Tag Archives: chemotherapy






The Cancer was gone but—as far as I could tell—nothing had changed. When I got in the car, I still felt sick and we had to pull over twice on the way home for me to throw up. Upon arriving back at the house, I sat in My Yellow Chair and slept wearing my heavy green parka (with a smile on my face).

My wife set the celebratory chocolate cake on the counter with plans to stick it in the freezer, but while I was asleep and while Jade was in the shower and while my mother was outside, my dog pulled it down and ate two-thirds of it.

I never got to taste the cake that I suffered so much for, but my dog looked very happy and slept very well that night.

Slowly, over the course of the next few weeks, my appetite did begin to return and I found myself slowly eating more and more, slowly scooping larger and larger portions onto my place, slowly starting to say things like, “In-N-Out for dinner? Steak? Chicken sounds good,” although I refused to touch any type of alcohol, and for years afterward, was terrified to put anything in my body that wasn’t for purely nutritional value. In fact, I became so entirely hyperconscious of the state and condition of my food that I insisted we get rid of the microwave.

My wife approaches me one night and says that a friend of ours from high school who was now living in Oregon had given us an open invitation to visit her. We jointly decided that this was an ideal point to begin our If Not Now, When? Adventures.

My mother agreed to stay at our home for an additional week to watch our dogs and we hit the road. It was a beautiful and memorable journey up the coast. I look back at photos from that particular road trip and it amazes me to see that it literally looks like my wife was traveling with another man; someone who smiled and laughed but was emaciated and pale. While I was eating better, the weight simply wasn’t pouring back on. Even after gaining ten pounds I was still six feet tall and weighing in at a buck forty.

On our journey we began to talk about baby names and, when we got back, it was that conversation that finally led us to take the paternal plunge. After speaking with the fertility clinic, they informed us that we had eleven completely fertilized eggs that were frozen and ready to implant. I stare at the phone as a single phrase that I’d heard from a woman at church months and months ago echoes through my mind. “I see babies. Lots and lots of babies.”

In February 2010 we began the initial stages of in vitro fertilization and three months later we found out we were pregnant.

With twins.

The pregnancy and delivery were both textbook. Jade went full term and on January 6, 2011, Quinn Marie was born two minutes before her brother, Rory James.

Becoming a father and raising twins has been an adventure in its own right that could (and maybe will?) fill a book. My children are wild and savage and inquisitive beings. Their personalities could not be further apart and every day with them is living life in a full, bright spectrum of color.

Every single day with them has been completely insane in the best way possible, and I have Cancer to thank. Without Cancer I never would have banked. Without Cancer we never would have done IVF. Without Cancer we never would have implanted two eggs.

And now, knowing the life I have, knowing what Cancer brought me, I would roll through it all again if it meant being given the opportunity to raise the two of them together.

Just after the Twinkies turned two, we decided to revisit the fertility clinic and walk through the process again. This time, out of fear that we would become the parents of two sets of twins we only implanted a single egg, which stuck temporarily before we suffered a miscarriage several weeks later.

Tragedies cannot be compared and I can’t tell you that a miscarriage is worse than cancer is worse than my grandfather passing. They are not better or worse, they are simply different perspectives of loss. Each tragedy a unique experience that calls out to us and seems to embed itself in the very threads of our DNA, forcing us to carry it around for the rest of our time on the planet.

A few months later we tried a second time for a third child, again with only a single egg. The results came back positive and for the next nine months we held our baited breaths nervously until October 7, 2013, when Bryce Alison entered the universe.

And then, four years later, we went back for one more family upgrade. On Nov. 14, 2017 Beau Natalie arrived with ten fingers, ten toes, and an opinion about everything.

Every day I have on this Earth, with my wife, with my children, with my family, with myself, is an absolute gift and it’s something that I’ll never take for granted. Everything is beautiful and every day is an adventure. I have had the rare gift to glimpse death in the face, see what my life is worth to me, and then stand up from the table and walk away.

Thoughts of cancer follow me everywhere and the reminders are constant; every time I hear The Ice-Cream truck drive down the street, every time I see the reality show about the family with all the kids, every time I drive past the Wiltern in LA where we saw Ben Folds Five, every time I hear the music of Ben Folds Five, every time someone says the word Arcadia, every time someone mentions Las Vegas or Kings of Leon or the words saline solution or ninjas or George Harrison or the word flood. These things and many, many more are all instant triggers and not a day goes by that something doesn’t drop a red flag and send me back to It. And I’d have it no other way. My baggage is a constant reminder that every day is not a good day to die. But that doesn’t mean that it isn’t my day to die. Because it just might be. Death opens its arms wide and simply pulls in what it can, like an enormous whale consuming krill.

Every day I hug my children. Every day I say “Yes” to opportunity. Every day I embrace the unknown. Everyday I contemplate and cast wonder at the magnificent and magical world around me, the good and the evil, all wrapped up together, living in all things around us, breathing, eating and existing in beautiful and marvelous complexity.

I look at my life—I look at what has come before cancer and I see all the things I wanted to do. When I was in high school I had hoped to someday buy a van and just head out, to drive without direction or purpose. I wanted to write things and create things and live a life that pushed my boundaries of experience and culture and . . . then I got a job that locked up my time and helped to strangle my ambitions.

I was diagnosed with stage 4 cancer. I was looking down the barrel of a gun and pleading for my life and swearing that, yes, when I came through the other end, things would be different and I wouldn’t be so complacent about my life and I wouldn’t be bored or boring and I would do all the things that needed to be done and say the things that needed to be said and if I died with a list of regrets when I was ninety or eighty or seventy or thirty-five, that list would be incredibly short and pathetic and would contain only random and asinine things like “Eat a pizza from the inside out” because I planned to live the rest of my days chasing daily adventure.

I told myself that I would start a family. And I have. I told myself I would pursue directing. And I have. I’ve directed short films and music videos and have worked with musicians whose work inspires me and have gotten my work into film festivals and my music videos featured on Rolling Stone. I’ve started a production company and created commercial spots that air nationally on broadcast television. I chased that dream and I caught it. I told myself I would read Moby Dick. And I have. And it was the worst thing ever but I finished it and can say with utter confidence that you should never pick it up. I told myself I would read Grapes of Wrath. And I have. And it’s one of the best things ever and I can say with utter confidence that you should pick it up. I told myself I would start camping. And I have. I’ve taken my family on meandering, aimless, vacations in a minivan and I can finally high five that teenage version of myself.

I’ve written television pilots and recorded podcasts and learned to cook and had ’80s-themed parties and made new friends that have become my family and have started a blog and am learning to play the guitar and the ukulele and I play hide and seek at least once a week. I’ve started playing Frisbee golf and hiking and I just got a membership to a gun range where I have learned that I prefer a revolver to a pistol but my accuracy is superior with a rifle. I recently killed and cleaned my first fish and by the light of three headlamps, I gutted and cooked it with my bare hands before feeding it to my tribe. I flew to Nicaragua, slept at the base of a volcano, went zip lining, and helped a woman who was being mugged.

I read. Every day. Sometimes out loud with my wife. I write. Almost every day. I keep a journal but I almost never read it. I go to concerts and the theater and I say yes to any strange food that happens across my plate, which is how I ended up eating blood sausage and frog meat. I started a financial budget with my wife and we’ve done a pretty decent job of sticking to it. I love those around me every day because I almost lost each and every one of them.

My mantra has become Year of the Yes. Whenever someone asks me to do something that I’ve never done the answer is yes, yes, yes, always yes. I want to live strong and loud and uncomfortable. I want to find my boundaries and push past them and expand my culture and thoughts and experiences and love for all of humanity and the energy of life itself.

I never want to say that I am too old or too tired or too busy to go attempt something or to succeed at something or to fail at something. Too old and too tired and too busy are excuses invented by lazy people with no personal ambition. Age is relative. Time is relative. Even success is relative. But what we do with our time is not. Every move counts.

Life is too short to be stagnant and The End already comes too swiftly. When Death finally knocks on my front door, beckoning me home, I want to smile broadly, look at my to-do list and I want the last words I see to be, “Embrace Death. You did everything.”



And here is the beautiful lady herself.

Jade, thank you so much for standing by me through the most difficult time of my life. You are amazing and brave and kind and incredible and I can never pay you back.

I can never pay you back. And I hope that the opportunity to do so never arises.

Thank you for supporting me through this entire insane book. Thank you for continuing to support my wild ideas, dreams and goals over the last 15 years. We have gone to the ends of the earth together and I could not have done any of this alone.

Your spirit is beautiful.

Thank you for standing next to me.







Tagged , , , , , , , , , , , , , , , , , , , , ,




At this point I believe that there is nothing that can be said that hasn’t already been said before. You, reader, are just as familiar with the routine as I am. Even though this is the last round and the celebratory party hats should, at the very least, be brought out and dusted off, I can’t help but feel a strange mourning and lingering.

Even though my mother keeps saying, “This is it, this is it! That’s the last time we’ll drive through those gates. That’s the last time we’ll enter these doors. That’s the last time you’ll check in. That’s your last IV. How does it feel?” I can’t help but think that this is not The Last. This is just Another. This is just Another Stop that takes me on and on and on. I’m so mentally broken and physically destroyed that the idea of getting off this ride makes no sense to me. I’m so brainwashed by procedure and routine that the idea of the Long Spoken of and Prophesized, Great and Powerful END could not really be here.

Over the last few weeks I’ve developed a sore throat that stings like rug burn, a side effect I blame fully on the vaporizer. And so, having recently become so conscious of the health of my body, I’ve decided to give up smoking weed completely in lieu of my own well-being. I don’t want any more drugs in my system. I want them all gone and out of me. Everything.

The nausea has been stronger than usual but I fight through it (as though I have a choice), spending days with my eyes closed while focusing on my breathing. Time has lost all relevancy and the clock is just a geographical readout that happens to tell me where the sun is in the sky. I feel every second and am given the chance to stare at it and mull it over, dissect it, assess it, pass it on, examine the next one.

I try to imagine everything that I’ve missed—the six months of the world that has been existing without me—and I realize in a very sobering way that I do not matter. I am very insignificant in, not only the greater scheme of things, but in the most absolute minutia of life. I am replaceable, interchangeable and forgotten.

