Tag Archives: death

LOCKJAW: CHAPTER 30

 

It is an easy life to wake up every morning and to hate our jobs. It is an easy life to piss and moan while we drive to work. It is an easy life to hate our bosses and to begrudgingly accomplish a list of tasks set out before us. It is an easy life to be put upon, allowing the world and circumstances and fate to blow us this way or that way and to kick the ground and say, “If only my luck would change.”

It’s easy to be a victim.

Whether it’s a bad marriage or a job that is uninspiring or a disease that catches us off guard, it’s easy to slouch down, shut our eyes, and feel sorry for ourselves.

It is also very amazing how quickly our perspective will shift and change once these horrible responsibilities that have been “placed on our shoulders” are suddenly gone and missing. How desperately we would eat the scraps from the table we were previously dining at.

Sitting in My Yellow Chair, I think to myself that I would do near anything to have my job back. To have any job back. I would go back to the video store I worked at as a senior in high school, I would go back to the coffee shop I worked at as a junior, I would go back to the sandwich shop I worked at as a sophomore. Paperboy, garbage man, toll-booth attendant, just let me live. Let me stand in the sunshine and talk to someone. Let my cares be menial and pointless and let me eat turkey sandwiches for lunch. Let me leave at five and drive home in bumper to bumper traffic and give me my thoughts—reasonable, logical thoughts. Let me think of my wife as the woman I married and love dearly; let her be the object of my affection and desire and let me not see her as my caretaker any longer. Let me grow old and come to take care of my mother. Don’t let my mother stand by idly and watch me die, cradling her son in her arms as I shrivel away, fading further and further into The Black.

Give me Life. Give me Freedom. Give me Adventure. I want to sail. I want to scuba dive. I want to scream. I want to skydive. I want to camp, hike, and swim. I want to travel in an RV. I want to visit Nicaragua and Ireland. I want to live in the woods. I want to fire a gun. I want to make a movie. I want to write a book. I want to have a family, grow old, and die with no regrets. I want to learn to play guitar, cook, and perform sleight of hand magic tricks. I want to stand up in front of a large group of people and say, “THIS is my story. THIS is what happened to me. THIS is how I got through it.” I want to donate my time to something, someone, anyone. I want to donate my money to something, someone, anyone. I want to make a difference. I want to talk to a child with cancer and say, “You’re going to be OK.” I want to alter and inspire those around me. I want to effect change. When I die, I don’t want to say, “I wish I . . . . ” Instead I want to say, “I did all.” If I saw it, I took it. Life is a fruit tree and everything is waiting to be picked and gobbled up. Some fruit is higher than others but, with the proper motivation to climb, all is attainable.

All is attainable.

More than anything, though, when I come out the other side of this disease, and you believe me, mark my words, I will—when I come out the other side, I am going to be a different person. Baptized by fire, existence will not look down on me but I will look down on existence, and I will conquer it and I will own it and I will eat everything it has to offer.

When I can walk, I will run. When I can think, I will write. When I can move, I will create, accomplish, execute.

Until then . . . until then, I will sit here and I will hibernate and I will simply try to inspire myself.

Cancer has a very vicious duality to it. The one side, the first side, the more prominent side, is very sad and dark and depressing. It’s very aggressive. It has sharp teeth and it bites and it (literally) kills you and (figuratively) those around you. It attacks your mind, body and spirit. It chips away at you piece by piece and makes you hate yourself and your life and your existence. But then, there, on the obverse side, is the stranger side of Cancer; the bit that people rarely speak about and the bit that the public rarely sees. Cancer is inspiring and life changing. It will clear your mind. The world comes into focus. The path becomes clear; the path of movement and forward momentum; the plan of attack.

My mother looks at me and says, “What are you thinking about?” and I look up and say, “I just want to live,” and she says, “I know . . . you will,” and I say, “No . . . I mean . . . when this is over. I want to go—” I reach up and touch my jaw. Something feels Wrong. Off. Stiff.

I place my thumb under my jawbone and apply pressure and I rub my cheek and I try to open my mouth but suddenly my teeth are clamping down on each other with the tenacity of a bear trap and my mom says, “What are you doing?” and between pursed lips I say, “I . . . can’t open my mouth.”

And so, how do you respond to that? Someone has a seizure, call 911. Someone is turning yellow, put them in the sun. Your heart hurts? You’re probably having a heart attack. Your face is going limp? You’re the victim of a stroke. These are obvious decisions but . . . I just can’t open my mouth. My mom says, “Does it hurt?” and I say, “Uh . . . no,” and then we both sit in silence trying to figure out what to do in the least dramatic scene of all time.

I wave my mom over and lift up my hands and she grabs me and I stand up and I say, “Let’s go for a walk,” and, instead of going outside, we just manipulate ourselves in a great big circle around and around and around the inside of my house. I make seven laps before I’m completely winded and need to take a break.

In the kitchen I lean heavily on the counter, stick my fingers between my teeth, and try to pry my mouth open. It’s a scene directly out of a Tom and Jerry cartoon. Jade enters and says, “What are you doing?” and I say, “I can’t open my mouth,” and Jade says, “Why?” and I say, “I don’t know. I think I have lockjaw,” and Jade says, “Right . . . ” and I say, “Look at me! My jaw . . . is locked! I cannot open it! I have no key! How much more evidence do you need?!” and she steps forward and examines my face and says, “Hmmm. We could take you to the doctor?” and I say, “NO! No more doctors! No more IVs! No more hospital beds until I have to go back for the chemo. We’re figuring this out on our own. Who do we know? Can we Ask Jeeves?” and all of my words are coming out in chunky gusts and gasps.

My mom says, “Your aunt used to be a nurse,” and I say, “Yes! Absolutely! That’s right. Get her on the phone. Let’s solve this mystery!” and now my teeth are biting so hard into each other that it actually is starting to hurt and I’m getting so tired from standing up that I decide to go lie down on the couch, burying my face deep down into the crevices of the pillows.

I hear the phone click and my mom says, “Drink milk,” and I say, “And then what?” and she says, “I don’t know. I guess that’s it. Something about . . . blood and . . . I don’t know.”

Jade raises an eyebrow and shrugs and says, “You should probably get more calcium in your diet anyway,” and I say, “But of course,” and she pours me a tiny glass and I drink half of it, gag, drink the other half and sit down. Jade brings me another glass and I sip on it before, slowly, like oil on the Tin Woodman in Oz, my joints begin to loosen and I can stretch my jaw and talk again.

Cancer is, if nothing else, a very tragic adventure unlike any other that I’ve been on. Like a haunted house, it keeps you on your toes and it keeps you guessing and it makes you roll with the punches. Seizure! Swerve, block. Blood transfusion! Uppercut! Heart cancer, lung cancer! Pop-bang! “And now here comes his signature move: Lockjaw!”

Of all the things Cancer is, boring is not one of them.

I shut my eyes and wonder what tomorrow will bring.

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ALAN: CHAPTER 28

 

_JBP6669

I haven’t eaten anything of true substance for months—just bites of candy bars, portions of cereal, some chicken, rice, carrots. I can eat when I’m high, but I can’t always be high. I’ve lost over one quarter of my body weight. The man staring out of the mirror is not me. It’s not JOHNNY. It’s some dark replacement, a temporary placeholder.

 

When I was in high school, a kid I was supposed to graduate with died of bone cancer during our senior year. I only knew him by proximity, our entire graduating class consisting of about 300 kids, but found myself attending his funeral regardless. When somebody that young dies in a town that small, it sends a ripple through the community that everyone feels.

 

I remember standing in front of his coffin and staring down at him. The boy, his name was Alan (this is a fake name and a real story), would never be called big. In his Earthly life he was never going to be a successful football player and he didn’t have the physique for track. He was a gear head with a very average-sized body. Nothing particularly large or small about him but that was not who I was looking at in the coffin. Average Alan was not staring back at me. This body was a shadow of his existence. His skin looked jaundiced, his cheeks were hollow bulbs, his head appeared to have grown in size, pulling his hair line back although I understood that it was all smoke and mirrors, death’s way of manipulating your perspective. His head wasn’t growing; his body was shrinking, or rather, had shrunk. His fat cells had been depleted.

 

Some mortician’s assistant had painted him and tried to give him blush and color and joie de vivre but . . . he was just a dead kid with make-up on. This wasn’t Alan. This was just Alan’s body, and his killer was hunting me.

 

Now, almost a decade later, I see Alan staring back at me in the mirror. The pasty skin. The bland features. The inhuman persona. I would look more at home in a George Romero film.

 

Is this what I’ll look like when I die? Is this what people will see? Will remember? Is this who my wife will recall? This sad little man hunched over in a chair, spending his days sleeping?

 

I picture the people I’ve seen at nursing homes, men in recliners staring at birds in cages. Old men staring, watching, waiting for the end. These men who were once vigorous young boys, running, jumping, dancing, chasing, fighting, kicking, screaming, laughing, living. This is what time does. Eighty years, ninety years, one hundred years. Time saps away everything precious and leaves you with the remains. It eats all the food and gives you the wrapper and hands you the bill.

 

This is me, a ninety-year-old man watching birds, just glad to finally be out of that hospital and back in the safety of familiar surroundings. Me, sitting in my backyard with a blanket across my lap, my eyes shut, listening to that distant chirp, chirp, chirp.

 

When this journey began, sitting outside to get Vitamin D was a joke, some kind of pathetic attempt to grasp at straws. Today I’ll do anything to try and get better. I’ll do anything for a bit of strength. I’ll take your magic pills. I’ll swallow your magic beans. Somebody tells me that raspberries help cure cancer so I buy a palette full of them and try to eat a few every day.

 

I haven’t heard anything about my cancer markers in some time and have no idea what they’re doing; 300, 600, 14,000, 62. It doesn’t matter. I feel like shit. I shut my eyes and listen to chirp, chirp, chirp and it’s just so beautiful. The birds are so calm and soothing. I watch a small brown one jump from branch to branch. Chirp, chirp. I watch a squirrel run up a tree. I watch a row of ants marching back and forth, back and forth, back and forth at my feet. Somebody walks through my alley and I wonder where he’s heading. The guy looks at me and waves and says, “MERRY CHRISTMAS!” even though it isn’t until tomorrow. I raise my hand halfway up, too tired to speak. This is what Cancer looks like. Saying “Hello” feels like a quick run. Saying “Merry Christmas!” with all of its syllables and uppercase letters and its great, big, tall exclamation point is a marathon.

 

I inhale deeply, hold the breath, count to five, and then slowly let it out. In the house to my left it sounds like someone is showering. In the house to my right it sounds like someone just broke a dish. In the tree 20 feet in front of me I hear a bird chirping and think about how I am the only one hearing this noise; this little bird is singing its song while the world goes to work and pays bills and buys clothes and sleeps and watches reality TV and here I am, sitting in my backyard all alone, the sole audience for the performance of a lifetime.

 

I feel as though I am able to examine the world around me in great and fascinating detail. I feel like I am seeing it in a fourth dimension. I feel like the strands of existence are breaking and tearing and opening up and I’m able to see through them into some other realm of beauty. I’m seeing things that no one else can. I’m seeing the color green for what it is. I’m seeing green grass and it’s so beautiful and I understand that it’s so beautiful and everything I’ve taken for granted, the wonderful, majestic world around me, is suddenly alive and vibrant and vivacious. The trees are towering monoliths, hundreds of years old. The dirt, the grass, the bugs, everything is working together in perfect unison, perfect harmony, a world separate in my very own backyard.

 

I look at it all happening and I see everything. I see every detail. I hear everything. I see how intricately everything works together. I see the ants. I see a bug eat an ant. I see a bug get stuck in a spider web. I see the spider eat the bug. I see a fly. I see a piece of disgusting dog shit and I see the fly land on it and plant maggots in it and everything, everything, everything, even the most disgusting, grotesque pieces of us play a greater role. It’s perfect, it’s flawless, a complicated tapestry of interwoven threads. When I die I’ll feed something, fertilize the earth, turn into a tree, give oxygen to everyone.

 

Perfect.

 

I turn my eyes inward and stare into my body and see my lungs and my heart and my lymph nodes turning black. I see the disease fighting to survive. I try to understand what it’s doing, what it’s thinking, what its purpose is. Maybe it’s supposed to cull the herd. Natural selection.

 

I stand up and go back inside. It’s Christmas Eve 2008. I slowly walk through the house and shut all the blinds, sit down in My Yellow Chair and stare at our Christmas tree, glowing white and red.

 

My mother had told my wife she shouldn’t worry about the tree. She tells her there is so much on her plate. She tells her to just relax. But my wife says no. She says she’s going to put it up. She says we’re going to celebrate Christmas. She says we’re going to be as normal as possible. This is her grasping at her own sense of control in an otherwise chaotic existence. The two of them put up the tree while I watch. That was four weeks ago. Tonight I just soak in its radiance. I want to crawl underneath it and stare up at its electric stars, drowning out the world around me in color and design.

 

Instead I walk to my bedroom and lie down, pull my stocking hat over my face, pull my hood over my head, pull my blankets up to my chin and try to sleep but instead just stare at the back of my eyelids, breathing heavily, trying not to vomit.

 

In the other room I can hear my mother and wife rolling dice for yet another game of Yahtzee. The sound of the cubes hitting the table is like hammers pounding steel. Their voices are like forks scraping against glass plates. Everything feels like hot wax being poured over my brain. I cover my ears with a pillow and squeeze. I can hear them making dinner, something with pasta in it. The smell reaches me and I furl into my hobbit hole even further, deeper. I want to go somewhere else, be somewhere else, be someone else. I want someone to take my place, to deal with these effects. I want to walk away.

 

Jade enters and says, “Dinner’s ready,” and I fall out of bed, onto the floor and pull myself into the kitchen. The delicious aroma of manicotti makes me gag and I say, “Smells great.” Truly, I want nothing more than for someone to take that whole pan of disgusting shit tomato pasta and throw it out the window. I sit down at the table and casually cover my mouth and nose with my hand. My mom asks if I’d like just a little and I shake my head and take a sip of water. I shut my eyes and listen to these two women, my closest family, my caretakers, the one, the woman who brought me into this world and the other, the woman who will be by my side until one of us goes out, talk about recipes and marriage and cleaning.

 

Halfway through dinner I get up and go back to bed and lie down and sleep.

 

I wake up just after midnight. It’s Christmas.

 

_JBP6854

 

 

 

 

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TAKE CONTROL: CHAPTER 26

 

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You know that feeling when you’ve got the flu and your stomach is just rolling around in your guts? That feeling where the back of your throat feels sensitive? That feeling where you just shut your eyes and cover your mouth and try to take some slow and easy breaths, telling yourself, “Just relax. Don’t puke . . . ” but no matter what you say you know that you’re going to eventually lose it and you’re going to have to make a mad dash for the bathroom and hopefully, hopefully, hopefully you’re lucky enough to actually make it to the toilet before your lunch bursts from your cheeks like a fire hose?

 

That feeling? You know the one. That’s how chemo makes you feel all day long.

 

Somebody says, “You need to eat something! Want a bite of salmon?” and you just shake your head and wish they’d stop talking about fish.

 

You know that feeling when you haven’t eaten anything all day and you’re so hungry that you’re actually considering feasting on really weird foods that you typically wouldn’t touch? You’re like, “Oh, if I only had a cheese-covered pretzel right now! If I only had a meatball sandwich with black olives and mayonnaise! If I only had a taco pizza that was folded in half into the shape of an actual taco . . . . ”

 

That feeling when you’re just starving and ravenous and you don’t want to eat, you simply want to consume . . . . That’s how chemo makes you feel all day long. Because you can’t eat. Because you throw everything up. So you’re constantly starving.

 

Two feelings that exist on completely opposite ends of the spectrum come together in your body and cause the perfect storm. It’s loving and hating someone. It’s giggling and crying. It’s jumping and falling.

