna have him check you out.” I ask if I can pull up my pants.

You’ve read all this before. You know what happens. I know what happens. The story is inevitable.

I have Cancer.

That thing that makes people go bald and look sick and thin and tired. That thing that sucks the life out of individuals and kills kids and evaporates old folks. That thing I hear about on TV and in movies and sometimes in books. It’s me. It’s on me. It’s in me. Growing. Slowly.

I picture it looking like the black goo that Venom is made out of in the popular Spider-Man films; it’s not quite a gel but it’s not quite a liquid. It’s just a mess of sticky tar that attaches and grows and builds and pulls and destroys until it has encompassed your very being and turned you into someone else. No more Peter Parker. No more Eddie Brock.

Venom.

Cancer.

I’m staring at the ceiling, cold jelly on my testicle. Now I know. Now I know that I was right. Everything I thought I knew was correct. My gut was dead on. Dead. On.

Dead.

Without looking at the Indian man who’s given me my diagnosis, I ask, “Can I pull my pants up?” and he says, “Yes.”

Pamphlets are spread out in front of me. Every single person on every single cover is happier than the last. Everyone is so happy. They’re all so happy about their Cancer . . . and . . . I am just . . . .

. . . .

Dr. Honda tells me that I have two options in regard to the tumor. My Tumor. First, there is a surgery wherein they will cut me open and split my remaining testicle in half, removing the bad stuff but leaving me fertile. I tell him that I cannot fathom anything that sounds more painful. I ask him what the second option is.

He succinctly states, “Full removal.”

I sigh and ask what the third option is. He stares back at me. Nobody says anything. After a moment he tells me that if they miss even one single cell during the nutcracker operation the cancer will simply return, and they’d have to perform a second surgery in order to take the remaining half. I assume this is supposed to make my decision easier.

I look at the ground. At my feet. At my pants. I tell him to take it all. He smiles, and it’s a very kind face looking back at me. You can tell that he doesn’t want to tell me these things. You can see his compassion, and I’m thankful for it.

He pokes the pamphlets and says, “You’re going to want to bank your sperm,” and I nod. I am going to be sterile. Unable to reproduce. There is something very damaging to me about this thought, and the memory of me lying in a hospital bed talking to a doctor when I am eight is at the forefront of my mind.

I shake his hand and walk out of his office. I walk down the hall. I walk back through the door and to my wife, surrounded by old people. She puts down her Better Homes magazine and stands up, smiles. We walk out of the office, down the steps and out the front door into the parking lot and the warm sunshine.

It has not crossed my mind how blissfully ignorant she currently is.

She looks at me and, with her complete confidence with the ingrown hair theory asks, “Well, what did he say?” and, without missing a beat, I respond, “I have a tumor.”

She takes one more step before collapsing onto a parking block and begins weeping. This is when the reality all hits me, and I weep as well.

 

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Thank you so much for reading another chapter this week. Please click FOLLOW down below to stay up-to-date as we’re releasing one chapter a week until the very end!

Next Monday is PARENTS: Chapter 6.

 

 

 

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(The Father of) The Mother of Dragons

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My friend Jack and I are standing in my front yard talking about The Big W’s – Weather, Work and Wives – when Quinn runs up and slams into my legs, a big smile painted across her face. I assume that she probably wants to tell me about a bug she saw, a rock she found or a bird she heard – these are the ecstatic ramblings of children long before the boring gray fuzz of adulthood has tainted their world view.

Jack bends at the waist and slaps his hands onto the tops of his knees and, in a sing-song voice says, “Why, hello there, princess!” Quinn looks up at him with a furrowed brow then looks over at me and I can hear her thoughts, Why is this guy talking to me like I’m a baby animal?

How are you doing, Princess?”

“I’m, uh, fine?” and she says it like a question.

“You are beautiful, Princess! You are just beautiful, aren’t you?”

I cringe at the buttery compliments.

Quinn looks up at me. “Dad?”

“Yes?”

“Are, uh, princesses… uh, real?”

“Yes.”

“Like… on this planet?”

“Yes.”

“And they’re alive right now?”

“Yes.”

These are the three qualifiers Quinn uses in order to distinguish when and where a thing took place. She understands that things could have existed BEFORE now but exist no longer – like dinosaurs – or that things could exist outside of this country – like things in Africa – or that things could exist outside of this planet – like the sun and the moon. What she’s really asking is, “How accessible are these things to my reach?” How accessible are princesses to me? That’s the real question.