No matter what I do or what happens to me, the world will continue to spin, the glaciers will continue to melt, and Coca-Cola will still have bubbles.

I am not invincible.

But I can do anything and there is no longer anything to fear.





Tagged , , , , , , , , ,



I can’t believe that the emergency room has a waiting room. I mean, I get it but . . . you just would not believe the lines in the Los Angeles E.R. It rivals the DMV. It truly does.

After two predictable hours of mentally dissecting Georgia O’Keeffe paintings (How did she get a corner on the medical market??) we’re finally called into a private room where they deduce that I need another blood transfusion, “But,” the nurse tells me far too casually, “Before we can get to that, we’re going to need you to sign these contracts here, here, here, and here, Mr. Brookbank.” I grab the pen and say, “Oh . . . kay . . . . What is this for? What am I signing?” and the nurse says, “Just in case you get AIDS from this blood you can’t sue us,” and I say, “EXCUSE ME?” The nurse laughs and says, “The chances are very small—I mean, less than one percent,” and I say, “Nothing to do with you but, honestly, my luck has been pretty shady lately so, just to abate my own curiosity, would you mind walking me through your screening process before potentially pumping me chock full of AIDS blood?”

The nurse says, “Someone comes in and gives blood—small vial. We test that blood. If it’s clear, we ask them to come back—typically a day or two later—and this is when we’ll take several bags of it.”

I say, “OK, go on.”

And the nurse says, “Well, it’s possible that they contracted AIDS in those two days.”

And I say, “That’s not the end of your screening process? You test the blood again, yes?”

And she says, “Yes, we do but . . . there is always room for human error and that’s where this—” and her finger pokes the contract, “comes in.”

I say, “I see,” and look at my wife who says, “If he gets AIDS—I mean, if you give him AIDS—what does that mean?”

And the nurse says, “Well, he will have AIDS.”

And my wife says, “Yes, I’m clear on that but . . . we have no follow through? He just has AIDS? You’re not held responsible?”

And the nurse says, “Not if you sign that contract.”

And so I say, “And what if I don’t sign the contract?”

And the nurse says, “Then you can’t have any of our blood.”

And I say, “Any of your AIDS blood?”

And she says, “Any of our blood at all, AIDS or otherwise.”

And I say, “Cold move.”

And the nurse says, “I know. I just work here.”

So I sign the paperwork and the nurse says, “Good choice. I’ll be back to get you in a bit,” and then she leaves us.

In the waiting area where we’re all staged sits a robust African American woman with a cast on her foot. I see her all by herself looking nervous and so I direct my chauffer to the given target and Theresa begins to slowly wheel me over to her. I say, “You waiting to get your blood drawn?” and she nods and I say, “What happened to your foot?” and she says she slipped and fell and broke it. I grimace and say, “Could be worse,” and she says, “Oh, not being able to walk is pretty bad enough,” and I laugh and say, “But it could be worse so you’re pretty lucky,” and then I say, “Hey, I’m afraid of needles. How about you go in there before me and when you come out, you tell me if the nurse is any good. If she’s shoddy I’ll request someone new.” The woman nods and agrees and laughs.

She says, “Are you getting your blood drawn, too?” and I say, “Yeah,” and she says, “I hate them needles,” and I say, “I know. That’s why you need to be the guinea pig. I don’t want to get jabbed a bunch. You gotta take one for the team,” and she laughs and says, “Why you here?” which is a pretty invasive question and so I cough a couple times, really hard, into my fist and say, “I’ve got this really contagious disease that they’re still trying to figure out. It’s like the bird flu but with no remedy. It’s airborne.” I sniff really loudly and then cough into my sleeve and say, “Sorry.” The woman slowly pushes her wheelchair back and says, “Maybe you . . . should have one of those masks or . . . ” and I say, “Yeah, I basically live in a bubble at my house – like a little plastic tent. But once in a while I get to come out. I’m just not supposed to be very close to people. You should be fine,” and then I cough into my hand again and simply look at the floor, in silence.

Behind me, I can feel my sister touch my shoulder. She’s not very good at this sort of game so I’m sure she’s very uncomfortable right now. I look up at the woman and smile and she smiles back with a mouth full of fear and weirdly friendly eyes that seem to say, “Act natural. Act naturaaaaal . . . . ” And then I start to laugh and I say, “I’m just kidding!” and she laughs as well and my sister releases a burst of awkward laughter and then I say, “I was actually at church—that’s my family over there. We were over at church this morning and I was standing in the lobby and suddenly everything just went dark. I passed out. When I woke up, my tongue was white.” I stick it out and she pulls her lips back in open disgust and says, “Ick.” I say, “Thank you, yes, I know,” and she starts to laugh again and says, “You passed out in church?” and I say, “Yeah, right there,” and she says, “Boy, I bet they all thought you were having a gen-u-wine religious experience!” and then she has a mock seizure. She says, “Why do you think that happened?” and I say, “Well . . . I have cancer,” and she says, “Oh, OK. Yes. CANCER. I get it. You’re like Mr. Funny Guy, huh? Do they keep you in a cancer bubble at home?” and my sister and I both stare at her dead pan and I say, “There is no such thing as a cancer bubble.”

A long moment passes before the woman says, “Oh, dear,” and then I laugh and say, “It’s OK. I actually don’t have cancer anymore but I’m still in chemotherapy,” and then a nurse enters and calls the woman’s name. The two of them disappear into a back room and reappear moments later, tape now stitched around the woman’s arm joint. I say, “How is she?” and she says, “It was fast,” and I say, “Good.”

The black woman looks at me and says, “God bless you,” and I say, “Didn’t you hear me? I said I don’t have cancer anymore.”


***   ***   ***   ***   ***


Two floors up I’m getting another blood transfusion; the platelets are draining back into my body like a soggy hourglass. My wife clicks through the TV. Nothing is on and we watch all of it.

This is the first time that cancer has proven to me that, just because it’s gone, it’s not vanquished. Just because it’s out of sight, doesn’t mean it’s out of mind. Cancer is the king who, once dead, you realize has booby-trapped the whole palace.

I stick out my tongue and say, “What color is it?” My sister looks up from her phone and says, “Pink,” and I know I’ve won another battle and I’m also certain that the war is coming to an end. I just have to wonder how much PTSD is going to come along with it.

A few days later everything is back to “normal.” My dad is clicking away on his laptop, my sister is nowhere to be found, my wife is at work for the day, and my mother is making random notes on napkins, a habit she’s exhibited my entire life. On every vacation she takes she’ll find herself a pen along with a napkin or some form of old scrap paper and begin jotting down short-hand journal entries. I can only assume it’s some form of coping mechanism.

As I walk past her I look down at the paper and read: dad & t arrive / movie / popcorn w caramel / enchilada / Harry Potter / church / faint / blood-plates / butterfly needle and then there’s a picture of a smiley face and a series of numbers. I say, “Mother?” and she looks up. I say, “Have you ever seen A Beautiful Mind?” and she says, “I don’t know. Who’s in it?”

I look over at my dad, who’s staring at me, the clicking stopped. “That’s her, yes. YES. Hahaha,” and then click-click-click. My mom writes down A Beautiful Mine onto the paper and asks if it’s about coal or something. I say, “Yes,” and walk out the back door to sit in the sun for a bit.

Growing up, my grandparents lived right down the street from me and it seemed that, without fail, any time I drove by, the two of them would be resting on their front porch. When I was a child and full of enough energy to power a small village, I thought this was strange, the idea of people sitting and doing nothing, but today . . . something is going on inside of me. I’ve been given a gift. Cancer has been a crystal ball into my future and it has said, “Look! Behold! Observe! Here is a glimpse into your life! THIS is what it feels like to grow old! Your energies will be sapped and your motivations will run dry! Thank me! Thank me for showing you this!” and in my head I say, “Thank you, Cancer. Thank you for showing this to me. I’ll never be the same after this . . . . Thank you.”

But today I am the same. Today I have no energy and today I am an old person. I find my sister sitting outside and smoking cigarettes while texting her boyfriend. I sit down next to her but don’t say anything. I just push my face into the sky and shut my eyes. The sunlight is as tangible as a warm washcloth.

My sister says, “I love you,” and I open my eyes and find her crying. Tears are rolling down her checks like broken faucets and her hands are shaking. I say, “I love you too, Trees—what’s—what’s wrong? Did you and Jes break up?” and she laughs and makes a noise that sounds like it means, “No.” She shakes her head and stares at her feet.

She says, “I saw pictures of you that mom had sent over on her phone and you . . . . I’m sorry . . . . You didn’t look very good. You looked sick, you know,” and I say, “Yeah, OK. I mean, I am sick,” and she says, “You’re not sick! You have CANCER,” and I say, “Had . . . not have.”

She looks at me and says, “I showed up and I wasn’t expecting my big brother to look like this. In real life you look— I’m sorry . . . so much worse,” and I say, “It’s my lack of eyebrows that freak you out, huh?” and she laughs a snorty-pig laugh and shakes her head.

“You look really, really terrible and you’re my big brother and it’s scaring me,” and then she just breaks down. Meanwhile, my stomach rolls over unexpectedly and I bend over and vomit at my feet, spattering spittle onto my socks.

I say, “Sorry,” but my sister just stands up and walks away. Away from the picnic table. Away from me. Away from the backyard, around the house . . . .

. . . And then she’s back and I say, “What was that?” and she says, “That was my last cigarette. I’m not—I can’t—I’m not smoking anymore, ever again,” and I smile, thankful that Cancer is changing the lives of those around me in powerful and positive ways.




Tagged , , , , , , , , , , ,





When I open my eyes, moonlight is still shining through my windows and my wife’s breathing is still soft and rhythmic. I know I won’t get back to sleep so I just Imagine. When there is nothing to do, it’s all there is. When everything is gone outside, when your body has been reduced to rubble, when your emotions are running rampant and every thought clouds your brain with fog, all you can do is Imagine.