 

This is chemotherapy’s intermission Round 2.

 

I’m sitting back in My Yellow Chair wishing that the doctors would just put me in a drug induced coma for the next few months, loss of time be damned.

 

One of our friends comes over. It’s easier to meet us at our house, on a level playing field, than it is in my hospital room, which is truly one floor above a morgue. She’s pregnant and stays for dinner. My wife and mother talk to her about the baby and her boyfriend and their life and their plans and their names and how excited they all are. Meanwhile, I sit in My Yellow Chair, eyes closed, breathing slowly and willing myself to not puke in front of our guest.

 

For dinner, I gorge myself on 12 grains of rice and half a baby carrot.

 

I slowly stand up, casually excusing myself. My wife and mother both rise, “Do you need help? Are you OK?” but I wave them off, smile and mumble, “Just fine.” (Breathe deeply). “Be right—” (breathe deeply) “back . . . ” and then I disappear around the corner, into the bathroom, and shut the door behind me.

 

I drop to my knees, grab the toilet seat, stick my face six inches above the water and puke, once, twice, three times. I lie my face on the cold porcelain and try to remember a time before this; when my biggest concern was being punctual for work. I heave again and more stomach bile rises up in my throat. I hate what I’ve become. This is not who I am. I’m supposed to be sitting at that table, telling jokes and making people laugh and I’m supposed to have my legs crossed with one arm thrown tightly around my wife but instead I’m a dying animal, hunched over the toilet with my face stuffed into a receptacle for human waste.

 

My lips are dry and my throat is parched, an ancient tube filled with desert sand. All I want is water to pour down onto me, into me, through me. I want to feel the cold refreshing waves rush over my tongue and down my gullet, filling my belly with icy relief until I can hear the liquid sloshing inside of me. But I know that if I drink, if I swallow, if I even open my mouth, I’ll be sick. I know that any water I drink comes back up and I know that the process is painful. I know what I want and I know that I can’t have it and then I’m trying to stand up, clutching the edge of the sink. I’m pulling myself up, saying, “To hell with the pain,” and my weak knees are shaking and I punch the faucet and the water is pouring down and I know it’s going to hurt so bad but I just need something to ease my constant thirst and then I thrust my face under the falling water and chills run down my spine and I’m taking in huge gulps, barely stopping to breathe. I gasp and shut my eyes and drink more and my stomach is expanding and stretching and crying out for me to stop but the water tastes so good and I want to scream and cry and I want to drink more and so I do. It’s rushing down my cheeks, down my chin, soaking the collar of my shirt and I’m swallowing and coughing and swallowing again and I know I’m about to regret this.

 

I lie my head on the counter and just listen to the water run out of the faucet and down the drain, the sound one of the most peaceful things I’ve ever heard. My hand fumbles around and finds the handle, brings it down and everything is silent. My legs give out and I drop back to the ground, palms down. I breathe heavy, trying to relive the immediate relief of the cold water but only feeling the hurt coming on and my gorge rising. My stomach is crying out in pain and I don’t care. This is the price I pay.

 

I throw myself at the toilet and a fountain of water bursts from my mouth with such force that I’m sure my cheeks are gyrating under the sheer magnitude. Every splash, every drop, every ounce comes rushing out and I feel it all—the perfect negative of all the goodness I’d previously ingested.

 

I tip over sideways and wipe my mouth on my sleeve. Someone knocks on the door and Jade asks if I’m all right. I mumble something and she goes away.

 

My stomach starts to cramp and I roll over, facedown, curling into a tight ball on the floor. I turn my head and see dust bunnies under the sink. So many dust bunnies. They’re reproducing. I rest my face against the frigid tile floor and try to push the chill through the rest of my body, which suddenly feels on fire.

 

Breathe . . . slowly . . . gag . . . breathe . . . slowly . . . gag . . . gag . . . . I sit up, bend over the toilet again and vomit up more creamy acid that, instead of being yellow, is pink in color. My stomach contracts and I vomit again. Bile that is not pink but red. My stomach contracts and I vomit again. Bile that is not red but crimson. Bile that is not bile but blood.

 

I stare at the pink droplets branching out in the water like a family tree and wonder where it’s coming from, why it’s coming from my mouth, my stomach, ulcers . . . definitely could be. Definitely could be caused from stress. Could the lining of my stomach be torn from vomiting so much? So harshly? Makes sense. It could definitely be that. Could it be stomach cancer? Giant tumors growing in my belly, eating away at my innards, making me rot from the inside out? No. It most definitely couldn’t be that. It’s most definitely not that thing. It’s probably one of the first two that I mentioned . . . the, uh . . . the ulcers or the ripped stomach lining. I decide to just let that be what it is and assume that my body will simply repair itself in the following days.

 

Do I want to go see a doctor about this? Absolutely not. Do I think that I probably should? Logic is a wild beast when dealing with matters of the heart. One can make oneself believe nearly anything if the event calls for it. Persuasion, to an audience of yourself, is astoundingly simple. I say, “Of course you don’t want to go to a doctor . . . because there is no need. They would make much to do about nothing and you have, if nothing else, this under control.

 

I have this under control.

 

This thing, this thing that belongs to me, this bit of knowledge, is mine and mine alone and it is something that I can hold in my hand and look at and decide what will become of it. When I’m in a hospital bed being wheeled up and down hallways and shoved into machines and having drugs pumped into me and having my lungs tested and my vitals taken and my blood drawn, it’s all out of control. Nothing is mine; not even I am mine. But this . . . this is mine.

 

What has become of me? How did I get here? This is me understanding that I have lost total control. This is me bent over a toilet filled with my blood. This is me, completely helpless to my inner maladies and my outer surroundings.

 

This is what Cancer looks like.

 

In the other room, I hear our friend packing up to leave and someone knocks on the door again and Jade says, “Angie is leaving, do you want to come out and say goodbye?” and I just say, “Uh . . . I . . . can’t,” and Jade says, “I’ll give her your best,” before I hear her footsteps disappearing down the hall.

 

I puke again and, looking down into the toilet, I realize that there is so much blood resting in the bowl that if I had stumbled upon this horrific scene unknowingly, I would assume that one of those I-didn’t-know-I-was-pregnant girls had decided to drop calf in my house.

 

A few hours later, another friend, Jake, arrives just to say hi. My mother opens the door and says, “My . . . you look just like Jason Bateman,” and, truly, Jake does. I say, “Teen Wolf 2,” and Jake, probably too stoned to function, just smiles at me, having not seen me for quite some months. The change that has taken place in my face has been gradual, sneaking up on me the way holiday weight does; but to Jake, who last saw me fifty pounds heavier, is visibly shocked at my physical appearance. He stares at me and says, “There are two black holes where your eyes should be.” I nod and pat the couch. He sits down and my mom begins asking questions about Jason Bateman’s recent resurgence into the public’s eye. She talks about his career in the ’80s and about his sister, “His sister, what was her name? She was on Family Ties, I believe. Sarah? Samantha? Jennifer? Jennifer Bateman?” and then she turns to Jake and asks, “What is her name?” and she says it with such genuine interest that I think she must have forgotten that this is not Jason Bateman nor is this fellow in any real relation to Jason Bateman, nor does he have any idea who Jason Bateman is outside of his roles on Arrested Development and, of course, the aforementioned Teen Wolf 2.

 

My mother says, “He got arrested? For what?” and I say, “No, it’s . . . a show . . . . It’s . . . ” and she says, “On TV?” and I say, “Yes. A show . . . on TV,” and she says, “Is his sister on it, too?” and I say, “I . . .don’t think so,” and she says, “Was this back in the ’80s?” and I say, “Yes . . . it was in the ’80s. He and his sister Samantha Bateman starred in it,” and she says, “Huh . . . I’ll have to check this out on IMBD Database dot com,” and I say, “I-M-D . . . nevermind.”

 

And then Jake leaves and then I throw up more blood and something inside of me says that maybe I shouldn’t be hiding this and so I casually wobble into the dining room, supporting myself against walls and counters like a wino on a bender, sit down next to Jade and say, “Jade?” and she says, “Oh, geez. What? What is it now? What have you done? What is happening?” and I say, “Wh-what? Wh-what do you mean?” but my inflections are all wrong so I sound really guilty.

 

I say, “I just threw up,” and she says, “What’s new?” and I say, “It was bloody . . . I mean . . . . It was blood. I just threw up blood. From my mouth.”

 

Jade stares at me but says nothing. She slowly sets down her pencil and slides her Sudoku puzzle away from her. She stands up and walks to the closet while I say, “I think it’s fine. I think it’s just a stomach—” gag “thing and it’ll probably—” gag, “take care of itself but—” gag, “I just wanted you to—” gag, “know.”

 

Jade slips on a coat and I say, “You going to the store? You going to pick up some Pepto-Bismol? You mind grabbing a Butterfinger while you’re there?” and she says, “We’re going to the hospital. To the E.R. Now,” and I say, “Hey, uh, wait now. What’s that?” and she says, “You’re vomiting up blood. BLOOD. You’re throwing up blood. Do you look at that scenario and think that’s normal?” and I say, “Well . . . ” and she says, “SHUT UP. You’ve got cancer of the almost everything and now you’re throwing up blood. I’m not taking chances. You’re,” and I try to interject but she says, “NO. Whatever you’re going to say. No. Just put on your sweater and your jacket and your hoodie and your overcoat and your scarf and your hat and your mittens and let’s go,” and like a scolded puppy, I stick my tail between my legs and do as I’m told.

 

On the way to the hospital, my mother sits shotgun while I sit in the backseat thinking that everything is out of my control. Stupid secret. Should have just kept it all to myself. Should have just let my stupid stomach heal all on its own. Two or three days, I bet that’s all I’d need.

 

We pull into the parking lot and I manage to walk into the E.R. by myself. A young male nurse approaches and leads us into the back, sets me on a table and tells me that a doctor will be with us shortly.

 

Various people come through this long and narrow room that we’ve been put in—more of a hallway with beds, curtains, and various machines than an actual room. I lie down on the thin bed and breathe slowly, not wanting to vomit again because it hurts so badly. The contractions rack my body with pain and cramping and my skin breaks out in sweat and then chills and I can feel the stress and strain all the way down in my toes.

 

I shut my eyes and think about how I wouldn’t even be here if I’d just kept my big, dumb mouth shut and not said a damned word. Jade says, “Are you OK?” and I say, “No,” a black mood rising up inside me that’s very ugly. I don’t want to be here and I don’t want to hear what some stupid doctor has to say and I don’t want another IV and I don’t want to be lying on this cold, hard excuse for a bed and I don’t want to be around all these sick people with my already compromised immune system and I don’t want to keep throwing up and I don’t want to wait one more minute for this incompetent physician to walk through the curtain because this is the EMERGENCY ROOM AND JUST WHAT IS THE HOLD UP?!

 

Sometimes being mad at something is the only control you have. More often than not it’s the wrong thing to do, but like a secret that’s been told, once it’s out there, it can never come back.

 

I tap my foot on the ground and Jade says, “Relax,” and I say, “I shouldn’t even—we shouldn’t even be here. This is a waste of time and money. Time and money!” and Jade says, “Relax,” and, “Smile,” and she takes another photo of me.

 

I say, “How do I look?” and she says, “Really horrible,” and I say, “Then you probably got my good side.” The curtain shifts around and a young doctor who appears to be too young to be a doctor enters and sits down and says, “OK, so what are we dealing with here today?” and I say nothing because I already know how this works. I sit here and play the garden gnome role—silent and stupid looking—while my wife dishes all the details. She says, “He has this and that and he’s sick with this and that and we’ve been here and there and they’ve told us this and that and here’s this paperwork and these cards and this information and then a few hours ago he started throwing up blood,” and the doctor looks at me and says, “How much?” and Jade looks at me and my mom looks at me and I say, “Just a little,” and Jade says, “How much?” and I say, “I don’t know, like . . . a quarter size every time I puke,” and the doctor says, “And how often do you vomit?” and I say, “All the time,” and he says, “And what color is it?” and I say, “The blood . . . is red . . . ” and I cross my legs and my arms. Take. THAT!

 

Doogie Howser presses the tips of his fingers together just below his nose before saying, “OK. We’re going to need to do a rectal exam,” and both of my eyebrows rise into the air and I don’t need to hear one more word because I am stepping into this situation and taking control. THIS will not be taken away from me. My butthole is MINE. I say, “No, we won’t,” and now it is the doctor’s turn to raise his eyebrows and lower his hands and he is clearly not used to a patient in the E.R. telling him what will and will not be done. He says, “Excuse me?” and I say, “We won’t be doing a rectal anything,” and Jade says, “John . . . ” and I firmly say, “No.

 

Jade sees that this has gone beyond basic stubbornness into the realm of the untamable and so turns to the doctor and says, “What is it for? The rectal exam?” and the doctor says, “We need to see what color the blood is, if it’s pink or red or black. If it’s black, it’s very bad,” and I say, “It’s red. Bright. Red,” and the doctor says, “We need to do a test to see what color the blood is. The rectal exam gives us the closest—” and I say, “It’s bright red. It’s not black. You cut your finger. Blood comes out. It looks like that,” and the doctor, ignoring me, says, “It’s really just a quick procedure,” and I say, “Are you listening to me?” and the doctor says, “It’s very brief, just a quick culture and—” I say, “I’m going to be sick, hand me—” gag— “something. Quick,” and the doctor grabs a kidney shaped bedpan and hands it to Jade who hands it to me. I lift it up to my mouth and puke up a sizable chunk of red blood, stand up, walk over to the doctor, hold it under his face and say, “Is that a good specimen?”

 

The doctor looks at me and says, “That’s red blood. You probably just tore your stomach from vomiting too hard. I doubt it’s ulcers but we’ll give you some medicine anyway. I’d like to keep you overnight just to make sure. Is that OK?” and I say, “No,” and Jade says, “John . . . ” and, this just being stubbornness now and not actual decisiveness, I say, “Fine.”

 

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ROUND 2: CHAPTER 25

 

ABOVE: (LEFT) ROUND 1 (RIGHT) ROUND 2

There is a stop sign posted half a block from my house that, circa 10 days ago, I could barely walk to. With my mother holding me around the waist, the two of us feebly hobble down the sidewalk in order for me to get some of that Vitamin D and “exercise” that everyone seems to think is so important. By the time I touch the pole I am so winded and utterly exhausted that I’m ready to sleep. And I apologize for the redundancy, but I just really want to stress that I just walked 300 feet with the assistance of my mother and am now ready for a nap.

 

I am a side effect.

 

But that was ten days ago. Today I’m walking through a grocery store at 11 a.m. I’m still leaning a little heavily on the cart for support, but we’ve been meandering for fifteen minutes and I bet I’ve walked at least two thousand feet. Maybe even three thousand!

 

I can eat here and there without the assistance of the vaporizer and I can walk and I can exist in a world without vomiting because the chemo is slowly draining from my system and everything is getting better and sounds don’t make my stomach churn and I’m starting to live again and . . . today I go back in for Round 2.

 

Today I start over.

 

There is a strange elation and excitement that fills my body and mind and maybe it’s just hopeful naiveté but I am excited to go back in.

 

I’ve been receiving letters in the mail and phone calls and emails and messages via social media from various people—friends, family, friends of friends, friends of family, and even strangers who say they’ve been reading my blog and watching my story unfold and looking at the pictures my wife has been posting and they’re just . . . amazed . . . at our fantastic attitudes.

 

“You’re able to laugh at the whole thing!” they say and I, with tears streaming down my cheeks and quaking hands, think, Har-har-har.

 

But the letters and text messages keep coming. “My niece has cancer and I told her your story and sent her to your blog,” and, “My son had cancer and God bless you,” and, “Your story is so inspiring. You put my life into focus,” and I sit in my chair reading these and feeling like a fake because of all my talk about death.

