The Spiraling Cornucopia of Pale Lavender is a 10-part series of fiction that explores faith and reality. Below is part 7. To read the introduction of the project, click here.
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[SEQ. VIII] 1I see a giant black orb floating in a sky of absolute white. Small streams of red pulse through the white like rivers of blood. It reminds me of photos I’ve seen of Earth taken from outer space. The white stretches to the horizon. 2A rushing wind hits me and tears my skin off, peels it back until I am just muscle and blood myself. 3My skin flaps in the breeze and disappears like a pair of lost pants. 4I hear a voice that is a loud and booming whisper. A spring breeze that will destroy a city. 5Voice says, “Look upon me and be in awe.” 6And it is in this moment that I realize I am not looking at a giant black orb and the sky is not white and the red is not rivers. 7I understand that I am looking at an eyeball. A singular eyeball. An eyeball that is so large that I am dwarfed by the pupil. 8I look down and see that I am standing on a platform made of flesh. “You do not see my true form, human. You see what your brain perceives. Your curiosity is not a weapon. 9Your curiosity is the path without end. Do you desire to continue down this path?” 10I fall to my knees and weep. 11I have been chosen. I have been Spoken to. How do I ever respond? How do I accept? I am so inadequate and unworthy. 12The magnitude of this creature is so great that the word creature is a box that cannot contain XXX. As time is a box that does not and cannot define Uncle Andy, there are no boxes that can define the greatness of this XXX. 13XXX is not a being. XXX is above XXX. Words are boxes and names are boxes that cannot contain the unstoppable rolling power that is this. 14The only word that keeps coming to mind is IS. 15IS. To be present. To exist. To be within. PRESENT. SINGULAR. FIRST PERSON. TO BE. IS. 16I see the word and I see a field of meaning stretched out behind it and I see that the knowledge is too great for my brain. 17I understand the shortcomings of my brain. 18No more could I teach a grasshopper meta-physics than could I begin to understand what IS is beyond what I see. 18My brain does not have the understanding to transcend into this. 19The fabric of reality is a blanket that can be folded and it can wear away and the blanket can be placed on many beds and it will take the shape of the bed and I am just a stitch on the fabric. Or yet… I am a pattern. A color. A shape. A simile. 20“You do not understand and you will never understand until it is time.” 21“Yes.” “But still. Walk towards me always. Do you believe that Little One?” 22I bend my head down and the sobbing takes over again. 23The great hand lifts me and places me inside the great mouth that is a black hole. 24I scream out, “Consume me, Master! Make me of value to your purpose! Allow my energy to feed your being!” and I drift in space and I am swallowed up and I feel myself being gently shifted down the throat until I am in a dark stomach that smells of roses. 25Chandeliers hang from the ceiling and someone has set out a dinner table with candles and wine and the floor is made of fine red meat. 26Six people sit at the table, all women, all mature. 27None of them have faces. They have heads but instead of features they contain swatches of flesh. 28Their hands lie on top of a pork roast and it dissolves into their flesh and I am reminded of Venus fly traps. 29The women stand up and begin walking towards me. One lifts up her hands and I see a clear toxin dripping from her palms and leaking onto the floor. 30“Stay back.” They continue marching towards me. 31I see a hole in the wall and run towards it. Jumping through the hole I find myself in the upper intestine of the IS. 32I run through a labyrinth of pliable purple flesh and find people lying about, eating from the walls and licking the floors. 33“Worship IS. Worship IS. Fall to your knees and worship with your mouth.” 34A man looks at me with flesh hanging from his teeth. “We are the great parasites of IS. We are meant to eat the cancer. Are you the cancer?” 35I run and then I’m in the small intestine and the ceiling is lower. Bats swoop down and claw at my face and blood runs down my cheeks and vines shoot from the earth and grab my feet and my legs and the vines have mouths that bite me. 36My shoes fill with blood and I scream and I bite back and I won’t give up. I bite the vines and they scream and I keep running and then I am in the color, filled with books. 37The Great Library of Knowledge. I pull a book off the shelf and open it. Inside is a language I have never seen but I read it anyway, feeling the words through my very being. 38Chapter 1: Always look left and right. Always say please and thank you. Always be a gentleman. Show compassion. Be empathy. Reflect sympathy. 39Chapter 2: Everyone has a voice. Everyone has a heart. Everyone has a brain. Everyone has a past. Everyone is comprised of innumerable memories and emotions. Everyone is a tangle of ideas that they don’t understand. 40Chapter 3: Happiness is just an emotion. Happiness is simply drug excretions from your brain. As is anger. As is love. 41Chapter 4: Nothing is impossible. 42Chapter 5: Trust everyone and fear losing nothing. 43I close the book and drop it on the ground because I don’t care. Someone else can pick it up. 44A trapdoor slides open under me and I hit my jaw on the way down, biting my tongue. 45My mouth begins to bleed and it tastes like cinnamon. 