Can I be one?

Jack answers for me. “Of course they’re real! There’s one standing in front of me right now! A pretty princess! That’s you!” I cringe again. The last thing I want is my daughters to associate with characters who get trapped in towers, are afraid of spiders, and constantly require some form of assistance.

That is no one to make into a role model.

These ideas of “princess” are not inherent from birth. These ideas are fed into our daughters. We show them the pictures. We show them the movies. We glamourize the idea and the lifestyle. They are magical and beautiful and they don’t have bad hair and they never wet the bed and they don’t have to have jobs or work and everything is wonderful and their lives are perfect and how does it always end for a princess?

Happily Ever After.

And in all fairness, why would you not want that? I’m half tempted to throw a dress on myself and march around a castle while tethered to the sexual whims of some hunky prince in order to forego a few of the greater responsibilities of my standard adult life. Don’t judge.

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We may not intentionally give our children this idea that they should actually dream to be a princess (I would never!). We may not intentionally feed this lie to them (They’re just movies!). We may not intentionally form them to believe this (Do you want to be a princess for your birthday?) but there are lessons in repetition and our culture helps shape that which we are.

It shapes girls through childhood with fun movies. It shapes ladies through their teen years, which we then couple with beauty magazines. It shapes women through adulthood, which we then couple with pornography. And they take all this baggage into the work force, which we then couple with an antiquated and slowly dying cultural idea that men work and women stay home and then we wonder why women make, across the board, slightly less in the workforce.

Perhaps we’ve spent decades telling girls that they deserve slightly less. Perhaps we’ve spent decades convincing ourselves that they deserve slightly less.

And maybe we all, on some level, believe it… even if we say we don’t. Perhaps there is a part of us all that still believes they are the fairer sex.

How do we know if we believe this? Well, if a man tells you that his wife works full time and he is a stay-at-home dad, what is your first, internal, gut, emotional reaction?

Your very first reaction is probably, like mine. “Wow, that is a-typical. I wonder what that’s like?”

I have full acceptance of it – no judgment – but there is this part of me that acknowledges that it is somehow out of the realm of what we typically understand to be true.

And herein lies the problem. Because we, as individuals or as an entire culture, can simultaneously acknowledge that it is okay and “progressive” for a woman to work and a man to stay home while also understanding that part of us finds it to be outside the norm.

And so if you also think it to be outside the norm, it is because you believe (or have been told to believe) that, like me, women have a specific place and men have a specific place. If your first thought is “That is unique,” then you too are trapped in this way of thinking even though you don’t think you’re trapped in a way of thinking.

Culture has also made you and I, as men, believe certain things without our knowing that we believe them.

Scary.

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Perhaps we re-educate our daughters on what it means to be a woman. Perhaps we re-educate our girls on what it means to be a princess.

Perhaps we put Jack’s princess to rest.

Or better yet, perhaps we kill her completely. Perhaps we just let her starve to death in the tower as a lesson for not having the get-up-and-go to rescue herself. Rapunzel, you had hair. You could have crawled down yourself. Cinderella, you could have left. There was NOTHING tying you to that house. Those people hated you. Ariel, you doctored your birth form and gave up your entire world for a guy you just met simply on the hope of Happily Ever After.

These. Are. The. Lessons.

Settle for less.

Wait for help.

Change who you are.

And if you make twenty cents an hour less than men doing the same job, maybe that’s just your place. After all, that’s what we’ve taught you.

Perhaps feminism wouldn’t have to exist if we raised our daughters believing they were bad asses from the very beginning. Perhaps our daughters would never ask, “Am I good enough?” if we stopped telling them stories that highlight all the reasons why women aren’t good enough / pretty enough / strong enough.

Perhaps we start telling them stories about women that are leaders instead of women that wait for leaders.

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Quinn looks up at me, a revelation dawning across her face, “Dad, am I a princess? Is this true?” Jack has planted the seed.

And now I must garden.

“Well, let’s see… do you have a crown?” “No.” “Do you have a scepter?” “No.” “Do you have a castle?” “Uh, no.” “Do you own any lands? Is your mother a queen? Do you have servants? Do you settle disputes amongst your countrymen?”

“Uh, no. I don’t do those things.”

“Then you probably aren’t a princess.”