Last week I was in a state of true fear about my approaching second round. I couldn’t dream of willingly going back and allowing them to do this to me, setting me back to square one. The needles, the poison, the nurses, the dark bags of chemicals dripping into me, the smells, the puking, the pain, the hunger, the fear, the fear, the fear and, most especially, The Unknown.

 

It’s truly not the impending death that destroys you but the utter hopelessness of life, your energy being sapped and drained from your body until you feel like the last brittle leaf hanging onto a tree in an autumn storm.

 

Even chewing your food becomes a chore and a challenge because it takes too much of your scarce reserves. But, Johnny, you ask, why don’t you just get high all the time? If it helps your appetite and helps you sleep and gives you energy? Why aren’t you getting baked? Go green! And the answer to that, my little Doobie Brother, is because, while that little miracle drug works like a charm, it comes at a cost, an actual hard cost. I’m talking finances. And I can’t just go on a binge and burn through every green dollar I own. For the next six months I have to buy groceries and pay rent, not to mention the myriad of other expenses that occur on a regular basis: car insurance, health insurance, electricity, etc., etc. May I remind you that I’m not working ? We’re rolling in a car with three wheels that’s running on fumes and a prayer.

 

Watching our pennies disappear one by one, we call to inquire about government assistance but they tell us we don’t qualify because we “made too much money last year.” My wife says, “Yes, but last year my husband was healthy and had a good job. That makes sense. This year he has cancer and can barely walk and definitely can’t hold a job and we need to eat,” and the person on the phone says, “You will qualify next year,” and my wife, says, “That doesn’t make any sense,” and the person says, “We rate you off the previous year,” and my wife slams the phone onto the table.

 

I watch the clock tick tock away and think that every second I’m just a little closer to The End, whatever result it may be, life or death. However this fight turns out, we’re chugging full steam ahead.

 

Two hours till go time and I feel positive. I try to soak everything in because I know that my happy moments are limited and finite. I know that tomorrow morning I’m going to be lying in bed with my eyes slammed shut, feeling sorry for myself. I know that tomorrow there will be nothing but pain and hunger. Gotta get sick to get better.

 

So today, now, in this moment, I just soak it in, trying to take pictures of everything in my mind, storing it all away to look at later. How does the air smell? How do the birds sound? How does this food taste?

 

Chemo ruins everything. It manipulates your taste buds, turns your eyes to delicate glass orbs and your ears to amplifiers. Everything is blinding and gluttonous excessiveness. Every piece of stimuli feels like a flood hitting your brain and drowning it. It feels like everything is coming in but nothing is going out and your skull becomes crowded with blurring and buzzing. Chemo covers your brain in moss and turns all your memories and thoughts into fuzzy bubbles and television static. Life becomes a copy of a copy of a copy; details falling away, edges blurring, clarity collapsing.

 

Courage is not the absence of fear, but the triumph over it (and yes, I read that on a poster in a doctor’s office). And, this Courage with a capital C that I have acquired quickly becomes courage all lowercased once we pull into the parking lot and I’m left staring at the monolithic hospital that will become my home for the next five days. I stare at it, my prison, trying to keep my composure steady, my attitude high.

 

My wife says, “Look here,” and I turn around and she snaps another photo of me entering the hospital. I look considerably thinner in this one; my beard gone, my cheeks a little deeper, my eyes red and dry around the sockets.

 

We enter the building and my courage sinks down and vanishes. I squeeze my hands into fists and think, I don’t want to be here I don’t want to be here I need to get out of here, but I keep walking, into the elevators, onto the fifth floor, down the hallway, into my private room, my spa, my cell.

 

I lay out all my personal accouterments (journal, pen, iPod, Bible) and sit on the bed. Jade finds the show about the family with all the kids and now I guess they’re having another one. I ask her to change it. The show about the man losing his face is on again and we decide to rewatch it.

 

The nurse enters with the IV while I stare at the TV, thinking about the wilderness and camping. She sticks me and walks away and that’s it. I’m now tied up to the stables like one of the horses in a sad western. Me and my pole, buddies for life.

 

Suddenly, the machine I’m connected to starts beeping and a small Asian nurse in her early fifties rushes in, presses a few buttons, and straightens out my tubes. She says, “Hello. My name is Sue. I will be your nurse for the next couple days. You are . . . Johnny.” I smile and wave my hand. She says, “How are you doing?” and I say, “Well, all things considered . . . ” and she says, “Yes. You have very bad cancer but we are going to fix you! You are young and strong and you have good blood and good veins and good attitude!” and my wife says, “Sometimes . . . ” and Sue laughs and she lights up the room and she says, “We no allow bad attitude here! You take it somewhere else! Here—only good attitude! Because we fix you! I be right back!”

 

And she turns to leave and I say to Jade, “I like her.” Sue returns with my first bag of chemotherapy and a small piece of chocolate, which she gives to me. “You feel well? You no have chemo for two weeks?” and I say, “Yes. That’s right,” and she says, “You eat this now before you get sick!”

 

I open the chocolate bar and she flips a switch and here . . . we . . . go . . . .

 

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Hours later, I wake up all alone in the middle of the night. My room is dark and quiet save for the incessant beeping that is coming from my IV machine. I shift my body weight and examine it to see if there’s some giant red warning button I can push.

 

Nothing.

 

I navigate my hand down the side of the bed and find the CALL NURSE button. A few moments later, a pale chick who looks like she’s been working the nightshift for too long wanders in and asks what’s wrong. I tell her I don’t know. I tell her my IV thing is beeping. She hits a quick combination of buttons and everything goes silent. I ask, “Why does it do that?” and she says, “Means there are bubbles stuck in the tube,” and I say, “Bubbles? Won’t those kill me if they get in my veins?” and she says, “Yeah . . . . . they can,” and then she turns and leaves without saying anything else.

 

I lie in the dark and stare at the shut blinds, wishing I could see the stars but knowing that, even if they were open, LA’s blanket of smog would cloud them from my vision. I think about my wife and mother, both sound asleep in beds forty minutes away. My wife has to work in the morning so I’m flying solo tonight. We toyed with the idea of my mother staying behind but ultimately decided that the hospital bed just wasn’t big enough for the both of us, even with her curled up at the bottom like so many teacup Chihuahuas.

 

In the hallway I can hear various machines and hospital mechanics at work in the silent hours. Beep. Beep. Beep. A heart monitor. I hear a machine that sounds like it’s breathing for someone. Kerrrrr—inhale. Vhoooosh—exhale. Underneath is a man moaning, his wails creeping down the hallway like fog. It is the groaning of a man lost in delirium.

 

I shut my eyes for a moment and when I open them, an old man is standing in my room with a plastic briefcase. He pulls out a syringe and takes my blood. I shut my eyes and when I open them again, a young Latino gentleman is standing in my room emptying my trash can. I shut my eyes and when I open them again, a young African American woman is standing in my room with my breakfast. I tell her I’m not very—gag—hungry and would she please mind taking it away but leaving the orange juice, which I casually sip on.

 

I stare at the clock and watch its arms turn. I stare at the window and watch the shadow of the sun rise. I listen to footsteps in the hallway pass. I try to catch conversations but nothing sticks. I wonder who else is on this floor: old people, young people, someone I could talk to, relate to, converse with?

 

I hate the doctors telling me what I’ll feel, how I’ll feel, what to prepare for, what to expect. They only know because they’ve been told. They don’t know. They have no personal point of reference. This is one of the loneliest factors—surrounded by people, you feel alone in your experience.

 

My mother arrives; my wife arrives. I curl into a ball and shut my eyes. It’s happening again: never-ending motion sickness. I put my hands over my face and breathe deeply. Jade asks how I’m feeling, and instead of answering, I just shake my head, trying to fight back The Great and Hopeless Depression that is rising up inside of me, threatening to take over, The Voice that whispers inside my head, “Every day. Every day. Every day you’ll be sick. I’m never leaving you. You’re trapped here, stuck here, and every day those nurses are going to enter and keep filling you with Sickness, more and more, and just when you think it’s over, you’ll be back and you’ll do it again. You think today is bad? Think about tomorrow. Think about the next day. Think about next week and the week after that and the month after that and the month after that. This road you’re on is a long one, Johnny, and I’m going to ride your shit into the ground. You think today is bad? You have no idea. You have no idea what I’m going to do to you. You have no idea how long this will go,” and, because I no longer have any grasp on time and because my minutes stretch on for days, this really could be some relative millennia.

 

Anxiety begins to twist a knot in my guts as I try to understand the overwhelming process that lies before me and the pain I have to endure before this is all over. My mom asks if I’ve eaten breakfast and I shake my head again, hands still over eyes. My mom asks if I need to “medicate,” and it takes me a moment to grasp what she’s asking me. I nod my head and slowly sit up, the movements sending my equilibrium reeling. I can feel my brain sloshing around inside my skull like dirty water in a fish tank.

 

My mother sets a small suitcase on my bed and unzips it, pulls up the cover and begins digging through various articles of clothing, bathroom paraphernalia, and pill bottles, pulling them out one by one. Then I see it. Sitting at the very bottom of the suitcase is my vaporizer. I chuckle thinking about my mom smuggling, what basically amounts to a very fancy pipe and soft drugs into a hospital for me to smoke. Do I want to “medicate”? It’s the closest thing my mom will ever say to, “Honey, do you want to get baked?”

 

But, I suppose this is what it’s for. This is how we should be treating it. If medicinal marijuana is to be used and respected as an actual drug and if it actually wants to shake it’s street stigma, then perhaps I should be medicating and not getting high.

 

Jade helps me stand up and leads me into the bathroom. I lean against the wall and slouch to the floor. My mother hands me the vaporizer and, while I try to find a proper place to set it, she plugs it into a nearby socket. My wife hands me a small box that contains various strains of medication, as well as my grinder.

 

My mother turns to leave and my wife holds her hand out to me and says, “Here. I made this for you.” I reach out and take a toilet paper roll stuffed with scented dryer sheets. She says, “It’s a filter . . . to hide the smell.” I say, “You’re Bill Nye!” and she says, “You’re Tommy Chong.” I smile and she shuts the door.

 

The bathroom is silent save for the quiet murmur of the television creeping under the door. I open a pill bottle, select a “pill,” grind it up, place it in the bowl, heat it up, and pull.

 

We have take off.

 

The anxiety in my stomach loosens, loosens, loosens, disappears. I begin tapping my finger to some Beatles song that pops into my head. My depression vanishes. I hold the homemade filter to my mouth and blow through it. Everything smells like Mountain Spring Grass.

 

I pick up a comedy book about ninjas called Real Ultimate Power written by a man posing as a child named Robert Hamburger. To this day, it’s one of the funniest books I’ve ever read, stoned or sober. I laugh so hard my sides hurt. I laugh so hard that I cough. I laugh so hard, I can’t breathe.

 

In the other room, I hear a nurse enter. Sue. I hear my wife say that I’m in the bathroom. I hear the nurse ask if I’m having a bowel movement. I hear Jade lie and say, “Yes.” I hear the nurse say she’ll be back.

 

Jade knocks on the door and says, “Hurry up in there, White Snoop Dogg! They’re looking for you!” and I say, “I’ll be here for five days. They’ll find me,” and I laugh and take another hit and then I say, “Just relax, White Marge Simpson.”

 

Robert Hamburger talks about how he saw a ninja cut off a man’s head once just for dropping a spoon in a restaurant and then I stare at an illustration of a samurai for 15 minutes. The artistry of the drawing is astounding.

 

In the other room, I hear Sue return and ask where I am. I hear Jade say that I’m still in the bathroom. I hear Sue ask if I’m constipated. I hear my mother say something about, “Just being a man, taking his time.” I hear Sue say she’ll be back. I hear Sue leave. I hear Jade bang on the door, louder this time and far more aggressively. She says, “Hey, Jerry Garcia. Get your ass out here! You’ve been taking a shit for 35 minutes, and it’s starting to look suspicious.”

 

“OK, OK,” I mumble and slowly clean all my paraphernalia up, tucking it behind the shower curtain. I crawl to the toilet, using it to brace myself while standing up and then slowly walk out of the bathroom with the biggest, dopiest expression my face can muster. As I open the door, I try to hide it, not wanting my mom to think I’m . . . what? Wait . . . high . . . ? She knows. There’s no reason to hide it. Is this OK? What is happening? I think I’ve done something wrong.

 

My mom says, “Take your time,” and my wife says, “You know how uncomfortable it is to lie to them? They’re freaking out because they think you’re constipated. You do that again and I’m telling them you need an enema.”

 

Just as she finishes her thought, Sue walks back in with her cart and says, “Johnny! You are here! You are all right?”

 

And I say, “Yes! Great!”

 

And she says, “You poop OK?”

 

And I say, “Far as I know!”

 

And she says, “You in bathroom long time. You no strain?”

 

And I say, “No. Just reading a book,”

 

And she says, “OK. You tell me you constipated. I get you more pills,”

 

And I say, “OK.”

 

She tells me she needs to take my vitals and I say, “Cool,”

 

And she says, “You want to sit down?”

 

And I say, “Can I stand?”

 

And she says, “You . . . can . . . if you have the energy,”

 

And I snap my fingers and say, “Sweetheart, you better believe it.”

 

She sticks a thermometer in my mouth and I say, “How’s it look?”

 

And she says, “You’re alive. That’s good,”

 

And I say, “No doubt. Hey, thanks for giving it to me orally. The guy last night gave me an anal exam and it was really painful.” Jade says, “JOHN,” and my mom says, “Ew,” and Sue says, “What was his name?” and I say, “I don’t know but he just kept breathing really heavily in my ear.”

 

Sue wraps a cuff around my bicep to take my blood pressure and I casually glance around, overly aware that my heart seems to be beating weirdly slow. Buh-dunce . . . buh-dunce . . . beating to the rhythm of a Pink Floyd song. She presses a button and I feel the band tightening on my skin, squeezing it like a really weak boa constrictor and then slowly, slowly, releasing. Sue looks at the digital read out and says, “Huh,” and I say, “What?” and she says, “Your blood pressure is a little low,” and I laugh and my wife quickly interjects with another half-cooked lie. “Yeah, it’s always a little low. He’s just a very chill fellow, he-he . . . ” and Sue says, “Hmm . . . ” and I shrug and say, “Sue, listen. Listen. I feel good. I feel great. You wanna see me try to moonwalk?” and she says, “Nope. I’ll be back later. You strong. Good attitude.”

 

Over the course of the next few days, Sue becomes a fourth member of our group, sitting on the end of my bed and hanging out to chat after she takes my vitals. She hangs around my room even when she’s off duty and pokes in before going home just to make sure the night nurse has everything under control.

 

In the mornings she brings me muffins, and even though I can’t eat them, I am grateful for the simple gesture. In the afternoon, she comes to me and says, “Nurses have big feast downstairs. Pot luck. I bring you food,” and then, sure enough, forty minutes later she shows up with nothing less than eight plates of home-cooked goodies ranging from pastas to banana bread to casseroles to desserts hailing from various homelands; Germany and Holland and Spain.

 

She tells us about her past life—where she grew up, what her parents did, how long she’s lived in Arcadia. She tells us she loves to cook and says she’ll bring us some “real Korean food” after catching us eating Panda Express for the third day in a row. Twenty-four hours later, she appears with a menagerie of hot plates and store-bought chocolates that the four of us share in a communal setting.