I focus in on one single thing, one detail, one moment, one idea and I circle around it, staring at it, examining it and dissecting it. The thought this morning is My Fourth Round. I try to Imagine what one level deeper will look like; I Imagine it as a deep sub-basement. A cellar. There aren’t many people here and those who shuffle around in the darkness are pale and sinewy. I Imagine a nurse in the not-too-distant future pulling an IV out of my arm and saying, “All right, you’re done,” and then I Imagine walking out of the hospital and entering into the sunlight and feeling alive and free and while I lie there in the darkness, in my True Reality, everything still seems far away and unattainable.

People say to me, “One more round! Just one more round! The light is at the end of the tunnel!” and I see the light but it doesn’t look like it’s getting any closer. I understand that time is passing but why does it have to happen in Matrix bullet time?

I push my blankets back and drape my legs over the edge of the bed. I need to pee. I stand up and take a deep breath and my wife turns over and says, “Are you OK?” She’s like a mother with a new baby, sensing every movement in the silence. I say, “Yeah. Just gotta pee, ” and I smile and she says, “Shout if you need something,” and I smile again, open the bedroom door and exit.

Walking through the darkened house, I hear a faint click-click-click of computer keys and round a corner where I find my dad sitting at our dining-room table doing work remotely on his laptop, a twice filled bowl of Cocoa Puffs next to him. He looks up and smiles but doesn’t say anything. I say, “Hi,” and, “What time is it?” and he says, “Seven a.m. my time. I’ve been up for two hours,” and I nod, and doing the simple math, figure it must be around 5 a.m. here. I pee and walk into the kitchen and he keeps typing without looking up.

I want to sit down at the table and speak to him and ask him what he’s doing or ask him how he’s doing or ask something, anything that will fill the silence in the kitchen. Click-click-click.

I open up the cabinets and the fridge, searching for food that I won’t eat; some repressed muscle memory pushing me on, not wanting to face the fact that I don’t fully know the man sitting in my dining room even though I’ve lived in the same house with him my entire life. I open up a cupboard filled with frying pans and just stare at them, trying to look busy. I say, “What are you working on?” and he says, “Building my website,” and I say, “Ah.” I pull out a box of Cinnamon Toast Crunch and a bowl before putting them both away. I consider going back to the bedroom but the darkness in there is just too heavy and I know I’ll drown in it. I end up sitting down at the table and staring at the back of his laptop, at the glowing logo. I say, “What’s your website about?” and he says, “Cars I’m working on . . . building stuff.” Click-click-click.

I am dealing with complete anarchy in my personal life and pushing forward every single day, one step further, one step further, one step further and here I am, sitting at a table in an empty house with my biological father and I have no idea how to confront this situation. I have no idea what to say, what to do. I try to make a joke but neither of us laughs. I start to feel funny (strange, not haha) and just lie my head in my hands. He asks if I’m OK and I say, “Sometimes.”

My sister enters the room. My mother enters the room. My wife enters the room. Cereal is made. Oatmeal is made. Toast is made. Orange juice is poured. My sister sits down next to me and says, “What are you doing?” and I say, “What am I doing-what? What do you mean?” and she says, “Your tongue is kind of a weird color,” and when I examine myself in the mirror I see that it is indeed the same shade as raw beef that’s been left in the sun for too long. My wife says, “Do we need to go to the hospital?” and I turn on her like a corner and say, “No, no, no. No hospitals. No emergency rooms. No nothing,” and my dad says, “If we need to take you to the hospital, you will go. I will overpower you. I can overpower you,” and I understand now, today, what he meant, but at the time it inflamed my emotions. Even though it sounds like a joke, he wasn’t messing around. He wasn’t being coy. He genuinely meant what he said. He would bear hug me and drag me kicking and screaming to the E.R. if it’s what my wife said I needed.

I turn on him next and say, with as much acidity as I can muster, “You touch me and I will fight you.” At first glance this looks like the eternal power struggle between father and son, a story as old as time, but on second glance it’s just my struggle. To control something. Anything. He raises an eyebrow and looks at Jade, who looks at me and so I say, “The E.R. is a waste of time. We’re going to show up, sit in a waiting room for two hours. They’re going to draw some blood and tell me to hydrate. I don’t need a replay of The Adventures of Blood Vomit. I don’t need Christmas Eve take two. I don’t need to stay another night there. What I need is to relax and take it easy. I did it your way last time and it was a total bust and now we’re doing it my way. This time it’s my turn.”

Grasping at control.

Jade never answers. Instead she just exhales deeply and turns away. My dad turns back to his laptop. My sister’s phone buzzes and she reads a text. I say, “Who’s that?” and she says, “None of yer bizzznus,” and I say, “Is it your boyfriend? Is it that guy I met? Is it Jes?” and she glances at my dad—click-click-click—and makes wide eyes at me that seem to say, Shut up! So I do. She texts something back and I say, “What did you just text him back? Was that Jes you were texting? That guy you were dating? The guy I met?” and she says, “I told you to shut up,” and then she walks outside.

I met Jes about a year previous and we’d only spoken on two separate occasions. He was a nice enough fellow but had recently, I guess, gotten involved in and charged with conspiracy to manufacture marijuana and was going to be doing some prison time. No one was really sure which members of our family knew or did not know so my sister was very sensitive about the subject being broached at all. My extended family is full of strange secrets and double-crosses and so most things, regardless of how lacking in logic, are just taken with a grain of salt.

I stand up and move to My Yellow Chair before closing my eyes. I’ve been up for about two hours and it’s starting to make me feel strange, light headed. I say, “Church this morning?” and my mother says, “Yes,” and my wife says, “If you’re OK,” and my sister is outside, and my dad goes click-click-click.

I shut my eyes and nap.

When I wake up there is an electric movement in the air that says something is happening. Grab your things, c’mon, let’s go! It’s time! I slide my feet into a pair of old yellow sneakers and stand up. “I’m ready.”

My mother spruces her hair up. My wife spritzes herself with perfume. My sister changes shirts and jeans and shoes and then shirts again and then ties her hair back and then lets it down. I feel strange again but, since feeling strange has become a complete recurring theme in my life, I simply ignore it and soldier on.

We all gather by the front door and my mother says, “Mike, are you ready to go?” and my dad looks up from his computer and says, “Huh?” and my mother says, “To church? We’re leaving,” and he goes click-click-click . . . CLICK, and then shuts his laptop and we all walk out the door.

In the car I lay my head against the glass and feel the bumps in the road gyrate my skull and shake my brain. Next to me I can hear my sister click-click-clicking on her BlackBerry, every button a stapler to the temple. The problem with those phones is that even if you silence the “clicking sound” feature, those buttons are just built to click. Click-click-click! CLICK-CLICK-CLICK! CLLIIICCCKK!! Click-click-click.

I turn to my sister and say, “How is work?” and she starts to tell me about her job and about how she thinks her boss doesn’t like her and how she’s thinking about quitting and all the scandalous things that happen there and I nod politely and ask questions and in the front seat my dad says, “These billboards are all in Spanish. I can’t read Spanish. Wait, I think that one says something about the number three… and maybe something about a burrito.” I say, “That’s El Pollo Loco.”

My sister says, “So what are you going to do when you go back? Back to work? Are you going to have the same job or what?” and truly, truly, it’s a fear that has weighed on my heart since this first happened, since this all began. What next?

Will I be able to just jump back into my career, back into my job? Will I be able to sit in an edit bay for ten hours a day after knowing that death is imminent? Will I be able to commute an hour each way and wile away in a cube while my life escapes through me one moment at a time? I don’t know.

I don’t think so.

When I am released back into the world I want to break the social norms and destroy the constraints and I want to live by a set of guidelines that work for me because, quite frankly, the ones I’ve been using aren’t really blowing my hair back. I don’t think humans were meant to live like caged chickens and . . . .

. . . I begin to speak; to relay these thoughts to Theresa. I begin to pour my heart out, wearing my fear on my sleeve like a patch. I turn my head and glance back out the window but continue to talk. The words are coming easier and easier, the fears becoming easier to speak about. It feels good to get it off my chest and then, suddenly, my sister just blurts out, in the loudest voice I’ve ever heard, the word, “HOLA!”

That’s what she says. She says, “HOLA!” and she nearly shouts it, like she’s welcoming the Chilean soccer team back to their home country after winning a major victory. “HOLA!”

I turn my head to put this interruption into context and I see her . . . on her phone. It was on silent so I didn’t hear it ring. Apparently I had just been talking to myself. I look into the front seat and see my mom and dad both staring straight ahead in silence.

I am pouring out my heart to the world passing by. I say, “Are you kidding me?!” and my sister says, “What?” and I say, “I’m sitting here talking to you and—“ she just holds a finger up over her lips and says, “Shhh.”

How dare you shush me! My brain explodes in rage and indignation and I raise my fist in the air, but my sister merely mocks me. I whisper-shout, “You think the cancer kid can’t beat you up?! You think I can’t take you down?! Well, you’re probably right but I’m going to remember this! All of this! HOLA, indeed!” and then she puts her finger to her mouth and shushes me again, violently, truly wanting me to hush.

I say, “Who are you talking to?” and she mouths, “Shut up! Jes,” and I say, “Jes? Jes, your boyfriend? Jes, the guy you’re dating? Jes, the guy I met?” I pause and then say, “Give me the phone . . . . ”

Theresa glares at me, unsure how to accept this challenge. She knows we’d met before (twice) and she knows that we got along all right (twice) but she has no idea why it is I would want to talk to this man after having not seen him for close to a year.

She says, into the phone, “My brother . . . wants to talk to you . . . . I don’t know . . . . I don’t know . . . . Is that OK? OK.” And then she holds out the phone and I reach out for it but she pulls it away at the last minute, leaving me grasping at air. I say, “What?” and she just raises her fist in the air, mocking me again and says, “I’m serious.”