Jack says, “Why would you tell her that?” and I say, “The same reason I tell her that she is not God nor an earthworm.”

“Dad? Is, uh, Cinderella a princess?”

“Yes, she is.”

And in that moment I see the light in her eye. I see the draw of The Princess. I see that my daughter wants it because, at her core, I think most little girls do. And that’s okay too. But how do we separate all the terrible trash from the good stuff? How do we tell them that it’s okay to be a princess and it’s okay to be pretty and it’s okay to dance and fall in love but… there is more. That is not all. The princess you know is an incomplete story. Because she is an incomplete character.

She is flat and brainless and you are not.

In her question I see an entire culture of beauty pressures and weight problems and negative encouragement and impossible goals and cosmetic surgery and feminism and macho bullshit swirling in a tornado, trying to rear its head, trying to sneak into Quinn’s ears and her head and her psyche, trying to poison the vision of who she is. Trying to mold her (and I mean “mold” both in the sense of “forming shape” and also as “an organism that slowly eats away and decays”).

Maybe that voice in our culture is impossible to stop. Maybe it’s a hopeless battle and all of the body image shit that bathes and berates our females is impossible to hide from.

But maybe not.

Maybe we just need to alter the messaging a bit.

I squat down onto one knee, proposing an idea.

“Quinn, you know what? Princesses are real. There are princesses on this planet right now. On this Earth. And you know who the best one is?”

“Uh, Cinderella?”

Me, “Nope.”

“GREAT GUESS, PRINCESS!” That’s Jack.

“The greatest princess of them all is a woman just like you named Daenerys Stormborn. And she is the Mother of Dragons.”

“DRAGONS!? SHE HAS DRAGONS!?”

“Oh, yes. Three of them.”

Jack, “I don’t think you can tell her that.”

Me, “You think I should stick to Cinderella and her transforming pumpkin-carriage as the barometer for reality?”

Jack shifts his eyes, “Uh, what?”

“THREE DRAGONS!?” that’s Quinn in full excitement.

“Yeah. And you know what else? She flies around on them.”

“WHAT!?”

“And they breathe fire.”

WHAAAAAT!? FROM THEIR MOUTHS?!

“Bingo.”

Can I see a picture?!”

I pull out my phone and, thanks to Google and the wonderful CG team at HBO, I show her a picture of a very real looking Daenerys riding a very real looking dragon that is breathing very real looking fire.

“OH. MY. GOODNESS.”

“Can I tell you something else? She is a very. Powerful. Warrior. She is strong and she is brave and she stands up for people that are weak and she stands up for people that don’t have a voice. She is a hero. What do you think about that?”

“THAT IS REALLY KEWWWL!”

“Yes, it is. I agree. Now then, what do you think? Would you rather be Cinderella with her glass slippers going to the dance or Daenerys Stormborn with her dragons, breathing fire and battling the wicked?”

“I want to be Dan Harris!”

“I thought so. Remember, being pretty is nice. But being smart, brave and kind – being a leader – this is who you are. This is what’s really inside of you. Capiche?”

Capiche!

Quinn smiles and runs away. I stand up and smile at Jack, “Sugar and spice and everything nice only goes so far. Sometimes you’ve gotta pour a little whiskey in the soda if you want it to bite back.” Jack smiles in a way that makes me think he does not agree.

And that too is okay.

I acknowledge that someday Quinn will grow up and will most likely seek a spouse. And when she does, I want her to choose someone that she wants to be with. Someone that accentuates her happiness and helps to highlight her charm.

Our culture has a loud voice. And that voice tells us that spouses complete us. The voice tells us that our spouse is our other half.

But I say no.

I say we are complete people before we meet one another. A person does not complete another person. A person adds their brew to the mix. They bring their own ingredients and they help create a spicier dish but they do not complete the recipe.

Marriage does not complete you anymore than having children completes you anymore than having the proper job completes you anymore than having the right pair of pants completes you.

You are you.

You are you regardless of who you’re with.

Quinn doesn’t need someone to complete her. She can choose to be with someone because she loves being with them. Because their company is delightful. Because they find happiness in the other’s presence. Not because they will give her Happily Ever After.

Quinn comes running back, wrapping her arms around my leg.

“Daddy?”

I place my hand on her forehead. “Yes, Breaker of Chains?” Quinn squints at me. “Uh, those dragons… are they real?”