 

Cancer is a very lonely disease to have because most people you know simply fade into the background. It’s a disease that makes people uncomfortable. They don’t know what to do or what to say or how to respond or what to bring you. Nobody is showing up to sign your cast and I believe it’s just too depressing to come visit your friend or family member while they slowly turn into dried fruit. Here you are, stuck in a bed, a needle shoved in your arm, looking like a pretty accurate living depiction of a mummified Egyptian Pharaoh, which is to say, decrepit and dusty. Your friends enter and they see you as you are, not as you were, and they see you trapped here in this hospital, in your cute little nightgown and they know you’ll lie here for six days and they feel bad for leaving. They feel like they have to stay or they’re abandoning you. They feel guilty going back to their lives while their friend molds and becomes one with the hospital bed in holy union. It’s easier . . . to just not show up. Things are safer at a distance.

 

And for the person with cancer—for me, for you, for your cousin or aunt, for the person sitting in the chair or the bed, for the person getting the chemo drip-dropped into their veins like a toxic tributary—this act is beyond infuriating.

 

It is heartbreaking.

 

During the Apollo 8 missions, astronauts Borman, Lovell, and Anders would lose contact with Earth for forty-five minutes as they disappeared behind the far side of the moon during each of their ten orbits. Some may say it’s the loneliest anyone has ever been, being completely out of touch with your own species.

 

The radios were dead. Contact was dead. The three of them were in complete and utter isolation, blocked off from the entire human race. Granted, Earth was still there and Earth still carried on and the Earth people still went to work and smiled and laughed but somewhere in the darkness, three men sailed quietly and desperately through the solitude just hoping to come out the other side, hoping to reestablish contact, hoping to, eventually, be integrated back into humanity after they’d viewed it from such a new and exhilarating perspective.

 

Ideally, I don’t have to spell out my analogy for you because I think it’s fairly spot on. Also, P.S.: In my parallel, I am Frank Borman because he is straight up dreamy. My mother and wife can fight over the other two in our made-up, playtime scenario.

 

Your family members who you’ve grown up with and your friends who you’ve shared your life with, people who would stand up with you in a fight, back down against cancer. Nearly everyone leaves you alone, fragmented, isolated, and blocked off from the world. People stop calling. People stop writing. People stop coming by. Even before you’re gone, you don’t exist. You’re the dead and dying dog at the shelter. You’re the starving kid in Africa. You’re the homeless family on the street, and you are easier to ignore.

 

Your sickness, your issue, your thing you’re going through is so bizarre and weird and awful and outside the realm of possible imaginings that people just slowly vanish into the crowd, and while you sit alone, grasping at any hope, you think about them and you wonder what they’re doing and you wonder why they’re not calling or writing or coming by. You wonder what you possibly could have meant to them. It saddens you, it angers you, and it breaks you. It makes you feel like an old and forgotten toy left out in the rain.

 

And I say this not as a self-pitying statement (although I am aware that it is how it sounds), I say this as a warning. If someone you know has cancer and if you’ve made yourself scarce, you have abandoned a person of your tribe during his or her greatest need.

 

I get it. It’s hard to be involved. It’s hard to step up to the plate and put someone else’s needs before our own. It’s hard to be selfless, and it doesn’t come natural to any of us. We’re humans and we want things to be easy, but we’re humans and we’re in this together. And maybe the awful truth of cancer wouldn’t feel so foreign to us if we all stepped onto the altar and looked into the coffin; if we all took a chance and said, “I’m here for you because you need me to be.” When you watch from a distance, everything is filtered through the lens of a camera. It’s difficult to get your hands dirty when you just paid for a manicure.

 

But Sue . . . Sue was born to have dirty hands. Her short-cut nails spoke of a baker who had her fingers in many pies. She cared with the true compassion of a parent. She wasn’t merely doing a job. She was living her life and making sure it was worth something.

 

I think about Sue often, and though I’ve never written her a letter, I’ve sat down to do it on several occasions but am always stopped by some voice asking if she would remember me, another Face in the Crowd. She had a significant impact, not only on my cancer journey and experience, but also on my healing process and my point of view on life. How can I be more like Sue? How can I help those around me? How can I give what I have—my heart and soul and identity—how can I pour that into something to show someone love and compassion?

 

There are people that try to make the world a better place. Budda. Jesus. Bono. Sue. We are all capable if we try.

 

 

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ABOVE: Me on my last day (in the hospital, not on Earth, even though it does look that way). Sue on far left.

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UP IN THE CLOUDS: CHAPTER 24

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The first thing I do when I get home is fire up YouTube to figure out how to use a vaporizer since it didn’t come with any proper instructions. A fourteen-year-old with a lisp tells me that it’s essentially a large hot plate that slowly heats up the plant versus doing a straight burn with the chemicals in the butane lighter. Again, “cleaner.”

 

I slowly open the childproof cap and stare down at my beautiful green bulbs with orange strands flecked upon them like glitter. I pull one out and place it in the grinder, turning the plant to dust. I pour the remains in the bowl, flip the switch on the device, and wait for optimum heat.

 

Meanwhile, my mother sits next to me, watching, staring, observing, obvious that she’s fascinated by not only the process, but the plant itself. I hand her the pill bottle and say, “Smell.” She lifts it to her nose and says, “It’s sweet.”

 

I bring the tube from the vaporizer to my mouth, feeling like the caterpillar in Alice’s Adventures in Wonderland and pull. The first silver strands weave their way up the plastic lining until they’re in my mouth and in my throat and in my lungs and I’m lifting off my feet and I’m smiling and I shut my eyes and everything is so good right now.

 

I think of all the times I’ve smoked pot with my sister, sitting on her kitchen floor trying to use every magnet letter on the fridge to spell words, phrases like, CREEP GUY CAN’T DANCE and AARON WILL EAT FARTS. We’re smoking and listening to No Doubt’s “Tragic Kingdom” and playing Hogan’s Alley on her Nintendo. We’re eating fudge. We’re talking about being young and growing up and being very overly philosophical about the minutia of life and I open my eyes and my mom is sitting next to me and I say, “I love you, Mom,” and it’s such a stupid thing to say in that moment because of what’s happening but I feel it so strongly and so truly and I just want her to know that I appreciate everything she’s doing for us and sacrificing for us to be here and she leans in and gives me a hug and I say, “Thank you. Thank you. I love you,” and then I stand up and just start snapping my fingers and bobbing my head. My wife enters the room and says, “What are you doing?” and I say, “I don’t know, I just—I just feel so good. I need to dance. I need to dance! And if you don’t dance then you’re no friend of mine.”

 

Instead of dancing, my wife just stares at me and itches her nose. I say, “It just feels so good to be alive, doesn’t it?! It feels so good! The three of us here, doing this together—doing life together! Oh, man. Mom, you should move to Los Angeles. You should live here forever! We could turn our garage into a little house. You wouldn’t have to sleep on the couch—we could build a little bathroom out there. How great would that be? How great?”

 

There’s no music playing but I’m sliding back and forth on the cheap tile floor in my socks. I turn around and try to moonwalk but it just looks like when everyone tries to moonwalk; just me walking backward, sliding the soles of my feet across a dirty floor.

 

I open up the cabinet and pour myself a big bowl of Cinnamon Toast Crunch and eat the entire thing. I open a drawer and pull out a Butterfinger—the size you’d get in a Halloween handout—and eat two. I drink a glass of water and sit down on a bar stool at the island in my kitchen. I turn to my wife and tell her some stupid joke that both begins and ends with, “So a baby seal walks into a club . . . ” and then I laugh and my mom is shaking her head and smiling and saying, “Oh, John Lowell. My high little boy,” and I suddenly remember that I am high and that my mother is here and then there is a flood of information that drowns my brain in a heartbeat. I remember that I’m sick, that I have Cancer, that I’m only on the first round. I remember that I’m sterile. I remember that I might die.

 

I remember.

 

And it hits me like a bullet in the dick. I say, “Jade . . . ” and she says, “Yes, dear?” and I say, “I have . . . cancer . . . ” and tears well up in my eyes and she says, “Oh, geez, here we go.” A salty tear runs down my cheek and I stick another Butterfinger in my mouth.

 

My mom makes pasta for dinner but I’m too full to eat, a sensation that has become quite foreign to me. Regardless, I sit at the table with my family instead of in My Yellow Chair and I have a discussion about faith and God and disease and purpose.

 

Now. Stop. Everybody put the brakes on. I don’t know how to make a foot note in Word – I’m fancy like that – but would like to interject a side bar that is both, for me, equal parts ridiculous and necessary. Please bear with me for just one moment.

 

I was 26 when this cancer thing happened to me. I am 35 today. What? Yes. And in those 9 years God and I have developed a very strange kind of relationship. We’re kind of like two kids that were dating in high school and thought they were going to get married and live happily ever after but then at the last moment one of us decided that the other one wasn’t real and so that kind of threw everything about our relationship out of whack. You know how it goes. We don’t really talk like we used to but I think about the old guy often and wonder what our world would have looked like if we’d stuck it out. But that is a story for another story.

 

There are some things coming up in this tale that felt true at the time and felt real at the time and how I personally align those two opposing world-view experiences is neither here nor there. This is not a story about religion and theology. That said, spirituality played a large part in my experience and so it must be included and it must be told and it must be represented as it was experienced at the time.

 

Disclaimer over. Please continue.

 

There is something about being on the very edge of life that forces you to walk directly up to the cliff and look over it. So maybe it’s chemo-brain or maybe it’s the sharp focus of death or maybe it’s the evacuation of everyday routine like jobs and chores, but my world feels like it’s falling apart—legitimately pulling away at the seams, the fabric of reality between this world and the next beginning to unravel.

 

I begin to feel a deep sense of calm connectedness to the world around me and to (what I would call at that time) God – a benevolent being. It’s hard to validate emotional and spiritual experiences to other people because there is simply something inside every individual that happens and I can’t make it more real than that.

 

For me, it was all real. It was experience. It was truth.

 

Every Sunday, regardless of how poor my health was, my wife, mother, and I would go to church. The music at the beginning of service would throttle my ears and penetrate my bones and make me feel as though my face were going to split open and snakes were going to poor out but it was a necessary evil to endure. Being there felt right and good and warm. There was a tangible hope that I could sink into.

 

Once the service was over, they would invite anyone who wanted prayer to come to the front. Strangers would place their hands on my shoulders and pray so fervently that I was certain their words were somehow more tangible than my own.

 

Once, during a particularly rough week when I was too tired to walk, my wife led a small group of individuals to the back where I was slouched in half, breathing deeply and wheezing. Four people I’d never met circled around me, this thing that looked like a pile of dirty laundry.

 

Among them was a tall red-headed woman whose regular Texan accent suddenly slipped sideways, mid-prayer, into a language I’d never heard as she began to speak in tongues. I’m not going to get into the theology of this and I’m neither going to validate nor excuse the practice. From the mundane to the bizarre, these are the events that occurred.

 

The tall red head, suddenly breaking back into English, speaks a single, penetrating phrase. She says, without knowledge of our infertility, “I see babies . . . lots and lots of babies . . . ” and then it’s all over.

 

So now, here at dinner, blitzed out of my gourd and talking to my mother about Christmas traditions and how Pagan celebrations were incorporated into Christianity, it is I who suggests creating chain links out of construction paper and draping them from the ceiling.

 

We created 147 loops, one for every day I had left in chemo, and on each loop we wrote a Bible verse and every night we’d tear one down and read it together. It was these evenings that I looked forward to the most—just sitting and thinking about one specific hopeful thought, allowing my weak and warbled brain to slowly digest it.

 

This chain would become my visual reference for the rest of my journey. If everything went according to plan, I could see the end.

 

And I could see that The End was still a ridiculously long way away.

 

***   ***   ***   ***   ***

 

People ask me if I’m mad at God for giving me Cancer and I say that I don’t believe He gave me Cancer any more than I think He gave me the flu or my buddy Ben the herpes.

 

Sorry, Ben. If you don’t want to get your new shoes dirty, you shouldn’t jump into a muddy hole.

 

We all have consequences for our actions, and even outside of cause and effect, I believe that we sometimes just draw wild cards. Perhaps this thing was happening to me because of personal decisions I had made—smoking, drinking alcohol, eating fast food, using microwaves—or maybe it was because of decisions my parents had made by not removing my distended testicle, or maybe it was family history and it was just an unavoidable fate that rested in my genes (my jeans), or maybe it was just my lucky day. I’d never really won any big raffles before and I suppose it was bound to happen eventually.

 

In any event, it didn’t matter where it came from or who was to blame. It just mattered that I got through it, however possible. And for me, that meant clinging to God with everything my fried little brain and frail little body could muster.

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300: CHAPTER 19

 

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I wake up outside, my back sore from the wrought iron chair I’ve fallen asleep in. My mother has been insisting that I need to get more vitamin D and so I keep heading to the back yard and passing out. This is before I had a smart phone – back when my flip phone was still the rage. No fun games while I sit around. There is only staring into the distance and contemplating the mundane.

I shuffle back inside, sit back in my yellow chair and think about time passing, oceans turning to deserts, rocks turning to sand, babies turning to men turning to dust.

On a bored whim I decide to write my boss to tell him what’s been happening to me and how thankful I am that he’s saving my job until I get back. He responds and says that someone is filling in for me temporarily and that I should “get well soon,” a sentiment that I always find painfully cheap and obvious.

Oh, you’re sick? Get well soon. Don’t stay sick! The sooner you can get back to health, the better! That’s what I always say! Look! I’ve even had it inscribed onto this delightful commemorative Mylar balloon!

In any event, the part about my job being there raises my spirits. Our money is sinking fast and we’re going to need some serious dough when we come out the other side of this made-for-TV original movie. The nest egg I’d set aside to make my feature film has become our landing pad, our safety net, our buffer. It’s the only thing separating us from total and complete bankruptcy. The money is not going into camera rentals and crew; it’s going into food and rent and electricity. It is our life source and umbilical cord to survival.

A few days later, my dad leaves to head back to South Dakota and his job and real life. He gives me that awkward side hug again and then goes to bed saying, “I’m leaving around four in the morning so I probably won’t see you again.” He disappears around the corner and I wonder if he thinks about how heavy those words sound.

He and my mother had had a previous conversation a few nights prior wherein they’d discussed her staying with us, operating as third eyes and extra hands; helping, supporting, cooking, cleaning, anything, everything; watching me while Jade went to work, entertaining Jade while I slept. She helps keep sanity, helps us keep a link to the outside world. We both welcome the idea with open arms and for six months my mother left her husband, her own mother, her brothers and sisters. My family is very close and my mother has her helping hands in a lot of pies back home and for half a year she left everyone. She quit her job and stopped her life to come sit by Jade and me and suffer with us.

Let this be a true example of a mother’s love. She gave everything she had.

She takes up residence in our guest bedroom and it’s the first piece of good news we’ve had in some time. Her presence is an absolute godsend because, I don’t care how old you are, there is something inherently primitive and wonderful about having your mother around. Mothers are, after all, the original chicken soup for the soul.

So on those days when I just feel like I am the world’s last unicorn and am shedding a tear of sorrow for my lost species, she is there to make me feel just a little bit better. Fly, unicorn, fly.

 

***   ***   ***   ***   ***

 

It’s either a Monday or a Thursday and it’s either 11 a.m. or 4 p.m. The sun rises and sets and the clock spins and resets and day and night keep changing places like characters in a David Lynch film. Without a job or any regular routine, time becomes irrelevant. I sit in my chair, glossy eyed, and listen to my mother and wife talk about dogs and work and God and recipes and marriage and cotton, the fabric of our lives.

I lean forward and stand up on legs that feel atrophied after only a couple weeks of inactivity and wobble into the guest bedroom and collapse onto the bed.

I bury my face in a pillow, shut my eyes and pray for a miraculous healing. But nothing happens. I’m still sick.

I fall asleep and an undisclosed amount of time passes wherein I wake, cramped and sweaty, vomit, fall back to sleep, kick off the blankets, find I’m chilled, vomit, roll over, wish I were dead, regret my weakness, and then fall back to sleep.