I push the mobile device to my ear and say, “Hello. Jes?” And he mumbles something, sounding unsure, unsure of our conversation, unsure of himself, unsure of everything. I say, “What’s going on?” and he says, “You know, not much, uh . . . . ”

We sit in silence for a moment and then I say, “So, you’re going away for a bit?” and he agrees and my sister slaps the palm of her hand against her face. I turn my head and look out the window and I say, “I just wanted to say that I think we’re both going through something very unusual and I hope that when we come out the other end we can be very different people. I hope these things change us for the better and uh . . . keep it together, man,” and he says, “Oh . . . uh . . . thanks. Thank you,” and I say, “See ya,” and hand the phone back to my sister who just stares at me for a moment before speaking into it and saying, “Hello . . . hi. Yeah . . . I don’t . . . know . . . . ”

Years later, the two of them will be married and I’ll stand up for them at their wedding, not simply because they asked me to but because I believe in their marriage. Prison will affect and change Jes in fantastic ways and when he comes out of the darkness, he will be a new man, ready to embrace life for himself. Today he’s one of the kindest, most thoughtful people I know and I would put my personal reputation on the line for him at any turn.

Life has a very funny way of changing us.

We take the Highland exit and I mentally take note of the spot where I slipped into my grand mal seizure. I don’t know it then, but I’ll red flag it for the rest of my life. A mile up and I take another mental note of the spot where I woke up. I mark the trees, the light poles, the bus stop. I sigh and everything swims in front of me for a moment but then is gone. A few miles later we hang a right on Wilshire and pull into the parking lot of the church.

My family shuffles down the sidewalk, I leading the way for a change. I turn around, perhaps too quickly, and say, “Remember to silence your cell phones,” and everyone reaches into their pockets to do so. When I turn back around I feel something in the very furthest recess of my brain, a white mist. Then I feel something in my toes.

We enter the lobby and find ourselves standing in a throng of individuals. I’ve just walked a block and am feeling extremely exhausted . . . far more tired than I have any right to be, even in my present state. I think, “Something is not right. I need . . . to sit . . . down.”

I take two steps toward a support column in the center of the room and that white mist suddenly makes a lunging maneuver from the back of my brain and circles around to the front. The feeling in my toes shoots up my legs and into my thighs and everything is becoming a strange water-color painting.

My wife says, “Are you all—”

And then I feel my knees buckle and the weight of the world is on my shoulders—every screaming child, every warring nation, every lusting adult. Every prayer is being shoveled on top of me and I’m slowly drowning. God reaches down, grabs the room and spins it like a top (or perhaps a dreidel, depending on your religious orientation) and my right foot shoots out to establish my balance and my left foot shoots forward to counter.

Someone says something else and I’m trying to stand up but it’s all so heavy and spinning and then the words are just electrical motor engines and the darkness on my brain consumes my eyeballs and the world around me fades . . . to . . . black.


***   ***   ***   ***   ***


When I open my eyes it takes a few moments for my reality to click on but when it does, it’s just like a light; everything is illuminated. I’m here, the church, the people, the embarrassment. Don’t be embarrassed! But I am, I’m lying on a floor in a room filled with strangers who are all staring at me. Drink this! A cup of water. Great. I would love to throw this up in front of you all when I’m nice and ready. Don’t stand up! Great, I’ll just hang out down here. Just lay down! No. Absolutely not. I will not look as though I’m taking a nap in the center of the floor. I understand what happened here was a little weird and everyone is a little freaked out but I don’t need to lie down. I am a grown-ass man.

I sit up cross-legged and say, “Jade, please help me up,” and my dad says, “Just hang on, John,” and I say, “Help me . . . up,” and they do because, unless they’re going to pin me down, I’m not lying here like Lieutenant Dan.

My sister says, “Whoa. Your tongue is . . . really white,” and I say, “What do you mean, white?” and the rest of the my family suddenly makes a noise like a vampire seeing a cross and even a couple of people standing next to me take a small step back. My wife snaps a photo on her phone and shows it to me.

Oh, I think, they meant white. Like paper. Or snow. Or a ghost. My tongue had been drained of all color and now it just looked like someone had shoved one of those weird albino dog turds between my lips.

I clap my hands together and say, “Well . . . so . . . to the hospital then?” and without any verbal agreement, we all just turn and start walking back to the car.





Tagged , , , , , , , , , , ,




Days pass like kidney stones. Dr. Oz is playing and so I think it must be around noon. I want to push the TV off the shelf. I hate how standardized it is. I hate how scheduled it is. I hate how predictable the entire process is. I hate that everyone on the TV is so happy and falsely charming and plastic. I hate them gazing out at me, into my house, not seeing me but trying to talk to me, give me advice, counsel me, imagining that they, the daytime teevees, know everything what the world is going through; the details, the minutia, the process.

My hormones are going off the wall and through the roof. My testicle (both my testicles) are missing and I’m angry and then I’m sad. I tell my mom that I love her and then I want to break a vase but only one that’s owned by a person that pronounces it vozz. I cover my head with a blanket and just want to be left alone in the silence. I want to paint my nails black, embrace death, and write gothic poetry about moonbeams, dark angels, and religious sacrifices. I shut my eyes and try to logically explain to myself that I’m not upset or happy or sad, it’s all hormones. It’s all just a chemical reaction in my brain and your brain is misfiring left and right. I would see a piece of vanilla cake and want to cut it with a knife . . . but not to eat it. I just want to hurt it because it’s pretty.

I begin to feel as though my emotions (like everything else) are outside of my control. Imagine you’re at your workplace and you’re doing a phenomenal job and you have been doing a phenomenal job for a year or two. You’re at the absolute top of your game, proud of your achievements and when raise time comes around, you go into your boss’s office and he fires you on the spot for not performing at company standards.

So, of course, you’re really mad. You’re furious at him and at the company. And that’s fine because those feelings are totally normal for that circumstance.

Now imagine you’re sitting on a beach and you’ve got the place totally to yourself, with nice weather, good food, a special someone. You sit back, pull out a beer, and then you feel that horrible flood of emotions mentioned above. They’re not tied to anything; there is no event, past or present. They just show up randomly and you want to hiss and fight.

When you lose control of your hormones, you lose control of yourself. You become a slave to their chemical whims and it’s very scary because it all happens at a moment’s notice.

So I stand up and coast slowly into the bathroom where I remove my shirt, pull out my AndroGel-steroid-hormone-medication pump (or, My New Testicles) and apply two full squirts of the gel onto my shoulder blades. It quickly dissipates into a sticky residue that I have to let dry on my skin, covering me in a thin sheen that “no one is allowed to touch under any circumstances. Doctor’s orders.”

I hobble back into the dining room just as Dr. Oz is ending and I stare at him with his chiseled features and his piercing eyes and his charming smile and voice like buttered bread and I say, “If I ever meet you, I’m going to bite your ear off,” and then it’s 12:30 and he’s gone and something else comes on and the television is just as predictable as—something unexpectedly moves past the living room window in a dark blur. It’s outside and it was quick but I saw it, whatever it was. I say, “Uh . . . Jade,” and she says, “Yeah?” and I look over at my mom and she says, very sheepishly, “What? What? Whaaaaaat?” and I say, “Who is here?” and Jade says, “Someone is here? I need to pick up the house!” and then I hear footsteps whose tone, weight, and cadence immediately harkens me back to my childhood. There’s a sudden knock on the door. It’s brief but with a level of force that I recognize.

When I see that both Jade and my mother are waiting for me to get up and answer the door, I simply do so vocally. “Come in!” The doorknob twists and in walk my sister and dad.

I stand up in a state of shock, my nipples hard from the cold air, my frame an old flannel on a wire hanger. My sister and dad approach me, both smiling, knowing they’ve surprised me. My sister reaches me first and throws out her arms but I jerk backward and throw up my hands as though I were fending off a mugger, screaming something that sounds like, “I-wahh-kooo!” which is not so much a word as it is a guttural noise that translates roughly to, “Don’t touch me, I’m wearing AndroGel Man Poison.”

I tell my sister that if she were to touch me she’d grow a mustache and so I instead stick out my arm, shaking hands with her. She stares at me and grips my hand and tears suddenly fill her eyes and I say, “Thanks for coming,” and she, never good with words but always full of emotions, croaks out, “Yes, yes, of course. Always. Anything. Wouldn’t miss it.” I release her hand and step around her to my father, who I’ve never seen eye to eye with. I stick out my hand and he embraces me and I say, “Thank you for coming,” and he says, “How do you feel?” and I say, “Good . . . . That’s a lie. I’m sick.” He releases me and I wander back to My Yellow Chair, slip down into it, cover myself up with a blanket and shut my eyes while my dad speaks, always in his precise and succinct military fashion.

“We drove all day yesterday and then all night. Stopped in a Kmart parking lot and slept for two and a half hours and then kept going. Made it from South Dakota to California in record time; twenty-one and a half hours!”

This is my dad. These are his passions. Personal time trials.

He asks what we want to do today and I shut my eyes and say, “This is it,” and he says, “You guys wanna go to the beach?” and I say, “No,” and he says, “Car museum?” and I say, “I can’t walk.” He purses his lips and I say, “Welcome to the suck.”

My dad sits down next to me, unfolds a newspaper, and begins to read. My sister sits at the table and texts her boyfriend. And so goes the rest of the day.


***   ***   ***   ***   ***


Cancer made me into an agoraphobic. I was afraid to go anywhere, everywhere, because, and I know I’ve probably mentioned this to death, my sudden trigger vomiting was so powerful and out of control that I was afraid I would be caught in public without access to a restroom. My home was my comfort zone and I didn’t want to leave it for fear of being caught in the open.

My home was my sanctuary.

The following day we go out for Mexican food and then to an early show of My Bloody Valentine in 3-D. For ninety minutes, I sit between my dad and sister and watch naked chicks get hacked to pieces. The movie was my choice and I regretted every minute of it. As the credits begin to roll I feel my stomach turn over and I stand up and say, “I think . . . I’m going to be sick,” and my mom says, “OK, we’re leaving,” and I say, “No . . . I’m going to be sick right now,” and people are sort of just shuffling in the aisles like lost sheep stupidly grazing and I’m about to heave and puke and when it happens I know, I can just feel it, that it’s not going to stop, it’s going to roll and wave and heave and push and pour and nothing within a 15-foot radius will be safe from my spray and so I shout the word, “MOVE!” and everyone does. Everyone in the entire row sits down or steps aside and I run with the undiscovered fusion energy of an atom bomb. I leap over laps, hurdle seats, lunge down stairs, race up the inclined aisle, marathon down the halls, find the restrooms, kick open the doors, push pass a group of people in line, shove past a man just entering the stall and just as I say, “Excuse m—“ it all comes up, red and yellow and brown and lumpy like potatoes, again and again and again, spittle and saliva and bile hanging from my lips and pouring from my nose. My hands clutch the handicap rails and I hate everything about this. I’m angry at myself for puking, for vomiting, for not being able to keep it together.