Ah, I knew that one was going to come around.

Sometimes, as a parent, it is our job to build up our children and raise them to be the best version of themselves that we believe they can be. Sometimes it’s our job to protect them from all the flying bullshit in the world – at least for as long as we can. Sometimes it’s our job to remind them to think for themselves and to question the status quo. Sometimes it’s our job to tell them the very hard truths of life.

And sometimes.

Sometimes.

It is our job to lie.

“Yes. The dragons are real. They are the last three in the world. And Daenerys has them and she flies around on them, fighting evil. And you, Quinn. You can fight evil as well.”

“I’M GOING TO!” and she turns and runs off into the yard, where I hear Rory and Bryce laughing.

Sometimes lying is good.

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Code 5 Quinn-pocalypse

I’m walking out of my house – I need to run to the grocery store to pick up some waters. It’s a quick in and out job. Super basic. I’ll be gone ten minutes. Max.

I hit the door and drop down the porch steps and I’m almost to my car when I hear Quinn behind me. She does this whine – it’s full of panic and concern. This tone that is like eeeeeeehhhhh! It’s a noise that sounds like she’s on the edge of a full nervous breakdown. Her voice wobbles and quivers. “Daddy! Wait! Wait! I didn’t give you a hug and kiss!

I can hear her shouting this from the living room. “Yeah! I’ll be back in just a minute! One minute! I will be right back, I promise!”

NO! HUG AND KISS! EEEHHHHH! PLEASE!

I keep walking. She’s on the porch now. Squealing. Now she’s running down the steps. Running towards me. I keep walking. “I will be right back, Quinn! You will see me in two minutes. I’m just buying a water.” And then my internal monologue kicks in, which goes something like this: What is wrong with this kid? What have we done to this child to give her such separation anxieties? This noise that she makes is killing me. It is driving me up the flipping wall. I wish she would just relax. Her panic is so dumb. And so senseless. I’m going to be right back. Why isn’t she listening to me? If she would just stop making these stupid whining noises and listen to me, she would know that I’m going to be right back. Why is she wasting my time?

This is the routine whenever either Jade or I leave the house. Every time. Every single time there is a fantastic meltdown over hugs and kisses. If you do not properly connect your lips with Quinn’s lips and give her a very proper hug that has a fairly specific form to it, then you are dealing with a Code 5 Quinn-pocalypse.

This is not, like, a thing. This is A Thing.

I’ve driven away before. I’ve been like F it. This is ridiculous. I’m leaving. This must stop. I get in my car and drive away. In my rearview mirror I see her standing at the very edge of our yard, waving her arms and jumping up and down and screaming, “HUG AND KISS! HUG AND KISS! DADDY! PLEASE! HUG AND KISS!” and I have no idea how long she stands there and does it for.

To remove all sugar coating and to be as primitive about it as possible – it is annoying and it gets under my skin and it drives me crazy because it doesn’t make any sense to me and, if I’m being completely honest, the vast majority of the time that I give her a hug and kiss, I do it as quickly as I can and just roll through the motions so that I can get to wherever it is that I’m going.

I brush her off.

And I’m not just brushing her off like she’s blathering on about how she wants mac and cheese for lunch but we just ate breakfast so please give me a second to finish doing the dishes but I’m actually brushing off her affection.

And so I’m standing on my front sidewalk and I say, “Quinn, yes. Hurry. Please. Hi. Hug and kiss. Okay. We’re done. Thank you. Go back inside. I’ll see you in a hundred and twenty seconds. Goodbye. Finally.”

And she says, “Okay! See you in a minute! I love you!” and then she runs back into the house.

And then I’m standing on my sidewalk and this feeling of… it was a light bulb turning on over my head. It was a feeling of illumination. I had a moment wherein I saw the darkness and I saw that I was swimming in it.

I was engulfed by it.

And I didn’t know it.

What has happened to me? What am I doing? What is wrong with me?

My child. She has come to me to see me off. To show me affection and admiration. She has come to me, small and powerless, to say I love you and I will miss you while you are away. You will only be gone for two minutes. But in those two minutes, I will think of you and I will wish that you were here. And I want you to know that.

And this is, apparently, just too fucking insignificant for me to waste my time with.

Sometimes I catch sight of myself and, for all the good I like to think that I do, I realize that I am still just a selfish piece of shit that knows nothing about humility.

 

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