When I wake, I find a short, curly hair stuck in my mouth and, for once, I don’t gag from the chemo. An image of my father’s naked body crosses my mind, his thick shoulders pressed into this very mattress, his back hair dropping off him and resting dormant until I vacuum them into my gaping face hole.

I am eating my father’s back hair.

Gag.

Quicker than I’ve moved in weeks, I sit up and see that my pillow is covered in them; easily twenty hairs populate the upper mattress area and I make a note to ask my mom if Dad sheds often.

I sit up and place my feet firmly on the floor—as firmly as I’m able to—and stare at myself in the full-length closet mirror. I’m still me but . . . a little thinner. It’s only been two weeks but, like a newborn with an eating disorder, I only consume very delicate portions, unable to hold anything down. The bags that I always carry with me under my eyes are suddenly starting to look a little darker, a little heavier, less like bags and more like luggage for a long cross-country road trip. I sigh and rub my chin and when I look at my hand, my stomach leaps into my throat.

My palm is covered in hundreds of short, tight hairs. Hairs that look exactly like the ones on the mattress. My hair. My beard. It’s falling out. In large chunks.

I reach up, grab a handful of beard in my hand, and gently pull. Like a ten-year-old on a greased up Slip ’N Slide, my hair slides out of my follicles and away from my face. No tug, no pluck, no tension. Yanking grass from the Earth would put up a better fight. My hair had, for all intents and purposes, suddenly just given up.

I shout for Jade, and when she enters the room, I hold out my hand and she says, “What . . . . Oh . . . . ” We both stare at my hand in silence for a moment, both of us thinking about bald kids coughing blood into Kleenexes.

“My hair is falling out,” I say and my wife nods and her eyes well up a little. “Do you want to . . . shave it?” and I nod.

It takes less than three days for my eyebrows, armpit, and pubic hair to follow suit. I look, in short, like one of those hairless Egyptian cats but with less sex appeal.

The next day is dreary and overcast as we drive into my bi-weekly oncology checkup. Sitting in the cold office, Dr. Yen asks me a series of inquiries, listens to my heart, takes my blood and asks if I have any questions.

I say, “I’m always cold.”

She says, “That’s normal.”

I say, “Will this go away?”

She says, “Probably not.”

I say, “Ever?”

She says, “Never.”

I say, “I feel like shit.”

She says, “That’s normal.”

I say, “Will this go away?”

She says, “Someday. I told you. Mack Truck.”

My wife says, “He’s really depressed.”

The doctor says, “I have a pill for that.”

My blood count comes back from the lab and the results are grim; my red count is too low, which essentially amounts to me being filled to the brim with bad blood. Imagine putting gas in your car that’s been cut with water. Or perhaps an even more accurate analogy would be to say, “Imagine putting water in your body that’s been cut with gasoline.”

On the oncologist’s command, we drive straight from her office to the hospital for a platelet transfusion. My white blood count is too low, as well, leaving my body weak and defenseless, able to be killed (very literally) by a common cold. Every sneeze is a bullet.

The nurse who comes in to give me my IV is a middle-aged Asian woman who, when questioned, claims she is The Best EYE-VEE-Giver this hospital has and that I am lucky to have her. This immediately puts my mind at ease.

She sticks the 2-inch needle into my forearm and I slam my eyes closed like iron-blast doors and wiggle my toes and imagine I’m in Norway and then she lets go of me and I say, “That was fast,” but she says, “I couldn’t find a vein,” and when I open my eyes she’s still holding the needle in her hand.

I rest my head back on the pillow and she begins tapping around my bicep. “There we go. There’s a good one,” she says and I close my eyes again as the silver thread sneaks under my skin and sniffs around for its— “Oops—OK—I just blew your vein. I’m really sorry. One more time.”

I turn my head aside and fight back a scream of terror as the knife gets thrust into my forearm a third time at an awkward angle and is taped down. “Bingo!” she shouts, and I jokingly/seriously say, “The best, huh?” and she says, “Well, the best intern.”

She exits, and I sigh while my mother and wife play Yahtzee. Moments later, the intern returns with a bag of milky glue and hangs it from my IV pole. Then, like a crazy straw being set into the world’s grossest milkshake, she inserts my IV tube into the bag and the cummy sludge gloops and glops down into my veins . . . for 12 hours.

I watch the drizzling cream leak into me and wonder who it belonged to—a starving college student, a man on the brink of poverty, an immigrant, some Good Samaritan who makes monthly donations? From their body to mine, they don’t know it, but they’re helping me, saving me, pulling me out of the red and into the black. I’m still sick. I’m still hopeless. I’m still depressed. I still want to stick my head in the microwave. But . . . sitting up in bed, I do suddenly feel a small surge of energy idly pulsing through me. It’s not a forest fire. But it is a spark.

The nurse comes back with an update on my HCG levels, those cancer markers that had sky rocketed from 300 to 900. Today, she tells me that they’ve dropped back to 300.

Three hundred.

The cancer is dying. It’s fighting, but it’s dying. And it is here that I shut my eyes and see that spark flicker and grow a little brighter. I’m going to win. I’m going to choke you to death, you son of a bitch. You’re going to pull me down to the swamps of disease and despair and I’ll follow along until you’re neck deep in whatever primordial muck you’ve come from and then, at the last moment, I’ll pull the trigger and cut you free and you’ll sink away back into those vile depths.

I open my eyes and watch a television show about a man who gets a face transplant after being mauled by a bear.

I have no real problems.

 

 

 

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NODULES: CHAPTER 17

It’s been a few weeks since the last chapter. I apologize. I’ve been out of town celebrating my father-in-laws 60th birthday as well as the birth of my nephew, Gavin John.

But now I’m back.

And so is the story.

We last left off here. Surgery was done. Testicle was removed. And then we went back to the doctor where he informed us that the cancer was back and was 300x more active than previously thought.

That’s called a plot twist. And it was a true to life WTF moment. Very hard reality to swallow.

The previous chapter covers the very beginnings of chemotherapy, getting the IV, the drips beginning and Jade and I wondering what comes next.

And now we press on with chapter 17: Nodules. We’ll pick up with the very first morning following the very first chemo.

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I open my eyes and immediately notice two things: The first is that the sun is trying to peek through my blinds, scooping its rays around the edge of the window. The second is that I feel incredibly hung over and the sensation seems to just be amplifying by the second. I take several deep breaths and fumble around in the gray light, looking for a cup of water while trying not to wake my wife.

I manage to kick my feet off the side of the bed and take three big gulps from a cup filled with something that’s the same temperature as horse spit. My stomach churns and rolls and I gag and the water rises up my esophagus and into my mouth. I hop off the bed, pursing my lips and waddle into the cramped bathroom, pulling my IV (mine, mine, mine) behind me. I bend over and open my mouth and the three gulps fall gracefully into the toilet like Olympians at the high dive. Ker-splash.

I gag, gag, gag again but nothing comes up. I sit down on the floor and hear Jade in the other room shift around, “Are you OK?”

“I’m just . . . sick.”

A nurse enters and asks if everything is OK and I tell him that I puked and he tells me that it’s a side effect. I thank him and expect him to leave but instead he takes my blood and I wonder if they’re going to do another cancer marker test and if those numbers are going to be lower than 900.

Jade turns on the television and the show with the million kids is on again so I just turn my head and stare at the drip-drip-drip and try to imagine my numbers dropping, 900-899-898, even though I know there’s no possible way it could be decreasing so rapidly.

By lunch the nausea has increased so much that I consider just making camp in the bathroom. I keep munching on ice chips but my wife continues to suggest that I eat something solid. “Panda Express?” she asks, “In-N-Out?” she asks, “Chipotle?” she asks.

I cover my eyes with my forearm and gag. I tell her she should just go grab some-gag­-thing for her-gag-self. She leaves and a nurse enters and takes my blood and I wonder what those cancer markers look like: numbers floating around in my blood like alphabet soup? The nurse thanks me for some reason and then I flip through the channels and, of course, there’s nothing on, so I just find the least offensive show I can and dig in, some episode of Family Guy, but it’s on the final act so it ends too quickly and then I watch an episode of Seinfeld and Jade is back with food and I manage to take a couple bites.

 

The Hazmat Nurse comes back in and changes my bag to Medicine #2, something called Platinum and I can only picture Madonna. “One bag down!” I think and am genuinely happy. “I feel a bit pukey but this isn’t so hard!” The Hazmat Nurse exits and a short Asian woman in a yellow shirt and lanyard around her neck enters. “I’m Dr. Yen,” she says and offers a tight but friendly smile, adjusting her glasses with her index finger. “I’ll be your oncologist, OK?” This is the good friend/specialist to whom Dr. Honda had recommended us. This is the woman who will oversee the ritual. This is our personal witch doctor. She smiles politely and says, “How are you feeling?” and I tell her that I’m a little nauseated and she tells me that it’s normal and that she’ll order me some anti-nausea medication. I thank her and ask what I should expect and she takes a few steps toward my IV pole, examines the bag and then takes a few steps back. She says, “Here’s what we’re dealing with. Most people, your regular cancer patient, they’re going to get what’s called outpatient chemo, OK? There’s a clinic, like the one at my office, and they come there and hang out for a couple hours, OK, and they leave and go home and go to work and then come back two weeks later and get another two-hour treatment and so on and so forth, OK, until we’ve, uh, eradicated the cancer, all right? OK?” and I say, “OK. But that’s not what I’m doing,” and she says, “No.”

She walks around the bed and looks at the Panda Express and says, “Panda Express. Man, I love those egg rolls,” and my wife smiles and offers her one, but Dr. Yen shakes her head and says, “No, I try not to eat them. Too greasy.” Jade sighs and pops half of it in her mouth while the doctor continues.

“You’re going to stay with us for six days and we’re going to give you chemotherapy every day, for six hours a day. Six and six. Once it’s over, we’ll release you back to your home for two weeks and then, just when you start feeling better, we’re going to bring you back in,” and I say, “Uh . . . wow,” and she says, “We’re going to do this three or four times,” and I say, “ . . . All right.”

 

She asks me if I have any questions and I say, “A million,” and she says, “Shoot,” and the first and foremost that’s been resting on my brain for the past month is, “Am I going to die?” and with wildly strong confidence she answers, “No. You won’t die. Well, I won’t say won’t. I’ll say you shouldn’t die because there’s always that chance but your odds are very good. You’re young. You’re strong,” and I say, “OK. Then do what you have to do,” and she says, “Listen to me. I’m going to hit you with a Mack truck. I’m going to run you over. I’m going to take you right to the edge . . . and then I’m going to bring you back. You’re not going to like me very much,” and I just smile and look at the bag and say, “Keep them—” gag “—coming.”

 

***   ***   ***   ***   ***

 

The only thing that’s saving me, poison or not, is the constant, drip-drip-drip that’s running into my arm. The miracle of modern medicine. The blessing of science and technology.

Later that night, my parents show up, having driven straight through from Mitchell, South Dakota, all the way to Los Angeles over night. It’s a 1,500-mile trip and they took it in one 22-hour hit.

My mom walks into the room first and throws her purse in a chair and bends down over me and hugs me and just cries. I say, “It’s OK, it’s OK. I’m just fine,” and she says, “You’re not fine! You have cancer! You’re getting chemotherapy! You keep telling me you’re fine on the phone and it’s not a big deal but Theresa (my sister) ran into June (my mother-in-law) and she says that you’re not well at all and that this IS a big deal and that you haven’t been completely up front with us about this! John Lowell   . . . what . . . how sick are you?” and I say, “The doctor says I’ll probably survive,” and my mother wails and says, “Pro-bab-lee?!” in all italics like that and holds me tight and it’s not until years later when I have children of my own that I’m able to actually imagine a shadow of the pain and fear she must have been experiencing.

 

She loosens her grip and leans back and I say, “Mother?” and she says, “What?” and I say, “Listen. I just need to tell you . . . that . . . you have . . . mascara running down your face,” and she laughs and slaps me and says, “John Lowell. Shut up. Mascara.” She stands up and exits into the bathroom to fix herself up while my dad bends down and gives me one of those Dad Hugs that is sort of in the styling of one-arm-draped-loosely-around-your-neck-side-squeeze things and then quickly stands up and says, “You look good. Down in the parking lot I told your mom that she needed to be ready because you were probably going to look pretty sick, like one of those kids on the quarter collections you see in restaurants but—you look good.”

He sits down and says, “They feed you here?” and I say, “Not food,” and my mom comes out of the bathroom and says, “Did you guys eat?” and Jade says, “I ate. He’s been feeling pretty sick,” and I realize that it’s already happening. They’re starting to talk about me like I’m not here, like I’m just this thing that’s happening and everyone needs to take care of.

 

The next several days play out in a slow-motion blur of blood withdrawals, bad food, reality shows, chemotherapy bags, good nurses, bad nurses, sleeping, and vomiting. I become intimately acquainted with the toilet as I bow down before the porcelain throne and give my tithe.

My parents come and go—they’re staying at our house while they’re in town—and Jade, working a part-time job, stays the night with me if she doesn’t have to work in the morning. The second and third night she sleeps on the cot because, as romantic and harlequin as it is for two young lovers to share a single hospital bed, it is actually extremely uncomfortable and nearly impossible to sleep while your partner continues to shudder with dry—gag—heaves.

Nurses periodically bring me nausea medication but it’s never quick enough to stop the sickness or strong enough to fight it back. They try pills and they try intravenous injections and it seems to take the edge off but not enough to actually stop it from cutting.

On November 26, while my wife is outside the hospital smoking a cigarette (I won’t even get into the irony of it), an older gentleman sporting a plaid button-up and thick glasses enters my room and introduces himself as Dr. Sharpe, a partner to Dr. Yen. He tells me that she’s busy at their office today but he wanted to come by to quickly speak with me.

I say, “Nice to meet you,” and he pulls up a chair and says, “Likewise,” although there is no smile in his voice. It’s just a word rolling off a tongue, a guttural noise that has some human meaning.

He opens a manila folder, pulls the glasses from his face, and holds them halfway between himself and the paper. “The reports of your CAT scan are back and it says here that you have several nodules on your lungs.”

 

Silence.

 

“Nodules? What is that? What is—”

 

“Sorry. Tumors.”

 

“Tumors? On my lungs?” and there are so, so many thoughts flying through my head at this one moment but the one thing, above all else that I just can’t seem to process is the term lung cancer. I mean, I know that I have cancer. I’ve accepted that and am taking the proper precautions to make sure it doesn’t spread and I’m lying on this bed, plugged into this beeping machine that’s lowering chemicals into my body and probably killing my kidneys and I gave up my testicle and what’s that now? Lung cancer? Did I mention that my wife is outside smoking a cigarette while I’m being told this?

 

“Yes. Lung cancer. There are several dark spots,” and I say, “Several like three?” and I can feel my voice starting to crack and there’s nothing I can do to control it. There is, in fact, nothing I can do to control anything. I wipe my nose with my hand and pretend that I’m just wiping “casual snot” away and not “crying snot.”

“I’m not exactly sure. A lot. Maybe 17 of various sizes.”

And then he stands up and says, “But this,” and he signals to my IV bag, “should take care of it. You should probably be fine.”

 

Probably.

 

And then, without saying goodbye, he leaves and I am alone.

 

Alone.

 

The reality show plays on mute and I stare at the TV but I don’t see anything. My vision goes blurry and my nose starts to run and tears stream down my cheeks and my head slumps down and it has broken me one week in and—

The doctor pokes his head back in, the way someone might pop back in to say, “Did I leave my keys here?” but instead of inquiring about a misplaced item, says, “Oh, sorry. I forgot to mention, there are also spots on your heart,” and then, like that, he disappears.

I’m sitting hunchbacked, head tilted down, tears dropping onto my groin in such quantity that it’s actually looking like I’ve pissed this stupid blue robe. My wife enters and says, “What’s wrong? Are you OK? What happened?” and I say, “I have lung cancer and heart cancer. I have stage four cancer,” and I sob and take a breath and say, “Do you know how high those numbers go?” and Jade is silent so I say, “Four. They only go to four.”