There’s a very internal struggle happening wherein I start to get very angry at myself and pick and peck and poke and say, “You pussy. You pussy. Get your shit together. Pull it together,” and I puke again and it’s cherry red and I don’t know what I’ve eaten but it just looks like more blood. I wish more than anything that I were just at home, back in the comforts of my four walls, my territory, my familiar space; back in My Yellow Chair, under my jacket; back on the couch, under a blanket; in my bed. Somewhere where “making a scene” is not considered “making a scene.”

You know you’re amongst close family when you can puke in front of them and they all just keep eating dinner like nothing happened.

I heave again and a tear runs down my face, dropping into the toilet. My stomach feels like it’s tearing open and I push my knuckles against the cold tile wall. My legs shake and I bend down, proposing to Queen Porcelain, my knees instantly soaking with the piss of strangers.

I hate what I’ve become.

I hear a door open and I dry heave and cough and dry heave and cover my hand over my mouth and wipe my lips on my sleeve and push my face into my shoulder and I just want to weep. I hate being such a convalescent. I am twenty-six years old. I should be in peak health!

There’s a tap on the bathroom stall and my dad says, “Are you OK?” and I say, “No . . . but . . . yeah. I’ll be out in just a minute,” and he says, “OK,” and then I hear him take a few steps away from the door and wait.

My father and I have never been emotionally close and so I anticipate him waiting for me in the hallway, taking the extra ten steps and giving me that “casual privacy” you would offer to someone who is sick. But instead he sits on the sink and waits and suddenly the bathroom isn’t so bad.




Tagged , , , , , ,





“The sun is gone, but I have a light.”

–Kurt Cobain


I’m lying in my living room, completely healed, cancer free, and asking myself, “Is this remission?” because I still feel naked and exposed and vulnerable. I still feel sick and there’s still a bucket resting on the floor next to me.

I’ve been home for one day, and even with the good news, great news, fantastic news, it’s the worst day yet. I’m still bearing the weight of five months of chemotherapy and my mind and body are just as atrophied as ever and the world around me is still too much and too intense to comprehend. Everything is still flooding. I am still drowning in poison. The battle is no longer me versus cancer. It’s now me versus chemo. I’m a contestant on the world’s worst episode of Fear Factor. Joe Rogan says, “Can he take one more round of chemotherapy!?” and my competitors are all trying to slam me and say things like, “He looks like that skeleton in biology classrooms!” and, “He ain’t got game!” and, “Bitch needs to go hoooome,” and I wish so badly that I could just walk off this really terrible game show and simply give up.

Outside of my house, crawling down the street at a slug’s pace, I can hear the ice-cream man and his filthy truck slithering toward all the kiddies. His speaker and stereo have been broken the entire time we’ve lived in this house so his music always sounds like a predatory warning more than a cheerful welcome. He’s the ice-cream man in a Wes Craven film. I hear his music and always picture him smoking rolled cigarettes, yellow teeth, yellow eyes, totally emaciated, some junkie pushing dairy.

The “music” gets louder and louder, the speaker scratching and popping, hissing and whining, the tune slowing down and speeding up, the music bending like a warped record. It’s elevator music leading to Dante’s inferno.

I shut my eyes and tell myself that he’ll be gone in a moment. I tell myself to just hang on, to just breathe, to just pray, to just focus on something, anything. I put a pillow over my head but I can still hear the noise, the sound, boring into my brain, into the center of me, into my veins, my soul. It’s pushing me against the wall and cracking me open and breaking me and I can’t get away from it and it’s not going to make me puke but it is going to destroy me if he stops and then he does stop. He stops right outside my house, right outside my window, and the tune plays over and over and over and over and over again, looping on loops on loops, breaking and bending, warping and warbling, slowing and speeding. No children are approaching the van. The siren wails and screams, and then it does break me and I wish I could explain this to you better than I am but I also hope you never understand. I wish I could reach into your brain and into your stomach and squeeze your nuts until you cough up blood and twist the knife so you know what it feels like, how the music makes me feel, how the chemo makes me feel, how the poison makes me feel, how the medicine makes me feel, because it’s not an ice-cream truck, it’s an Ice-Cream Truck and it’s like one of those horrible ones from Maximum Overdrive or one of the Decepticons and I know it has ultimate intelligence and it knows that I’m in here and its sole purpose and intention is to do only one thing and that one thing is to seek and destroy.


And then the missile, the A-Bomb, the C-chord, the broken and beaten tune sniffs me out and finds me and I am done. I break down and I weep uncontrollably, and it’s not because I’m sad and it’s not because I’m sick and it’s not because I’m depressed but it’s because of the Ice-Cream Truck and that music and it hurts so bad in such a foreign way and I am drowning.

Someone touches my shoulder and I pull the blanket down and pull the pillow off my head and pull my hood back and take off my hat and open my eyes and Jade is standing there and she says, “Are you—oh . . . . Are you crying?” and I say, “The . . . ice-cream truck! It’s trying to kill me!” and she says, “Are you high?” and I say, “No,” and she says, “Do you want to be?” and I roll off the couch and caterpillar myself into the kitchen. Jade carries my cocoon behind me and wraps me back up in My Yellow Chair.

My wife sets the machine down in front of me and I begin to examine the plastic tube while my mother grinds the plant like an apothecary. Where it was once translucent and clean, it’s now become discolored with muck the shade of infected urine. Whether that’s from the plant or the burn, I’m not certain, but I have to stop and wonder if my throat looks like an organic replica.

I mindlessly rub my Adam’s apple and intentionally cough up something deep down. Unwilling to swallow it I spit it into my puke bucket.


Something grotesque wafts under my nose and I turn my face away. Some repugnant scent; something bitter and acrid; something . . . I lift my arm . . . it’s me. I turn my head and look in the mirror and I am truly one mottled beard away from looking like a wilderness person.

My wife says, “John?” and I say, “Huh? Yes?” and she says, “What’s wrong?” and I say, “I . . . need a bath,” and she says, “A bath?” and I say, “Yeah . . . I smell like shit,” and she stands up and walks out of the room and I hear the bathtub turn on and I hear the octaves of aqua slowly rise and she comes back and holds out her hand and I stand up and she supports me into the bathroom where steam rises out of the small pool.

She shuts the door behind me and she unzips my coat and pulls it off my shoulders and lets it fall to the ground, revealing my true size. She pulls my hat off, revealing my smooth skull. She pulls my shirt off, revealing my ribs and emaciated arms. She unbuckles my belt and pulls off my pants, revealing my hairless legs and finally, she pulls off my underwear, revealing my scar. I take one step onto the scale and she says, “Don’t . . . ” and I say, “Wait . . . ” and I see that I am 130 pounds completely stark naked. I am the same weight as a large dog, a Great Dane. I am the same weight as a high-school girl.

I look at myself in the mirror and I suddenly see me. Not the way I have seen myself, which is in such minute changes that I haven’t seen change but I suddenly see myself as I was and now as I am, two people at once. I see a stranger. I see a disease. I see struggle and I see . . . Survival.

I see Bruce Willis at the end of Die Hard covered in blood and bruises, broken glass stuck in his feet. I see Bruce Campbell at the end of Army of Darkness, covered in filth and pelted by evil. I see Bruce Springsteen.

I am The Boss.

I turn and step off the scale and Jade holds my geriatric elbow as I step into the steaming water and lower my smelly body into the scented fragrance and perfumes and soaps and steams and I say, “Thank you,” and she says, “You’re welcome,” and then she picks up a washcloth and dips it in the water and begins to scrub my back and my chest and my legs and here I am, I realize, at my weakest and my most vulnerable. So far, anyway.

She points to my bicep, or, at the very least, the place on my arm where my bicep should be and says, “What is this?” I look down and see dark brown striations running underneath my skin that look like tiger scratches or stretch marks. I exhale and say, “Oh, yeah, I forgot to mention those. The chemo is burning my skin from the inside.”

So small is this on the full scale of weirdness that it doesn’t even warrant further conversation from either of us.

She runs the washcloth over the marks (which don’t wash off), over my head and over my face and the water runs down my chin and I think that five months ago I was a pothead driving to Las Vegas, screaming on the freeway and singing at the top of my lungs, watching the sun rise, the biggest concern in my life a job that I didn’t enjoy.

Five months.

Like a car accident, it all happened so fast and spun out of control so quickly; it all came out of nowhere and suddenly I was thrust over the steering wheel and I was crashing through the windshield and falling and falling and falling until my wife is giving me a sponge bath because I can’t do it myself. An ice-cream truck reduces me to tears. I don’t recognize myself.

Five months.

Water trickles off my chin and I try to look into the future. I try to gaze five months down the road. Chemotherapy will be done, remission will have begun, my mom will have gone home, I will have gone back to work and . . . it all seems like an intangible impossibility. None of it seems likely or possible or even probable.

I say, “Do you think this will end?” and Jade says, “Soon,” and I say, “It seems weird, doesn’t it? Going back to normal,” and Jade says, “Things will never be normal again,” and I nod and grunt and she scrubs my knees and my feet and I say, “We’ll never be the same, will we?” and she says, “No,” and then, “I hope not,” and I grunt again, glad that she is having her own revelations.

She says, “I want to travel more,” and I say, “I want to camp more,” and she says, “I want a family,” and I say, “Me too,” and then everything is silent except for the dripping water until I say, “One drip at a time,” and she says, “Yeah . . . we did it . . . one drip at a time. Only a few bags left,” and I shudder to think that it’s over but we’re not done. My tears mix with the water running down my face and the thought of another round is so unbearable that I have to push it from my mind and focus on the victory at hand.

She pushes her forehead against my ear and whispers, “I love you,” and I say, “Thank you,” and she says, “For what?” and I say, “Everything. For staying. For helping. For just . . . the doctors, the files, the organizing, the appointments, the medicines, the charts, the insurance, the fights with the hospital, with the nurses, with the doctors, with me. Thank you for just . . . everything. I don’t know what I would have done if you weren’t here. I really don’t. I’m so thankful for you and I hope I never have to be on your end. I hope you never have to be on my end. I hope this is it and you’ve just been . . . incredible. I love you,” and when I look over she has tears running down her face and so I say, “Hey! We’re both crying!” and she says, “You’re—” sob, “not crying . . . ” and I say, “No!” Sob! “I am! I was just hiding my tears in the water! It was total espionage because I didn’t—” sob, “want you to know it!” and then she says, “You’re an idiot,” and I say, “I—” sob, “know,” and then she hands me a towel and I walk out of the bathroom smelling less like sulfur and more like a Starbucks winter-themed drink—pumpkin latte or cinnamon mochaccino.




Tagged , , , , ,




I’m sitting in the backseat of our Pontiac Vibe in the parking lot of the Arcadia Methodist hospital. My breaths are coming in quick staccato bursts, my heart threatening to beat right through my rib cage. My mother is sitting in the passenger seat saying, “Just relax. We’re in no rush . . . just calm down,” and my wife is saying nothing, knowing that there is nothing to say. She sits in the driver’s seat biting her nails and checking her Facebook, knowing that I just need to process these emotions myself.

I throw myself back onto the seat and say, “I’m not going. I can’t go back in there! I . . . . Please, GOD, don’t make me go back in,” and then I’m curling my knees into my chest and covering my eyes with the bend of my elbow and just begging for a miraculous healing because I am terrified of chemotherapy.

It is burning and damaging and destructive. It is fire and earthquakes and hurricanes. I am a witch being led to the pyre again and again and again. I’m walking over hot coals, walking into the pain willingly, tirelessly, for the third time. It was easier when I didn’t know. It was scarier when I didn’t know but it was easier. The unknown was untouched territory that I slowly felt through in the dark, finding the rhythms of my sickness, the pulse of my body, the schedule of my Sub Life.

Now I know. Now I’m aware. I see the guillotine and the hangman’s noose. I see myself curled over and hurling up blood in less than 24 hours. I see my bones feeling like glass. I see my stomach churning and rolling as paint thinner is pumped into me. The fire is lit and everyone is chanting, “C’mon, c’mon, c’mon . . . round three,” and I say, “It’s not even the end! It’s not even the end . . . ” and images of doing this entire thing one more time keep flashing through my head and I’m so scared and I’m so alone and I don’t want to get out of the car. I just want to die, to die, to be struck dead. I am Prometheus and my liver is eaten and renewed and eaten and renewed and eaten and it doesn’t end, it never ends. God, if you won’t heal me, kill me! I am begging for a miracle, either of fantastic goodness or diabolical madness, anything that will deviate me from my current course of action.

I can taste the saline they pump through my veins to flush my IV. I can smell the cleaning supplies. I can hear that beeping IV ringing in my ear, stabbing my brain. I can hear that machine in the hall breathing for the man who is either still alive or very dead. I can feel the needles resting in my arms, and my eyes are glass and my ears are bleeding and everything stinks, physically stinks of rot and death and body odor.

Jade shuts her phone off and says, “Johnny,” and I say, “Hhhhh,” and she says, “We need to go inside now,” and I stand up and hold her hand and she takes another picture of me outside of the hospital, paper thin and red eyed and then we’re walking inside and you already know how this plays out.

Tagged , , , , , , , , ,






Once in a great while the sun and the moon align in a total solar eclipse and the stars uncross and the fates smile and, like a miracle from the hand of a savior, I am able to stand and to walk on my very own. I am able to laugh and tell jokes and drink juice and taste food without getting sick.

These are not the days when sickness is almost out of my body. These are the days when the cure almost is.

On the days when the chemo is nearly out-processed and I am beginning to get my thoughts back in order and the soft mush that is my brain is beginning to firm up, it is these two or three days before going back to the hospital that I must take advantage of my circumstances.

As my wife helps me bundle up in my full arctic wear, complete with scarf, I notice that the clock reads 6:15 p.m. I know we need, need, need to be home by 9 o’clock at the very absolute latest because, no matter how good I currently feel (relatively speaking), I won’t make it to 9:15 p.m. Quarter after rolls around and I will, home or not, be dead to the world. My carriage will turn back into a pumpkin and my clarity will turn back to pay-per-view static. Goodbye, world. Au revoir. Adios. Time to sleep.

Jade unlocks the car and I fall into the passenger seat and turn the radio on, letting music quietly fill the air.

I miss it so much. Of all the superficial things, I miss music the most. I can hear the raspy voices of Kurt Cobain, Frank Black, and Isaac Brock coughing out lyrics in my furthest memories, but it’s like listening to them through a joint wall shared by a neighbor in a duplex.

Bad news comes, don’t you worry

Even when it lands

Good news will work its way to all them plans

Jade cranks the key, slams the gear shift, and punches the gas and then we’re off like a herd of turtles, gently coasting down the streets of The Valley, navigating through streets with powerful names like Victory, beautiful names like Magnolia, and disgusting names like Cumpston. We pull onto the freeway and the night envelops us, pulling our automobile into her black cloak and then, at 80 miles per hour, a song by Rage Against the Machine begins to wah-wah out of the radio and Zack de la Rocha’s voice suddenly reminds me of how this all started; me blasting through the desert to Vegas, alone, hungry for drugs and alcohol. Me with a couple hundred bucks on fire in my pocket. Me with my invincible bullshit attitude and . . . I hate that guy. It’s only been three months but I don’t recognize him and I can no longer relate.

The things that guy wants are moot. His desires are dead. I don’t feel remorseful or sorry. I don’t mourn his loss but secretly celebrate it, wondering who this new skin will shape up to be once it gets to crawl out and spread its wings. How will his brain think? How will his heart feel? What will his soul search for?

Only time will tell but tonight his soul searches for Mexican food in the flavor of a little restaurante in Westwood. Some friends of ours had called us a few weeks back, requesting a dinner date and my wife tells them, “Yes! Perfect! We’d love to see you!” and they had said, “How’s 7:30?” and Jade had answered with, “Perfect. How is nineteen days from now? Johnny should be in some kind of working order by then.”

The silence on the other end of the phone lasts for a few moments before my friend’s wife says, “I’ll have to check the calendar . . . yes? Maybe?” I have nothing to do and no time to do it in. My life is a blank page that I can’t read. My days are newspaper articles written in Cantonese. My nights are like iPods with no headphones. I am existing without being operational. Here I am, flesh and blood, present in time and space, but unable to be useful.

Jade pulls into the parking lot, gives the keys to the valet, and we both walk inside, she dressed up for a well-deserved night out, me looking like a homeless man trying to pass for “merely unemployed.” None of my clothes fit as I’m in the exact opposite stage that most pregnant women find themselves—too big to fit into their old clothes and just too depressed to go buy more because they know this season will be over soon and they can squeeze back into those old jeans and T-shirts.

In the meantime I look like that Fievel Mousekewitz character from An American Tale, oversized rags hanging from my body.

This is our first outing since The Beginning. This is the first time we’ve been out of the house to somewhere that was not directly related to Cancer: hospital, clinic, marijuana dispensary, church. It’s also the first night that my wife and I have been away from my mother since she got here and it somehow feels like our little circle has been broken and one of our members is absent from a meeting.

We enter the warm building and find our friends, Killian and Emily, sitting on a small bench in the “Just Have a Seat” area. They approach and hug us, both of them dwarfing me, wrapping their average sized arms around my depleting frame and crushing the life from my bones. They say, “How are you?” and they say, “You look good,” and they say, “This place is our favorite,” and they say, “You really do look good . . . ” and I know that I look like an emaciated version of The Yellow Bastard from the popular graphic novel, Sin City.

The waiter points us to our table and we walk through the cramped spaces, navigating to our booth in a back corner. We sit down and I try to take it all in. I want to remember this. I know my time is almost up. The eclipse is almost over. My chariot will be a pumpkin before too long.

Strange hand-painted tribal masks hang along the walls the entire length of the restaurant—blue faces with white lips, orange faces with blue dots on the cheeks, black faces with red streaks running from the eyes, one hundred vacant expressions watching us from the walls.

I’m staring into one of these masks, getting lost in thought when I realize that a senorita is standing by my side taking drink orders. Like clockwork, all three guests—Killian, Emily, and Jade—order extra large margaritas. I smile. Even Jade is taking advantage of her own solar eclipse.

The waitress looks at me and says, “Margarita for you, sir?” and the thought of consuming salty alcohol makes me shiver. I say, “No, thank you. I’ll just have the, uh . . . ” and then I glance back at the menu, run my finger down their alcohol menu, stop on a random drink, look back up and say, “Milk, please,” and the waitress stares at me and says, “Milk. Like . . . a White Russian?” and I say, “No . . . like, two percent,” and Jade laughs because she knows it’s the only thing besides Gatorade that’s actually able to help soothe my stomach and sore throat. Killian says, “You can get a margarita. Dinner’s on us!” and I laugh and say, “Milk is fine. Thanks.”

Back around the table again, the waitress takes our meal orders. Killian gets a number 17 combination plate of four shrimp tacos, beans, rice, two enchiladas, and a side salad. Emily orders a number 4: smothered chicken burrito with a bowl of tortilla soup on the side and an appetizer of jalapeño poppers. Jade orders a number 11: two chicken enchiladas, two beef enchiladas, rice, beans, and two sides of her choice for which she requests double portions of corn cake. The waitress turns to me and I put down the menu, my mouth slavering from all the options and I say, “I would like . . . a taco, please,” and she says, “A taco meal?” and I say, “A . . . sorry. I would like one taco,” and then, just to add a little cultural flair I say, “Uno. Taco. Por favor.” And I know she doesn’t understand why I’m ordering so scarcely and I don’t feel like explaining the whole long story or even some shortened and bastardized version of the tale that goes something like, “I’m sick and tonight is my night to eat a delicious meal and I’m very excited but still, I’m sick and I can’t eat like a totally normal person. I still have to be aware and conscious because I am completely aware and totally conscious that I puke every single day, multiple times a day, and I am also aware and conscious that I am in a public establishment with my friends and family right now, a public establishment that is filled mostly with strangers, and I don’t want to vomit here. I don’t want to vomit on your table. I don’t want to vomit on your floor. I don’t want to vomit in front of my friends, next to their food, ruining their meals. I haven’t eaten much in the last few months and so my stomach has shrunk down to a fraction of its previous size. No longer a softball, it’s now a walnut.” Killian says, “You can order more. Dinner’s on us!” and I say, “One taco is all I need.”