 

I believe the human spirit can evolve through nearly anything and, given enough time, most things about cancer even become routine and expected. Months and months down the road, the brokenness and isolation and hopelessness will be old hat but today it is brand new. Today I’ve been told that my cancer is twice as strong as it was when I walked in the door. Today the hopelessness is fresh and new and horrific. My wife and I are twenty-four and twenty-six, respectively, and I’m wondering if I only have months to live and my wife is wondering if she’ll be a widow before her twenty-fifth birthday. We wonder how far this can go. How deep is this hole? How dark is this blackness? And we wonder it all in silence as we squeeze each other’s hands and shoulders and we both stare at our feet and we shut our eyes and we gasp and sob, confronted by the potential of personal death here and now.

 

The sun goes down as I’m left wondering what I’ll think of Cancer once I’m on the other side, in Remission. I try to imagine how it will look when I’m standing much further away. How will it change me? Will it change me?

But yes, I already know the answer to that. When I come out the other side, I will be something altogether new and transformed. I already know that I’ll never be the same. I already know that Cancer is my chrysalis, and when it cracks open, something that flies will emerge.

 

Jade lies on the bed next to me and runs her hand through my beard and says, “I’m going to quit smoking,” and I can smell the stale cigarettes on her fingertips. She doesn’t stand up and dramatically march to the garbage can, throwing her soft pack of Parliament Lights 100s into the trash. She doesn’t make a declaration of Cold Turkey. She doesn’t even immediately denounce her nicotine habit that has lasted her a pack a day every day since she was sixteen. Instead she just says, “I’m going to quit smoking,” and I believe her and one week later, she does. She snuffs out her final cigarette, leaving me to wonder how many years my cancer has purchased her . . . this thing that’s killing me is saving her. I wonder about Cancer and alternative purposes or “Higher Purposes” or silver linings. Call it whatever you want. It’s all the same. Bad news with happy endings.

Drip-drip-drip.

822-821-820.

I think about dying and death and cemeteries and morgues and morticians and corpses being embalmed. I think about the blood being sucked out and some foreign chemical being pumped back in so as to preserve the host.

Drip-drip-drip.

809-808-807.

Someone comes in to take my blood out of my body and away to a lab. Someone else comes in and gives me new chemo, some chemical pumping into my body to preserve the host.

Alive or dead, I am a corpse.

 

***   ***   ***   ***   ***

As always, thank you for reading. Next week continues with CHAPTER 18: INTERMISSION

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AGGRESSIVE ACCELERATION: CHAPTER 16

Here begins PART 3 of our journey.

It is a great and long chapter and a massive turning point in our tale.

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PART 3

“It’s the end of the word as we know it, and I feel . . . ”

-R.E.M.

 

Dr. Odegaard, the GP who had made my very first “there is definitely a lump” diagnosis some 30 days ago (yes, ALL OF THIS, has happened in one month) and had recommended me to Dr. Honda, my urologist, has now recommended an oncologist for me to meet with at White Memorial Hospital in downtown Los Angeles.

My wife and I enter the hospital and find that the main lobby is under construction and is being poorly partitioned. Dust and specks of insulation and dirt and cement and broken tile lie about and float in the air. It’s less hospital and more third-world-country-post-war-zone chic. I ask the receptionist where I should be, and she directs me to an elevator that looks as though it were designed and installed at the turn of the century and hasn’t had a maintenance check since. Upon exiting my floor I find red (blood/rust/chemical/vomit/paint??) stains on the carpet and water stains on the ceiling.

All hospitals are not created equal.

I enter the waiting room, and the very first thing I notice is that there are patients everywhere; all the chairs packed, people standing and sitting on the floor, nearly stepping on one another, two and three deep and I just keep thinking, “There are so many. So many sick people. There aren’t enough doctors here.” And while I focus on this weird ratio of patients to professionals, I wait . . . and wait . . . and wait . . . .

An hour past my appointment time, I approach the window and ask for an ETA on my “reservation” and they tell me that they’re running about 90 minutes behind schedule. I ask if a doctor got sick and the receptionist says, “No,” and I ask, “Is this pretty standard?” and she sort of gives me a shy I’m-not-supposed-to-say-this type smile and it’s enough of an answer for me. I sit back in my chair and mumble angrily to myself and wish there were some sort of air freshener in this room because it’s starting to smell like body sweat.

Thirty minutes later, they call my name—“Mr. Brootbagk”—and lead me like a lamb to the slaughter (you know the feeling), and once I get into the doctor’s exam room I wait more and more and more, and it’s not the kind of waiting that one expects in a doctor’s office. It is the endless abyss of waiting where time stretches on indefinitely and seconds become hours and you wonder if the doctor is just enjoying a ham sandwich in the break room.

The door finally opens and someone enters. A young man. A doctor. He sits down and calls me the wrong name, I correct him, at which point he realizes he’s in the incorrect room. Leaves. We wait. A second doctor enters. Asks me two questions, and gets my name right. Excuses himself. We wait. We wait. We wait. A third doctor enters. He sits down and asks me what my name is and what I’m doing here. He has no folder, no information on us or my surgery or background. He’s just winging it off the cuff, I guess. He exits. He returns with our folder.

The doctor tells me that I have stage 2 cancer. He tells me they biopsied my testicle (put it in a blender and looked at the goop under a microscope). He tells me that there are two different kinds of cancer; there is nonseminoma and there is just plain old seminoma and that I have the first. I take a deep breath, relieved, because clearly, “non” is always better. He sighs and says, “Nonseminoma is actually the more aggressive of the two,” and now, every comedic deflection I have is being ground out of me and my lip begins to quiver and I still don’t understand why this is happening. He tells me, “Nonseminoma breaks down into four categories and you also have the most aggressive of the four.”

I say, “The most aggressive of the most aggressive . . . ” and he says, “Yes,” and my hand has turned purple and then white from Jade squeezing it and I look over and see that she has mascara and tears streaming down her cheeks and her eyes are red and her face is puffy and I feel like I’m going to pass out but manage to say, “So . . . what . . . does that . . . mean?” And I say this because . . . what else do you say? How else do you respond? Someone tells you that you have some of the most aggressive cancer on Earth and—

The doctor says, “I’d like to admit you today, right now. I’d like you to start chemotherapy,” and my breath catches in my throat because now I am a Cancer Patient. More visions of ghostly bald kids with hollow eyes shoot through my brain and images of me hiding somewhere in the crowd with my IV, pulling it sadly behind me. I ask the doctor, “But . . . my job. I work tomorr—” and before I’m even done with my sentence he’s shaking his head. “No. You’re not. You won’t work again until this is over,” and I say, “But I can work. I can make it work—they’re cool with my schedule,” and he says, “No. You won’t work. You won’t read. You won’t watch TV. I just want to be very transparent with you about this—I’ve seen this take men in the military down to . . . nothing,” and I just keep thinking, “Why is he telling me this? Why is he saying these things?” and me, grabbing at straws, trying to make ends meet, throwing myself at any possible outcome that doesn’t involve chemotherapy, say, “Dr. Honda—he says he wants to pull out my lymph nodes! Cut me open from gullet to groin and pluck pluck pluck! We can just do that!” because, in my head, surgery is not as serious as chemotherapy. Surgery is manageable and understandable and considerably more familiar ground but the doctor says, “No. It’s . . . . That’s not possible. The cancer is too aggressive and it’s moving fast. We have to just get you into chemotherapy as soon as possible and try to kill it—” (me) “—that way. It’s our best shot. Surgery will just delay it and, ultimately, you’ll still have to undergo chemo just to make sure.”

My wife is still crying and he says, “I’ll get the paperwork,” and I say, “No,” and the doctor says, “What’s that now?” and I say, “No. We’re not checking in here.”

And we rise up and we leave, pushing blindly through walls and walls and walls made of patients on standby.

In the car, we call Dr. Honda, our urologist who had suggested pulling out my lymph nodes, and we tell him about our experience at White Memorial. I tell him about the floors and the ceiling and the dust and the dirt and the waiting and the missing files and the three doctors and all the people just standing there and I say, “I can’t do that. I can’t leave my life in the hands of those people. I just . . . . If I have to do chemotherapy, fine, I have to do it but you make sure I have to do it and please, please, please, just put me somewhere else. I don’t trust them.”

We hang up the phone and it immediately rings with an unrecognized number. Curiosity wins out and my wife clicks it open while I drive. “Hello?” she says.

It’s the doctor from White Memorial.

“Please,” he says, “I can’t stress this enough. You must check in somewhere today. You must begin treatment today. Your disease is so aggressive—” (There’s that word again, like a mad dog or a cage fighter or an acid: aggressive.) “—it’s not something to mess around with. Just . . . please.” And then, “Why don’t you come back? I can be your oncologist.” At first he sounded like he was genuinely pleading my case and then it sounded like he was freshly employed, and needed the experience under his belt and so my wife tells him, in the politest way possible, that his hospital reminded us of any number of post-apocalyptic movies.

There’s a pause on the phone and the doctor speaks again, softer. He says, “I understand. Fine. But please, listen to me. Listen. Don’t mess around with this. I don’t care where you go, just . . . go. Go somewhere. Go there now and check in,” and my wife says, “Thank you,” and hangs up and neither of us says anything but we both recognize something so desperate in his voice that we each have to wonder just what it is we’re dealing with here.

We know it’s bad but . . . how bad? How aggressive?

Several days later, my wife and I are finally sitting in front of Dr. Honda and, yes, I know the last doctor said we needed to check in ASAP, but the truth is, there are channels one must go through and sometimes those channels are clogged by other patients that are not you and you must simply . . . wait.

And that’s Cancer: waiting. Waiting in doctor’s offices, waiting in exam rooms, waiting in waiting rooms slowly, waiting, dying, healing hopefully, but dying and fearing and waiting.

“Cancer markers,” Dr. Honda says and all I can picture is children with thick black markers coloring the walls of a classroom in living venom slime, the dark goo dripping down and running everywhere, growing and attaching to anything with DNA.

“Cancer markers are in your blood. They let us know how much cancer you have. A normal, healthy, cancer-free person would have zero.” I say, “OK,” because the math seems to make sense. He tells me that previous to my surgery they did a blood test and my cancer markers were at 32 and I say, “What?! Thirty-two out of what?! Is that high?!” And he says, “Higher than it should be. Mine is zero,” and I shrug because this, too, is sound logic.

He tells me that two days after surgery, my numbers hit 619 and my jaw drops to the floor and my teeth fall out and the doctor says, “Today you hit 900,” and now my breathing is shallow and my tongue is dry and everything is blurry and I don’t know if I’m crying or if my eyeballs are just dry or if I’m getting faint, but I do the quick math and realize that I now have roughly 30 times the amount of cancer I had a couple days ago when I still had a bawl. The doctor at the Ghetto Hospital’s voice suddenly rings through my head, and I hear all his desperation with new ears.

I hear that word.

Aggressive.

Dr. Honda says, “We need to check you in somewhere,” and, making a personal suggestion, he says a good friend of his is an oncologist at Arcadia Methodist. He says it’ll be a far drive but— And we don’t let him finish the thought. We love him so much that anything he says is Gospel. If he likes the doctor, we like the doctor. We take his word for it and make a bee-line for the place, site unseen.

An hour later, in the parking lot of the hospital, my wife snaps a photo of me standing in front of the monolithic building – a soft, four-story cube. I’m staring directly into the camera with the fullest beard I can grow, a large smile and a full, confident face. It’s the last time I’ll see that expression for some time. I’m sporting aviator sunglasses, hair, and hope but I’ll slowly lose all three of them before long.

WARNING: Please keep your arms and legs inside the vehicle at all times. This trip is about to get bumpy.

***   ***   ***   ***   ***

We walk through the doors and immediately I see the clean, white, sterile, horrible hospital. Even the best hospitals are horrible and hideous and terrible. Even the cleanest and purest and friendliest are hateful places, filled with the sick and the dead and dying. The smell of cleaning supplies masking the stench of vomit hits my nose. The smell of rubbing alcohol and latex and linen mixes with powdered mashed potatoes and powdered scrambled eggs and powdered milk. All roads have led to here. This is the trajectory my entire life has been on, like a rocket aimed at the moon. Houston, we have contact.

I know that I have a long fight in front of me and, although I’m happy to be getting started, I do wish I were instead at home or at work or, really, anywhere. But instead I’m here, in this elevator . . . and now in this hallway . . . and now in this room that will be my home for the next eight days.

I undress, put on the gown, and set my personal belongings on a small shelf. On a table next to the bed, I place a novel I won’t open; my iPod, which I will barely turn on; and my journal, which has served as the skeleton and fact checker for this book; journals that I’m eternally thankful for because my brain is about to turn into something slightly softer than Jell-O, something slightly less formless than a raw egg. This is your brain—this is your brain on chemo.

The nurse enters with the IV and my knees lock and my heart speeds up and my forehead starts to sweat and she tells me to lie down. I don’t bother fighting it but I tell her how afraid I am and every time, every needle, it never gets easier, it just gets worse and worse and worse. My wife holds my hand and rubs the back of my palms with her thumb and my toes wiggle and I feel the metallic stick slide into my arm and fish around and I’m not breathing and then it’s done and she says I can release my fist. She applies some tape and tells me to relax and says that she’ll be back in a little bit and now it begins.

I look at the IV pole to my left and I am One of Them. I am a Cancer Patient.

My wife turns on a reality TV show and I try to write in my journal while not upsetting my IV in any fashion, so afraid that it’s going to get caught on something and yank out. The TV goes to commercial break just as a man enters the room and tells me they want to do a CAT scan on me and at this point I’m just a sack of potatoes, their puppet, to push around and wheel back and forth and poke and prod and maneuver in any way they see fit, so I say, “OK,” and my wife keeps watching a show where a family has eighteen kids and I can’t have any.

The giant Mechanical Donut is down in the basement of the hospital and the room is run by two guys who look like they drink lots of beer while consuming pharmaceuticals that they steal from work. They both have tattoos on their arms and long hair, and honestly, it’s kind of nice to talk to two people who aren’t “doctors” or “nurses” or “hospital staff” but just “dudes.” I ask them how long they’ve been working here and what they want to be doing long term and they ask me what I’ve got and what I’m doing and they’re pretty impressed with my weird story about cancer and they tell me about how they once gave David Hasselhoff a CAT scan.

The bed shifts and moves and pulls me into the donut and the same female robot from the first hospital (different donut) says, “Hold. Your. Breath.” I do and I turn my head to the left, trying to relax. On the wall is a motivational poster with a photo of a stream and the caption: IN THE BATTLE BETWEEN WATER AND THE ROCK, THE WATER WILL ALWAYS WIN. NOT BECAUSE OF STRENGTH, BUT BECAUSE OF PERSISTENCE. I look back at the ceiling and try to decide if I find this cheesy or poignant or both. The stoner guy says, “Here comes the dye,” and I feel like I just pissed my pants.

The David Hasselhoff guy wheels me back to my room and wishes me luck and I still think about him often. I wonder if he’s still working next to that Mechanical Donut and I wonder how many times he’s told his David Hasselhoff story and I wonder if he’s ever met David Hasselhoff again.

My wife asks me if everything went well and I sort of shrug and say, “I think I still have cancer but . . . the machine didn’t blow up whilst I was inside of it, if that’s what you’re asking,” and she says, “Good,” and then turns her attention back to the TV, where a sweaty woman is giving birth and screaming.