I imagine taking them up on their offer and ordering a “regular portion” for the sake of being polite. I imagine it arriving, the plate overflowing with food, steaming with flavor, the waitress saying, “Careful, it’s hot,” as she sets it down on our table with pot holders. I imagine everyone grabbing their forks and digging in, ravaging their food, tearing apart those gummy enchilada rolls, shoveling refried beans into their mouths and slicing chicken and beef like butchers while I stare at my plate and eat half a taco before sliding the plate up and saying, “So good . . . so full . . . . ”

The waitress leaves and our pre-dinner conversation starts and I quickly realize just how out of the game I’ve been. They ask us if we’ve seen this show or that show and they ask us if we’ve seen this movie or that movie and they ask us if we’ve heard this news story or that news story and Jade reaches over, under the table, and squeezes my hand twice, gently, in a friendly manner and I know she’s thinking the same thing I am, which is, “I have no idea what is going on in the world.”

We’ve been so ingrained in our adventure, so zipped up in the body bag that is Cancer Life that the rest of the world has slowly passed us by. While we’ve been huddled around the fire, trying to stay warm, Wall Street has continued on, Hollywood has continued on, Earth has continued spinning and changing and growing.

The words that everyone speaks float from their mouths to my ears but die before they ever hit my brain. Everything feels superficial. Everything feels plastic and fake. Not my friends, not my wife, but our words. Hollywood and Wall Street. It all suddenly feels so . . . dirty. Everything feels so fleeting. When life and death are hanging in the balance, money quickly loses its value because you realize it can’t help you. It can’t buy you health. It can buy you healthy food and it can buy you good doctors but it can’t buy you health. Health, like respect, is earned.

A moment later a young man appears at our table holding a tray of drinks, a young man who is decidedly not the young woman who had originally taken our orders and so he is unsure exactly which margarita goes to which patron. He says, “Straw . . . berry?” and Emily raises her hand and he sets it down and says, “There you go . . . . Mango?” and Killian says, “Right here,” and reaches out and takes it from him and the waiter says, “Passion fruit?” and he looks at Jade and me and Jade smiles and says, “I’ll be taking that,” and then all of our eyes are resting on his tray where the only cup left is a tiny half-sized little sippy cup with a Styrofoam lid and a wacky bendy straw and the guy says, “Sorry, I . . . I thought this was for a kid,” and I say, “Yeah, that’s right. You better go put my drink in a big-boy glass.”

That night, on our drive home, I can feel the effects of our night out. My eyes are heavy, my arms are anchors, the weight of one taco pulling me down and drawing me into darkness. I fall asleep on the ride home and when I wake up I’m in my bed. The eclipse is over. The carriage is gone. Tomorrow it all starts over again.

Tomorrow is Round 3.





Tagged , , , , , , , , , , , , , , , , , , , ,




I haven’t eaten anything of true substance for months—just bites of candy bars, portions of cereal, some chicken, rice, carrots. I can eat when I’m high, but I can’t always be high. I’ve lost over one quarter of my body weight. The man staring out of the mirror is not me. It’s not JOHNNY. It’s some dark replacement, a temporary placeholder.


When I was in high school, a kid I was supposed to graduate with died of bone cancer during our senior year. I only knew him by proximity, our entire graduating class consisting of about 300 kids, but found myself attending his funeral regardless. When somebody that young dies in a town that small, it sends a ripple through the community that everyone feels.


I remember standing in front of his coffin and staring down at him. The boy, his name was Alan (this is a fake name and a real story), would never be called big. In his Earthly life he was never going to be a successful football player and he didn’t have the physique for track. He was a gear head with a very average-sized body. Nothing particularly large or small about him but that was not who I was looking at in the coffin. Average Alan was not staring back at me. This body was a shadow of his existence. His skin looked jaundiced, his cheeks were hollow bulbs, his head appeared to have grown in size, pulling his hair line back although I understood that it was all smoke and mirrors, death’s way of manipulating your perspective. His head wasn’t growing; his body was shrinking, or rather, had shrunk. His fat cells had been depleted.


Some mortician’s assistant had painted him and tried to give him blush and color and joie de vivre but . . . he was just a dead kid with make-up on. This wasn’t Alan. This was just Alan’s body, and his killer was hunting me.


Now, almost a decade later, I see Alan staring back at me in the mirror. The pasty skin. The bland features. The inhuman persona. I would look more at home in a George Romero film.


Is this what I’ll look like when I die? Is this what people will see? Will remember? Is this who my wife will recall? This sad little man hunched over in a chair, spending his days sleeping?


I picture the people I’ve seen at nursing homes, men in recliners staring at birds in cages. Old men staring, watching, waiting for the end. These men who were once vigorous young boys, running, jumping, dancing, chasing, fighting, kicking, screaming, laughing, living. This is what time does. Eighty years, ninety years, one hundred years. Time saps away everything precious and leaves you with the remains. It eats all the food and gives you the wrapper and hands you the bill.


This is me, a ninety-year-old man watching birds, just glad to finally be out of that hospital and back in the safety of familiar surroundings. Me, sitting in my backyard with a blanket across my lap, my eyes shut, listening to that distant chirp, chirp, chirp.


When this journey began, sitting outside to get Vitamin D was a joke, some kind of pathetic attempt to grasp at straws. Today I’ll do anything to try and get better. I’ll do anything for a bit of strength. I’ll take your magic pills. I’ll swallow your magic beans. Somebody tells me that raspberries help cure cancer so I buy a palette full of them and try to eat a few every day.


I haven’t heard anything about my cancer markers in some time and have no idea what they’re doing; 300, 600, 14,000, 62. It doesn’t matter. I feel like shit. I shut my eyes and listen to chirp, chirp, chirp and it’s just so beautiful. The birds are so calm and soothing. I watch a small brown one jump from branch to branch. Chirp, chirp. I watch a squirrel run up a tree. I watch a row of ants marching back and forth, back and forth, back and forth at my feet. Somebody walks through my alley and I wonder where he’s heading. The guy looks at me and waves and says, “MERRY CHRISTMAS!” even though it isn’t until tomorrow. I raise my hand halfway up, too tired to speak. This is what Cancer looks like. Saying “Hello” feels like a quick run. Saying “Merry Christmas!” with all of its syllables and uppercase letters and its great, big, tall exclamation point is a marathon.


I inhale deeply, hold the breath, count to five, and then slowly let it out. In the house to my left it sounds like someone is showering. In the house to my right it sounds like someone just broke a dish. In the tree 20 feet in front of me I hear a bird chirping and think about how I am the only one hearing this noise; this little bird is singing its song while the world goes to work and pays bills and buys clothes and sleeps and watches reality TV and here I am, sitting in my backyard all alone, the sole audience for the performance of a lifetime.


I feel as though I am able to examine the world around me in great and fascinating detail. I feel like I am seeing it in a fourth dimension. I feel like the strands of existence are breaking and tearing and opening up and I’m able to see through them into some other realm of beauty. I’m seeing things that no one else can. I’m seeing the color green for what it is. I’m seeing green grass and it’s so beautiful and I understand that it’s so beautiful and everything I’ve taken for granted, the wonderful, majestic world around me, is suddenly alive and vibrant and vivacious. The trees are towering monoliths, hundreds of years old. The dirt, the grass, the bugs, everything is working together in perfect unison, perfect harmony, a world separate in my very own backyard.


I look at it all happening and I see everything. I see every detail. I hear everything. I see how intricately everything works together. I see the ants. I see a bug eat an ant. I see a bug get stuck in a spider web. I see the spider eat the bug. I see a fly. I see a piece of disgusting dog shit and I see the fly land on it and plant maggots in it and everything, everything, everything, even the most disgusting, grotesque pieces of us play a greater role. It’s perfect, it’s flawless, a complicated tapestry of interwoven threads. When I die I’ll feed something, fertilize the earth, turn into a tree, give oxygen to everyone.




I turn my eyes inward and stare into my body and see my lungs and my heart and my lymph nodes turning black. I see the disease fighting to survive. I try to understand what it’s doing, what it’s thinking, what its purpose is. Maybe it’s supposed to cull the herd. Natural selection.


I stand up and go back inside. It’s Christmas Eve 2008. I slowly walk through the house and shut all the blinds, sit down in My Yellow Chair and stare at our Christmas tree, glowing white and red.


My mother had told my wife she shouldn’t worry about the tree. She tells her there is so much on her plate. She tells her to just relax. But my wife says no. She says she’s going to put it up. She says we’re going to celebrate Christmas. She says we’re going to be as normal as possible. This is her grasping at her own sense of control in an otherwise chaotic existence. The two of them put up the tree while I watch. That was four weeks ago. Tonight I just soak in its radiance. I want to crawl underneath it and stare up at its electric stars, drowning out the world around me in color and design.


Instead I walk to my bedroom and lie down, pull my stocking hat over my face, pull my hood over my head, pull my blankets up to my chin and try to sleep but instead just stare at the back of my eyelids, breathing heavily, trying not to vomit.


In the other room I can hear my mother and wife rolling dice for yet another game of Yahtzee. The sound of the cubes hitting the table is like hammers pounding steel. Their voices are like forks scraping against glass plates. Everything feels like hot wax being poured over my brain. I cover my ears with a pillow and squeeze. I can hear them making dinner, something with pasta in it. The smell reaches me and I furl into my hobbit hole even further, deeper. I want to go somewhere else, be somewhere else, be someone else. I want someone to take my place, to deal with these effects. I want to walk away.