I pick up my cell phone, an old Motorola Razor (you know it’s badass because it’s named after a blade) and call my mom. She says, “Hi, sweetie! How is your daaaay!?” and again, I just want to reiterate that I wasn’t expecting this. I wasn’t planning on sleeping in a hospital tonight. It wasn’t marked on my calendar. So you can see the loaded question here. “Well, uh . . . ” I say, “I’m doing good. Sort of. I’m, uh, my cancer is back,” and there’s silence on the phone and then quiet crying. I say, “I’m in the hospital right now,” and panic is setting in with her, “Are you OK? What’s wrong?” and I say, “I’m, uh, I’m getting chemotherapy,” and there’s more quiet crying and I hear my dad in the background ask what’s wrong and he takes the phone and he says, “Hello?” and I say, “It’s me,” and he says, “Oh. What’s wrong?” and I say, “Nothing’s wrong, I mean . . . yeah. I’m in the hospital. I’m getting chemotherapy. My cancer is back—or—it never left, I guess. They didn’t get it all. I’ll be here for a while— I’ll be here for a week. About eight days,” and my dad says, “We’re coming out.”

A few hours later an old man enters my room pushing a cart that smells like cafeteria food. He places a tray on my bedside table and says, “Bon appetit!” and then vanishes. Because I haven’t eaten since previous to my appointment with Dr. Honda, my stomach is grumbling and I don’t care what’s under that plate cover, it’s going in mouth and down my throat. I lift up the warm lid and there is absolutely no amount of money that would sway me into placing that food on my tongue. The menu would probably call it “meatloaf” but I would call it “gunk at back of fridge mashed into patty formation.” The fact that it’s swimming in powdered gravy doesn’t bother me so much as the fact that the powdered gravy is the consistency of snot. I ask Jade if she wants any and she says, “Uh, no, thank you,” and then I say, “I dare you to take a bite of this meatloaf,” and she says, “No,” and I say, “No, seriously. What would it take for you to take a bite of this meatloaf?” and she says, “A one-hour back rub,” and I say, “OK. Fine,” because I really want to see her gag. She looks at the plate and then, reconsidering, “I can’t do it.”

I put the lid back on the tray and scoot the entire table toward the door where the smell is least offensive while my wife leaves to purchase us Panda Express.

She’s gone for about forty-five minutes while I just sit in the room, alone, reflecting, and I will soon find out that this is one of the biggest problems with cancer. When you can’t do anything, all you can do is dwell on yourself, your problem, your condition.

It’s not so bad right now and my attitude is pretty good and I’m certain it’s just going to be like getting the flu and that doctor didn’t know what he was talking about when he said that it would shut me down. I’m not a robot.

People walk by in the hallway and there is a general background noise happening out there—talking and footsteps and intercoms and beeping. And so I get up and shut the door and turn on the TV but can’t find anything to watch so I put in my earphones and think of Ben (Folds) and wonder what he’s doing right now—some guy somewhere that has no idea where I am, what I’m doing. He’s playing a show, punching his piano, and signing autographs and here I am, remembering him while I drown out everything else.

I open my eyes and Jade is standing in the room, staring at me, a big white bag of fast food in her hands. She says, “Dinner bell,” and I sit up while she sits at the foot of the bed. She pulls over the coffee table, which is now empty—I assume someone came in and took the “food” while my eyes were closed—and we eat dinner, we watch TV, we talk, and we wonder when The Chemotherapy will begin.

Eight o’clock rolls around and still no drugs so I hit my buzzer and a nurse enters who has a very sweet face and I ask her when I’ll be starting my “thing” and she tells me, “Tomorrow, in the morning,” and I smile and nod my head and am not sure if this is good news or bad news or indifferent news. The nurse leaves and Jade snuggles up next to me. There is a cot in the room but we don’t use it. That night the two of us just crush our bodies together in a platonic, nonsexual, but still really desperately needy way and sleep in very broken segments, two kids that are stupid and lost and scared.

***   ***   ***   ***   ***

In the morning, the old man serves us “eggs” and “bacon” and “toast” but the only thing either of us consumes is the “fruit.” Neither of us are big breakfast eaters nor fans of food that tastes like someone’s vinegar-soaked jock strap.

There’s another reality show on TV and I think this one might be about wedding disasters and the victims therein. Sigh, tragedy. My wife is locked on, saying, “What! Shut . . . up . . . What?” and then the nurse who gave me my IV yesterday is back but she’s wearing a full hazmat suit over her regular nurse get-up and she has on a face mask and gloves and she carries a dark bag that’s covered in plastic.

I ask, “What is . . . that?” but I already know the answer. She says, “This is bleomycin; it’s the first of four medicines you’ll be receiving today.”

Medicine. Boy, we’re really throwing that word around, aren’t we? I imagine that in the future, people will say, “Can you believe they used to give patients chemo??? They poisoned them to cure them—how savage! Luckily, the scientists have found the cure for cancer in oil. Too bad we used it all driving our SUVs with only one person in the car and now the polar bears are all dead because of global warming! Hip-hip-hooray! The future really is a brighter place. But only because the atmosphere has finally dissolved and the sun is now shining directly onto our reddened, burnt skin! Yay for technology! Yay!

I unconsciously slide away from the IV pole, trying to put distance between us and I say, “Why is it in two bags?” and the nurse says, “So if it leaks it doesn’t spill,” and I say, “And why are you dressed like that?” and she says, “So in case it spills it doesn’t get on my skin,” and I say, “And where is that going?” and she says, “Into your IV,” and I swallow hard.

She hangs the bag upside down and allows gravity to do what it does best. She plugs a tube into one of my ports and turns a small dial with her thumb. I watch the liquid drip-drip-drop from the bag and race toward my arm and I hold my breath. Here it comes. Here it is. And I say, in a strained voice, “Will this hurt?” and the nurse says, “No,” but I don’t believe her. The clear liquid enters my body and she’s right. I don’t feel anything.

Drip-drip-drip.

She tells me she’ll be back in about two hours and then leaves. Jade turns from the TV and sits down next to me on the bed and we both watch each little drop race down into my body and my wife says, “Each drop is you getting better. We’ll be OK.”

Drip-drip-drip.

 

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SURGERY: CHAPTER 13

 

 

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We drive to the hospital on a Friday morning for my out-patient surgery. I always assumed that, when the time finally came, I would be considerably more depressed or mournful. But instead, there is a freedom that is both liberating and intoxicating in the air. I’m just happy that this will soon be over. Today.

Take my nut. Just save my life. Take the poison before it spreads.

As I sit in the waiting room, no thoughts of hormone supplements cross my mind. The word eunuch never enters my brain. The only thing I can think about right now, the only impending doom I can imagine, the enormous, inevitable snowball that’s rushing toward the small village that is my psyche, is the thought of the IV.

But, thankfully, I tell myself, it’s the last one for a long, long time. “Just get through this one and you’re good. You’re gold. You can do it.”

On the television in the waiting room is a talk show where the special guest is a young musician speaking about coffee enemas. I stand up and turn the TV off just as a nurse calls my name.

My testicle leaps nervously into my stomach and it feels like it’s trying to give me one last hug. I say, “I hate goodbyes,” but it won’t let go.

The nurse leads my wife and I into a cream-colored room and instructs me to put on The Gown. When I come out of the bathroom, dressed for surgery, she’s ready to stick me with the IV and for some reason I feel like this is The Line. I feel as though, at any point before the IV, I was free to turn around and run away and lead a life anyway I chose, but the IV . . . . It represents a kind of umbilical cord to the hospital. Like red vests at Wal-Mart—they make it very easy to differentiate between who belongs here and who doesn’t.

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I tell the nurse that I’m afraid of needles and she just laughs and I lean forward and say, “No, listen. I’m afraid. Do you have a numbing shot? I’ve heard that such a thing exists.” And she says, “A shot before the shot?” and I say, “ . . . Yes,” and she says,

“ . . . Sure.”

The nurse excuses herself to get the pre-numbing needle and returns with a freaking golden retriever! Bedside manner, ladies and gentlemen. The extra mile.

I say, “What the H-E-C-K is this!?” and the nurse says, “This is Samantha. She’s our therapy dog. We let children pet her before they get shots—I mean patients—we let all patients of every age pet her before they get shots.”

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I say, “I see,” and stare into Samantha’s eyes while I lie back. They’re a beautiful brown, almost golden color, and I hand my arm to The Extra Mile Nurse and Samantha pants and smells my right hand and The Extra Mile nurse taps my left forearm. Samantha says, “Don’t worry, kid, everything is going to be all right because I love you just for being you,” and I say to The Extra Mile Nurse, “Don’t forget the numbing needle,” and she says, “Of course,” and I feel a poke and I look deep down into Samantha’s eyes while I hold my breath and I wonder how many hundreds and thousands of children this dog has been loved by, how many eyes have stared directly into hers. I wonder where she sleeps at night and how she’s treated.

“All done,” The Extra Mile Nurse says and I say, “I only felt one poke,” and she says, “I know; the numbing shot worked!” and I look over on the table and only see the remains of a single syringe.

The Extra Mile Nurse turns to leave and pats her leg and takes Samantha with her, and I feel my hand run down her head, down her back, down her tail, and she’s gone.

I never see either of them again.

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Later, another, younger nurse comes in and tells me that she’s here to give me a “cocktail.” She says it will help take the edge off and make me a little sleepy. I ask her where she was twenty minutes ago.

She plugs a bag into my IV and I . . . take . . . a nap . . . .

Minutes or hours or days have passed. I wake up, and I’m still in the same room. I feel my crotch. My testicle is still there. My tumor is still there. For a true moment, I was hoping they had pulled a quick one on me and had it all done with.

The Young Nurse comes back in, tells me that it’s time to go, and takes me away. Two more nurses meet her in the hallway and the three of them navigate me through wide, bright, green corridors. I watch the overhead lights wash over me and try to remember every movie I’ve ever seen that uses that shot. I listen to the wheel on my gurney squeak.

This is it.

They push me around a corner, and I sit up and look over my shoulder and wave to my wife. She waves back and shouts, “Good luck! I love you! I love you!” and then I’m all alone, surrounded by scrubs.

They push me through a set of double doors and into a large room that smells like rubbing alcohol. Two women help me slide from my bed onto another bed. No—this isn’t a bed. This is an operating table. I’m on The Slab.

I lie back and stare at the ceiling, where a gigantic light on a rotating arm hangs above me. A pretty young lady with red hair leans down over me and says, “Are you comfortable?” and I adjust my shoulders and say, “Yes,” and she says, “Good.” She says, “I’m going to inject you with something. Is that all right?” and I say, “Is this—is this the stuff that’s going to put me down?” and she laughs as her thumb slowly pushes on the plunger, and there is an explosion in my chest that rises into my mouth that tastes like copper. I lick my lips and say, “See you on the—”

Other side.

When I wake up moments later I find myself sick and wanting to vomit. An oxygen mask covers my face. I try to sit up and look around because I have this feeling of complete nakedness. Not of nudeness, not the sensation of being unclothed, but of being exposed and out of place. I can only equate it to the feeling I get when I suddenly find myself walking through the young teen’s bra section at Target. What—how did I get here? I hope no one sees me—where’s the exit? Run! No, don’t run, you’ll look suspicious. Walk slowly—no, not that slowly, you’ll look like you’re perusing. Just keep moving.

I look to my right and see a row of hospital gurneys that are all empty and I suddenly feel a sense of impending doom, like I’m the next and final victim in some mad science experiment.

Why do I taste pennies?

My throat hurts fiercely. I bring up my hand to rub my trachea and see that there’s a tube taped to my forearm. Oh, yeah. Everything hits me in a quick wave: Cancer. Hospital. Testicle. I remember why I’m here, what I’m doing. I lie down and hold back my gag reflex. The only thing worse than being in the bra section at Target is puking there.

Suddenly, a nurse is standing above me but I don’t remember what she looks like or how old she was. She asks how I’m doing, and I tell her that it feels like I’m burping up pennies. She laughs and asks if she can touch my beard. I have to pause and reflect if she’s having a bad day and needs a therapy dog like Samantha to help her through it. I willingly tilt up my chin and she runs her fingers through my face pubes.

She tells me that she thinks I might be Amish—a remark I get often thanks to the pattern in which my beard naturally grows; two long side burns into a neck beard thing I call The Hanging Tomato Plant. Hair simply refuses to grow on my cheeks or upper lip.

I tell her I’m not Amish, as far as I know, but secretly wish I were, which is true. I tell her my throat really is sore and she tells me it’s because they stuck a tube down it and I ask if they used a hammer to get the job done.

I shift my eyes to the left and have a quick daydream. I suddenly see my naked, flaccid body on a slab. I see a tube shoved down my throat. I see eight people standing around me, cutting me, sucking my blood into machines, moving my penis and pulling my testicle out through a hole in my abdomen; a male C-section. I see the tumor, a big black pulsating alien brain connected to veins leading back into my cavity. I see them cauterize the wound. I see scissors and sutures. And I see this nurse, standing next to me, holding my penis up with a gloved hand to keep it out of the way of danger.

My eyes shift back to the right.

After what The Faceless Nurse deemed an acceptable length of time, someone wheels me downstairs to a second recovery room where they prop me into a recliner that I swear was the softest chair I’d ever, ever been in.

A new nurse, a chubby blonde woman in her late fifties, gives me some crackers and apple juice, and I’m certain she was probably a kindergarten teacher at some point and is just role-playing with me.

I tell her I feel sick, hoping to get some kind of high-powered-hospital-quality medicine that is going to take away these waves of nausea, but instead, she brings me a bed pan shaped liked an old man’s kidney.

Gee, thanks. You shouldn’t have.

She takes one step back and I puke three times; acidy strings of yellow and white saliva get stuck in my beard. The Teacher Nurse says, “Are you Amish?” and I wipe my chin on my sleeve and hand her the kidney. She says, “You should probably just keep that.”

Over her shoulder, I see my wife enter the room and, thank you, thank you, thank you, I’m no longer alone. I’m no longer scared or afraid. It’s just her and me and that’s it. She says, “Gross! You puked! In front of everyone!” and I laugh.

She hands me a real life cactus that has been decorated with construction paper flowers and adorned with various Game Boy cartridges. At my heart, I am a stupid little vomiting boy.

flowers

I say, “Thank you. This is very nice. I’m going to puke again,” and she says, “OK,” and takes the flowers from me. I grab the defiled bedpan and hold the rank and frothy mixture up to my mouth. I heave once, twice, and then puke doesn’t come up but instead some kind of salty cracker concoction. When I look up I see both my wife and The Teacher Nurse staring at me. I look to my left and see another older nurse that I hadn’t registered before watching me, as well. Where were these people coming from? Did they hear there was going to be a show? I politely ask them all why they’re staring at me and each of them, in turn, looks down at their feet.

I stare back into my bedpan and can feel all three sets of eyes slowly rise up, waiting, watching, anticipating me, each of them so excited to watch me erupt. “Oh, yes,” they are surely thinking, “Here he goes—his breathing is getting heavy! This is going to be amazing!”

Nothing comes out and there is a collective sigh. Sorry to disappoint. I tell The Teacher Nurse that I have to go to the bathroom and she says, “Number one or number two?” and then I’m positive that I’m stuck in some weird role-play with her. I say, “Uh, I just sort of have to pee,” and she says, “OK, that’s number one. Let me help you up, sweetie.”

I hobble across the floor with a 4-foot, 2-inch, fifty-something year old woman “supporting” me. Her perfume is pungent. She opens a door, and I mumble my thanks before shutting it and opening my robe and this is the first time that I realize I’m wearing some kind of—I don’t really know the best way to describe it—a nut-sack diaper, I guess.

It’s like a jock strap with no cup.

Scrotal

I exit the bathroom and excitedly ask the nurse if I get to keep my new accessory and she says, with an air of English dignity, “It’s called a scrotal support. And yes, it’s yours to keep.” The best gift a boy could ask for. I say, “It’s perfect. You’re so sweet. You shouldn’t have.”

The Teacher Nurse helps me back to my chair where I find a doctor handing a folder to my wife. He says, “I don’t know what you’re going to do with them, but we took ’em,” and Jade smiles and says, “Thanks,” and the doctor says, “From what I could tell, we got it in time and it hasn’t spread.” My heart leaps in my chest. It’s over. “But,” the Doctor Guy continues, “check in with your urologist next week. I’m sure he’s going to want to follow up with you.”

Sure, sure, whatever. I. Am. Healed! Hallelujah! I hear a chorus of angels playing the mambo. I want to dance with them but my scrotal support is simply too constricting.

A nurse pulls out my IV and wheels me to the hospital exit. My wife pulls up in the car, and I feel like a woman having just been released from childbirth. Except I have no baby.

I have no baby.

And my balls are . . . completely gone . . . every chance of children I have rests on the shoulders of others.

Jade honks the horn, and I saunter over to the car and crawl into the passenger seat. She hands me the manila folder and says, “One last surprise.” I open the file and find three digital photos that have been printed out on high gloss paper, each one more gruesome than the last.

She says, “I figured that little bastard has given you so many problems in the last month you’d at least want to see his face.”

Inside are three pictures of my bloody testicle sitting on a blue rag with a small gray tumor stuck to its side. We go home, frame one, and put it on a shelf in our living room.

Jade says, “We made it. We survived cancer.”

 

***   ***   ***   ***   ***

Well, that’s the very end of the story. Thanks for reading!

Just kidding. There’s still an awful lot of shit heading right towards this fan.

Tune back in next Monday for THE BLACK TENDRILS: CHAPTER 14 as Cancer reaches out from the grave.

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BABY BLOCKS: CHAPTER 11

 

Another double whammy this week on the chapter front. We’ll start out with BABY BLOCKS: CHAPTER 11, which will mostly round out our cryo-banking experience (as far as it’s detailed here) followed closely by TIME OFF: CHAPTER 12, which is a shorty and doesn’t really work as a stand alone.

If you’re new to what we’re doing here, I’m releasing my book Cancer? But I’m a Virgo one chapter a week All. Year. Long. This week is chapter 11 and 12 but it’s not too late to catch up! To start reading from the very beginning, just click here!

cancer_title_11

 

Three hundred million: That is both the amount of money Forrest Gump made theatrically, as well as the average number of human sperm per serving, according to Wikipedia.

Fifty-six: the yearly average number of people on the Sioux Falls, South Dakota, bowling league, as well as the number of healthy sperm in my semen analysis, according to Dr. Chaplips, whom I currently have on the phone.

I ask him what the chances are of me getting my wife pregnant. I hear him lick his lips and, judging by the crackling noise coming through the line, I assume he still hasn’t solved his oral issue. “Aaahh,” he says. “Almost impossible. Very unlikely.” I say, “One thousand to one?” and he pauses before saying, “Probably higher.”

“Higher? Like what? What are my chances of a standard human pregnancy?” I don’t know why I’m doing this to myself. I don’t know why I’m asking these questions. It’s already too late to do anything about it because the cryobank suggests that I abstain from myself for three days previous to each deposit. I just feel this desire to know how defective I am. If I were a term paper, what grade would I receive?

“Probably more around one hundred thousand to one.”

I take a couple small breaths and ever the Dumb and Dumber enthusiast, say, “So you’re telling me there’s a chance?” He’s clearly never seen the movie because he just says, “No. I’m not.” I thank him and hang up. I tell my wife the great news. “Babe,” I say, “We never, ever, ever have to use condoms again! Don’t you get it? I’m as sterile as a crayon! A potato has more potential for reproduction than I do! This is fantastic! This—this sucks . . . . ”

 

Inside I can feel the growth, the landmass, the intruder, the Cancer, growing larger and larger on my testicle. Every moment of every day I am reminded of it. Every moment of every day, I have a constant throbbing pain. Every day it grows and grows and grows. What was once a tiny pea is now a lima bean. It’s getting bigger. It’s stretching out. It’s making itself at home. And still I can do nothing. If I want to bank what little functioning sperm I have, there is nothing to do but wait. If I want children, I must gamble with my life. True Russian roulette.

The pain grows and the doctor prescribes me Vicodin, which I begin to pop like Tic Tacs or cashews or addictive prescription drugs. The pain grows more and I pop more Vicodin and the pain grows more and I pop more Vicodin and the pain grows more and I wait and wait and wait to bank. The banking will take a month. The banking will take thirty days. Cancer will take full advantage of me in that time, feeding itself and fueling itself off me.

The waiting gives me anxiety, and I neurotically touch My Lump, the way people will continue to play with a hangnail or tongue the sore spot in their mouth. My body wants it out, and I’m forcing it to stay in. My body hates me, and I am sorry.

Call me selfish. Call me crazy. Call me reckless. But I’ll have my children.

Even if it kills me.

Fast forward a couple blurry days, and I’m taking the Olympic Boulevard exit off the 405 freeway at 8 a.m. I’ve got my first appointment scheduled with the sperm bank this morning and am very excited to open a savings account with them.

The building is tucked away and is fairly understated, causing me to drive around the block a couple times before I find it. The parking lot only holds about eleven cars and most of the spaces are empty. On the front door is an intercom switch. I hit the button and wait. Someone buzzes me in.

Hidden buildings, hi-tech locks, espionage! This is getting dead sexy, and I’ve seen enough James Bond movies to know that the chicks involved are going to be hot. I open the door and put on my “cool face,” expecting to see some smoking bombshell blonde in a short nurse’s skirt. In my head, she looks just like the girl on the cover of Blink 182’s Enema of the State album. Those clowns at the semen analysis place don’t know shit about shit, making me rub one out in a dentist chair. These people here are professionals. I have no doubt about that. Professionals. Hot Nurses. Hot Nurse Professionals.

blink-182-enema-of-the-state

(ABOVE: THE DREAM.)

 

I cup my hand over my mouth, smell my breath, and walk into a reception area containing only six chairs. An older gentleman who arrived before me lowers his newspaper and glances at me through Coke-bottle glasses. We make eye contact and both immediately think, You’re here to jack off! and then, JINX! 1-2-3-4-5-6-7-8-9-10!

He lifts his paper back up, and I turn my attention to the Hot Nurse Station where I come face to face with Bill Cosby and Mimi from The Drew Carey Show. The first sits behind an ancient IBM whose white plastic sheen has turned the color of eggnog, while Mimi digs through towering filing cabinets twice her height.

bill-cosby-2                    46319_1218334023690_241_300

(ABOVE: THE REALITY)

 

Now it should be noted that these two people are not actual Bill Cosby and not actual Mimi from The Drew Carey Show but individuals who look so incredibly similar that they could be hired to work at a children’s birthday party as cheap duplicates.

One final word on their characters: I will describe the first person as both “Bill Cosby” and then as “she” but trust me when I say that both of these descriptors are not only accurate, they are also absolutely necessary.

Bill Cosby says, “License, please,” and I slide my ID over the counter. Without looking up, she says, “Is this your current address?” and I say, “No. I didn’t drive that far.” She looks at me sideways, and I say, “It’s a South Dakota license.”

She glances back at it and laughs far harder than is deemed even remotely necessary for what can only be considered a subpar joke. She then repeats her folly to her coworker, Mimi, in a fit of giggles. Mimi says, “What? You’re laughing too hard. I can’t understand,” and so Bill repeats it again, the poor joke becoming less and less funny with every turn.

“Riiiiiight . . . . Buzz him in,” Mimi commands and Bill Cosby opens a door, ushering me to The Back. He/she hands me a small cup—sort of the ATM deposit envelope, if you will—and then says, “Choose any door on your right.” I examine each of them in turn and discover that they all look identical save for room 4, which has been decorated with wallpaper adorned with silhouettes of naked women.

I choose the room I’m standing in front of. I figure it’s the closest to reception and therefore probably the least used. Only a true pervert would choose this room, so close to other people. Only a true sicko would choose—I stop analyzing my choice.

Bill Cosby hands me a disc. I look at it: an adult DVD artfully titled Bangin’ at the Cabo Cabana. I say, “Thank you,” and he/she turns and walks away.

I enter the room and shut the door. Lock the door. This is not what I expected on the drive over. It’s a 4 x 4 closet with a 7” flat screen television and a stack of hardcore, full penetration, tit-squishing, spread-’em-wide, take-no-prisoners, anything goes, pornographic magazines.

I flip through a couple, and the pages are genuinely stuck together, crusty with usage. The classic joke isn’t that funny when you find your fingers running over a stranger’s dried semen. I drop the magazines and pop in the DVD. At this point, I’m still not certain if I’m going to watch it to the end. I’m not sure how I feel about this, making children like this. “Son, I remember the day I ejaculated you. I was in a closet by myself, watching a Puerto Rican girl get sandwiched by a couple of brothers who kept high-fiving.”

Curiosity being what it is, I hit play and turn the volume down. There is a pair of headphones connected to the television but I have no desire to touch them, let alone put them on my head. I wait. And then it begins. The most horrific thing I could imagine begins. From the sky, eight individual baby blocks drop until they’re in the middle of the screen. On each block is a letter and, all of them together spell out the name of the production company, which I won’t name here, a production company that, obviously, specializes in making porno strictly for sperm banks.

Everything really has been thought of. Half of me is disgusted and half of me applauds their ingenuity and sense of entrepreneurial pioneering. Actually, half and half is an unfair ratio. I’ll call it a 90/10 split, respectively.

And then, just like that, without any set up or story, without someone entering a room or taking off their clothes, without any dialogue or foreplay, from frame numero uno, Bangin’ at the Cabo Cabana immediately earns its title.

I reach up and hit stop. The screen goes black again. Much like the girl in the video, I feel as though I’ve gotten my fill of Hector (my name for the male actor), and I’m really concerned that if I watch the video to the end, the guy, rather than choosing to go with the “traditional” adult ending, will just decide to neatly collect his “product” in a little plastic vial and then set it on a nearby counter and frankly, if that happens, I believe I would just go limper than a spaghetti noodle in a bubble bath.

Mimi and Bill Cosby stop outside my door to chat about a party this weekend, some kind of dinner date. Mimi has a bad cough, full of phlegm. Bill Cosby does most of the talking and laughing. I double check to make sure the door is locked.

I’m so ashamed to be here. Not that I’m ashamed that I have cancer or that I’m sterile. I’m just feeling these very powerful emotions of human shame about masturbating. I can only equate it to pooping in the woods. You know it’s OK. You know everyone that you’re with is doing it and it’s totally normal but you’re just afraid someone is going to come around the corner and catch you in your most exposed state.

Snap out of it, Brookbank! I yell at myself. You’re paying them to be here! Now pull out that dick, and get yer whack on!

I do. And with the help of those sticky-paged magazines and the blonde cop with the nightstick on p. 27, it takes considerably less time then the dentist’s reclining chair experience did. I’m not really going to get into the logistics of the deposit itself, but I will say this: Even after my final visit, I’m still not completely certain what the best way to get the “money” from my “wallet” into the “envelope” is.

Once the deed is done, I screw the yellow lid on and it’s only then that I realize that they’ve never told me what to do with it. At the semen analysis place there was a Mr. Ed style half-door that I opened and placed the jar into to be gathered up by a faceless technician in the next room. I search the walls. Nothing.

I put my pants back on (yes, I felt the strange need to remove them completely, as the only thing that could make this a bit more awkward is dried cum gracing the cover of my jeans), unlock the door and slowly, slowly open it. I don’t want to alert anyone that I’m done. More shame. Shame. Shameful Shaming Shame!

Should I leave my cum basket behind? Should I take it with me? Which is the least horrendous situation: the one where I abandon it in the room and a stranger finds it, or the one where I’m caught in the hallway trouncing around with a porno snack pack?

After weighing the pros and cons endlessly, I decide to plant the plastic container into my palm and sort of twist my hand backward so that no approaching person will see what I’m carrying. I walk through a small labyrinth of narrow hallways up to another counter with more bulletproof glass, and I stop to wonder how many times sperm banks have been robbed. I set my collection of human sperm down on the counter and ring a bell. DING! ATTENTION EVERYONE IN THE GENERAL VICINITY! THIS YOUNG MAN HAS JUST COMPLETED HIS JACK OFF! CONGRATULATIONS, SIR!

I turn to leave and almost make it back to the exit when a small Asian woman who looks like Michelle Kwan wearing a baggy blue hazmat suit (helmet and all) pops her head out from the sliding glass door and says in a Darth Vadery voice, “Excuse me . . . sir . . . . ” All these dots are where Darth is doing his heavy breathing. “I need to ask you . . . a few questions . . . . ”

I come back over to Darth Kwan and, with my canned specimen resting next to her writing hand, she says, “How long . . . have you been . . . absent . . . ?” and I just assume she means abstinent.

She says, “Did you get it all . . . in the cup?”

I want to tell her that most of it went on the floor because of their stupid little cup technology. I want to tell her it’s on the TV and all over the magazines and on the headphones. I want to tell her that someone needs to go in there with some baby wipes and give every object in that room a cursory once-over.

But I don’t. Instead I just nod and say, “Yes, ma’am. It was a clean escape.”

At the front desk they charge me a hundred bucks and I say, “A hundred bucks? But I did all the work!” and ol’ Bill Cosby certainly thought THAT one was funny. And I don’t blame him/her.

 

***   ***   ***   ***   ***

 

 

cancer_title_12 

I’ve been banking “successfully” for several weeks now. Every Monday and Thursday, I come into work feeling like a completely twisted weirdo. My producer asks me how my morning is, and I turn to him, a guy I call Cookie Dave, and say, “Cookie Dave, this morning I jacked off into a cup inside of a commercial business. If I’m being totally honest with you, the last couple weeks have been pretty strange.” He hands me a small napkin with a cookie in it and asks if I’d like it. “Thank you.” Peanut butter. My favorite.

He asks me how the whole “cancer thing” is going, and I say, “They’re going to cut out my ball in a few days. They’re going to just . . . cut it out completely,” and he says, “Ouch,” and takes another bite.

“Yes,” I say. “Ouch,” I repeat. Cookie Dave tells me to call him when I’m done with my edit, and he exits just as my boss walks into my bay and begins telling me about some zombie movie he recently saw. I try to listen, but his words all run together into a sonic blur. He says, “Dead,” he says, “Blood,” he says, “Tumor,” and I say, “What?” and he says, “TWO MORE! They’re making two more sequels!” and I say, “I have cancer,” and he sits down on my couch and says, “What?”

I try to explain it in the most succinct way possible. “I felt a lump on my nuts . . . . I went to the doctor . . . . I have cancer.”

“Uh . . . uh . . . ” he stammers. This speech pattern and the blank looks and the blind stares and the hopeless get-well-soon phrases are something to which I’ll shortly become accustomed. He looks at me like I’m a puppy that’s had its hind legs blown off and now rolls around in one of those sort of cute, sort of depressing doggy wheelchairs. “Well . . . uh . . . that sucks.” “Yes,” I say. “It does suck. I have surgery in a couple days and they’re going to try to remove it. I need some time off,” and he says, “Yes! Yes! Absolutely! Anything you need! Any time off you need, you take it!” And then, again, “That sucks, man. That really . . . sucks.”

The room is silent, and I feel my tumor throbbing, calling out to me, begging for attention. I sniff and rub my nose, not crying, just trying to make noise to break the horrible silence. He says, “Wow,” and I say, “This zombie movie . . . . It’s good?” and he says, “They run!

The throbbing continues and the black venom stretches out slowly into my body while I do nothing but wait.

***   ***   ***   ***   ***

 

Next week is pretty monumental as we are going to be covering SURGERY: CHAPTER 13, wherein the tumor and the testicle will be attacked by strangers wielding blades and laser beams. So if that appeals to you (why would it not?), then you’re in for a real treat.

 

 

 

 

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