Jade enters and says, “Dinner’s ready,” and I fall out of bed, onto the floor and pull myself into the kitchen. The delicious aroma of manicotti makes me gag and I say, “Smells great.” Truly, I want nothing more than for someone to take that whole pan of disgusting shit tomato pasta and throw it out the window. I sit down at the table and casually cover my mouth and nose with my hand. My mom asks if I’d like just a little and I shake my head and take a sip of water. I shut my eyes and listen to these two women, my closest family, my caretakers, the one, the woman who brought me into this world and the other, the woman who will be by my side until one of us goes out, talk about recipes and marriage and cleaning.


Halfway through dinner I get up and go back to bed and lie down and sleep.


I wake up just after midnight. It’s Christmas.







Tagged , , , , , , , , , , , , , , , , ,




I have spent my last half a week curled up in a ball trying to sleep away the days so that I could just hurry and get to my nights to sleep more. Vomiting has become as commonplace as blinking, and because personal hygiene is the very last thing on my mind, I haven’t showered or brushed my teeth in something like ninety-six hours.

I keep telling Jade that I’m sick and she keeps telling the nurse that I’m sick and the nurse keeps bringing nausea medication but it never works. It’s like taking Tylenol because your leg just got ripped off. The sickness has grown and amplified and magnified, no longer a harmless garden variety lizard but now a towering reptilian monster destroying various major cities that are, symbolically, each of my organs.

My “hangover” has matured into a full-fledged Death Bed Shutdown where I don’t feel pain; I am pain. It radiates from the center of my body, at a point where my ribs and lungs meet. I can feel my diaphragm; I can feel the meat and bone surrounding it. I can feel every inch of tissue, every cell, every strand of DNA, flowing with black hatred. My heart pumps blood and my stomach churns food and my lungs circulate oxygen and this spot in my chest produces pain, sending it out in waves, reaching into the furthest extremities of my limbs. My eyeballs throb and the light is blinding and sickening and overwhelming, every bright color a dart to the back of my skull. Every noise is sent through a megaphone placed against my ear. The television, the radio, the beeping of my IV machine, footsteps, toilets flushing, birds chirping, everything hits my brain like a bare-knuckled super soldier. Pliers twist and grind inside my head, and my stomach feels like an ocean filled with buttery fat, wave after wave of sloshy curdled goop washing onto my shores. I puke into the buttery waves and the world screams at me and the pain pinches my eyes and blasts through my body and I am on fire, filled with poison, my body shoving chemicals in and out, in and out, my liver screaming like a witch at the pyre.


The Black Tendrils are slowly dying, curling back like a rose bush in winter solstice, but a new monster is rising up, something worse than cancer, something without a face or a cure. Because it is the cure. This is not the cancer making me sick. This is the medicine making me sick.

I make earnest prayers to God to please just let me die. I am in so much pain. Every ounce of energy I have stored is being pulled away from me. Everything is a fight. Everything is a battle. Walking, talking, eating, chewing, shitting, blinking, breathing, it’s all one vicious fight after the next. My life is a Faces of Death segment played in super slow motion.

My stomach hurts so badly that I feel as though I can’t stand up. Every movement I make, no matter how small or subtle, upsets my senses like a boat in the ocean, capsizing it and drowning the crew. I lie as still as possible for as long as possible and think about how the doctor told me that the treatments will compound, that they’ll become worse every time.

This is just the beginning and I am at the end of my rope.

Never before or since have I felt such pain as that which plagued me through chemotherapy. I cry often and often I cry alone. I shut my eyes and see the flame of hope flickering, threatening to extinguish. The proverbial light at the end of the tunnel is far away, through a maze of subterranean tubes, and out of sight, out of mind. I’m in the desert and my ending is a slow burn. I can’t imagine ever coming out of this, ever being healthy, ever being unsick. I can’t see past the next moment in time, the next bag of chemo, the next dose of medicine. The pain builds and grows inside me with every passing moment, a thermometer rising, the mercury inside of it threatening to burst out in a spray of toxicity.


On Monday, I tell Jade that I want to die. On Tuesday, I repeat myself. On Wednesday, I say it again until I absolutely believe it. On Thursday, I just keep mumbling it over and over like a mantra, begging the darkness to swallow me up. Tiny violins play wherever I go. On Friday, Jade sits down next to me and says, “Is that really what you want? To die?” and I look at my feet, ashamed and feeling stupid all of a sudden. She repeats herself but I don’t answer. She tells me that I’m not going through this alone. She tells me that I’m not alone. She tells me—and I cut her off. I say, “I am alone. I’m the one in the hospital bed. I’m the one with the IV stuck in my arm. I’m the one with the pain in my bones and the fear in my brain—” and now it’s her turn to cut me off. She says, “You’re not going through this alone. You might be carrying the pain around but I’m twenty-four years old and I have to sit aside and watch my husband die . . . and the worst part is he’s just going right along without even swinging a punch. Where’s your fight?” and then she lets that thought hang in the air like rotten fruit.

She takes my hand in hers and rubs her thumb along the ridge of my plain, gold wedding band. “It’s loose,” she says, and I look down. Even my fingers are losing weight. I shrug. She slides my ring off my finger and silently reads the inscription that runs around its inside, hidden from view. She laughs and says, “I remember when I took this ring to the jeweler to have it engraved. There was a really old woman behind the counter and she told me to write down exactly, exactly what I wanted it to say. When I handed her the paper, her face,” Jade laughs. “Her mouth dropped open and her eyes popped out and she goes, ‘Is this a joke?’ And I say, ‘Nope.’ And the woman says, ‘This is for a wedding ring?’ and I told her it was for my husband to-be. She had this look that was like, Young people . . . . “Then,” she continues, “I remember on our wedding day, we walked down the aisle, just married and, in the backroom, waiting to be announced outside for the rice throwing, I told you to take it off and read it. Do you remember?”


And yes, I do remember. I gave it a tug and it came off easy that day, as well, from my nervous-sweaty hands. I held the shining circle up to the light, tilted it just so and read the following words, laid out in all caps: WE’RE NOT GONNA MAKE IT.

If I had any doubts about marrying the right girl, they vanished right there.

Jade now, in real time, in the hospital, three years into our marriage, slides the ring back onto my finger and says, “We are going to make it. Both of us. You stop telling yourself otherwise.”

I say, “OK,” and, “I know,” and, “You’re right,” and, while I quit saying those things and while I try hard to stop thinking them, they still rattle around in the dark recesses of my brain, cluttering it and infecting it.

I reach my hand out and hold hers, rubbing my thumb against the back of her palm until the nurse enters to remove my IV because, thank God so very, very much, today is the day we’re leaving.

The nurse at hand struggles with removing the IV thanks to the massive amounts of tape that had been used to set it to my arm. She apologetically pulls and tugs at the sticky material, tearing out countless arm hairs while ruthlessly jerking the catheter tube that rests in my vein in and out, in and out. I bite my bottom lip and my eyes pinch shut. The nurse picks at the tape with her fingernail and rips another strip off with a drawn out, “Sohhhhh-ryyyyy,” and a grimace.


When she finally manages to pull out the tube, I experience a sensation that I can only equate to that which you feel after jumping off of a trampoline, the way the ground feels foreign and strange. After eight days of the constant tug of the pole and tubes I feel like a part of me is missing.

By policy I’m not allowed to walk to the exit myself so I’m asked to sit in a wheelchair while my wife escorts me. I feel humiliated every time we pass someone in the hall even though I know the emotion is stupid and senseless.

One week after beginning my six-month treatment, I am released from the hospital and allowed to go home for an intermission—two weeks of down time before I return for my second interval.

When we get in the car, I lie down in the backseat and shut my eyes. On the forty-minute drive home I feel every single bump in the freeway, every pothole, every stomp of the brake. I feel everything, my senses not numbed but amplified. I am a glass of liquid, waiting to spill.

I ask Jade to turn down the music and she does but then I ask her to shut it off completely. I put my hands over my ears and can’t imagine this getting any worse. I ask her to pull over and I puke into the gutter twice.

We get home and I sit down in a soft yellow rocking chair, a piece of furniture that my wife and I found abandoned under a bridge when we first moved to LA. It seemed like it was in good enough condition so we brought it home.


Like a good dog, it’s been well loved.

Severe chills run up and down my body so I put on a thick hoodie, pull up the hood and give the strings a good tug, scrunching my field of vision. I shut my eyes and try to sleep but to no avail.

My mom asks if we feel like playing that popular board game Sorry! and my wife says sure and I say nothing but sit at the table and stare at the board. I roll the die—


—and move my marker and roll my die and move my marker and die and Cancer Marker.

I sit back in my chair and Jade asks what I want for dinner and I tell her I’m not hungry. My stomach hurts. I puke again, this time simply at the thought of food being placed on my tongue.

The hospital has sent us home with a small suitcase filled with pharmaceuticals: two kinds of anti-nausea pills, several pain relievers for head, several pain relievers for body, stool softeners because the pain relievers cause constipation; vitamins A through F, K through P and R, V and Z individually. My mother has also personally prescribed fish oil and ginkgo biloba, which I think is for memory loss but I can’t exactly recall.

Lying in bed that night, I stare at the fan blades spinning round and wonder how many times they’ve turned since I’ve lived in this house. Ten thousand? A hundred thousand? I start counting but only get to seven when my wife reaches over and gives me a kiss on my cheek.


I turn to her and she says, “Hey,” and I say, “Hey,” and, because I realize that I still haven’t brushed my teeth in over a week now, I sort of avert my mouth.

She places her hand on my stomach and says, “Hey,” and raises an eyebrow and I say, “Uh . . . ” and, even though I’ve promised myself to “be strong” the thought that keeps rolling through my head is, “I just want to die, I just want to die, I just want to die,” but instead I say, “Is this, like, sympathy sex?” and she laughs and says that she digs guys with cancer.

I smile and give her a kiss on the cheek and we try our very best but the entire time I’m just fighting my gag reflex from the constant rocking and my bones feel like they’re going to crumble and for some reason I keep picturing my dick as raw butcher meat and I am just totally worthless and there’s no way this is happening.

Cancer: the ultimate cock block.

I eventually say, “I . . . I can’t do this,” and lie back on the bed and say, “Sorry,” and she says, “It’s OK, I’m really into guys that are emotionally and physically damaged.”

We hold hands and I tickle her back and she goes to sleep and I continue to count, “Eight . . . nine . . . ten . . . .”


Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,