46The walls around me narrow until they are pressed against my shoulders and it feels as though my arms are on fire. 47I slam into the ground on top of a pile of hot coals, embers and wood. 48Crawling out of the fireplace [SEQ. IX] 1I find myself in my earth house circa four decades ago. I see myself opening a present. An action figure. I love him. 2My dad checks his watch. My mom takes a picture on her oblong camera. 3Where is this? A voice next to me says, “Prime time, baby.” 4And when I turn around I see that I am in a theater of people all watching my life. 5“It’s the 2pm showing. Everyone loves the next scene where you pee your pants, haha.” “Why are you watching this?” “Because your life is a TV show and you’re the main star. We all watch you. All of us. Every one of us. Our entire planet has watched you your entire life. Time is relative. You are a theatrical feature film. Your life is our entertainment. 6Your death makes us feel something we can’t feel. 7You create in us the sense of being alive. 8I have watched your life six times. Your teenage years are my favorite. Watching you discover the world from twelve to sixteen is a truly astounding experience. 9Do you remember your first beer? Hannah stole it out of her dad’s fishing cooler in the garage and you guys shared it and then made out for forty minutes, laying down in the boat while that screw dug into your hip. But you didn’t care. Hanna. 10But I have to know – something we never knew – did you like your dog when you were a kid? You always seemed ambivalent.” “I liked my dog, yes.” “It seems like you should. Let’s give Claude a big round of applause, everyone!” The room erupts into applause. 11Lights come on – rows of lights. Row after row after row and I watch the auditorium light up and it continues to go, further and further. 12I’m in a stadium, two stadiums, a small town. A city. I’m surrounded by a hundred million lights and they’re all looking right at us and I say, “Hey, we’re going to need flashlights if we’re going to go this way,” and everyone laughs again because it is so bright in here. 13I say, “Thank you all for coming. It was quite nice and uh, I guess thank you for watching! I hope I didn’t do anything that embarrassed myself too much…uh…” the audience lets out a groan of sympathy. Oooohhhhh. 14I have them by the throat. They all love me. 15“Were you all there when I found that odd shaped mole on my back? “YES!” “And you were all there when Laura broke up with me?” The audience nods. 16Some of them have tears in their eyes. 17Their race and shape seems to change. They seem to be something else until I move my eye toward them and then, as I do, they seem to shift to humans. 18Moving, shifting little creatures. 19What are you? What are you really? Just projections. You too. Me too. All of us part of something bigger. Struggling to get home. 20“Could you sign any autographs, sir?” “Oh yes,” I reply with far too much accepting glee, “I would be delighted to!” 21The audience erupts and rushes the stage. 22The manager calls for order, which is finally attained but it takes three and a half days and during that time, I am forced to sleep on a cot on the stage. 23People take pictures with my sleeping form and the images later become the most valuable possessions of this realm. They are hung in churches. 24Finally, the autographs start and I sign everything – I sign books and posters and mugs and pencils and I even sign a lady’s arm and I kiss two babies and one man. 25Then Michael approaches the table and his jaw drops open, unhinges, snaps, pops. I hear it break. I hear the bone snap in half like a dried twig and for some reason the first thought I have is about how expensive it’s probably going to be to replace that. 26His tongue sprouts from his mouth and then splits and wraps around my face. It sizzles and then melts through the flesh but I can still see. 27My eyes are blocked but my cognitive understanding is clear. 28He says, “All is vanity,” in a high pitched woman’s voice and then melts into the floorboards and I follow him. 29The auditorium flashes past me and I see the feet of a crowd of people and I remember thinking how dirty each of their shoes were. 30Don’t they care about the clothes that they wear? And where have they all been that their shoes were so dirty? 31One man has the face of a lion. It’s fantastic and majestic. His mane is enormous and golden and I want to touch it. 32Something inside of me wants to run my fingers through his mane. 33He stands against the bar and he wears a tuxedo. He holds a martini glass in his hand and the liquid sparkles. There is an olive on a toothpick in the cup. His sleeves are rolled up, which is an odd look to have with a tuxedo but somehow he pulls it off. 34Clearly a confident man. His shoes are brown loafers but man, they shine. 35He is the only one that can save me and then he is gone. 36My heart cries out for him and as I fall I see him look over the edge of the hole and he is wearing a red robe with white trim and black dots. The shoulders have strands of gold and His eyes are so blue. 37“Why do you look like that?” “This is what you think God looks like, isn’t it, Aslan?” “Hold me.” “No longer.” “Did I make a mistake?” 38“You failed to love,” and I keep falling and then I think I hear him say, “…anyone but yourself.” And [SEQ. X] 1my truth sits out in front of me and I am naked. 2My clothing is on but my brain is exposed. My deepest thoughts are laid out in front me. 3The lights in the darkness of this slow motion fall flash on and I see them all. The greys. 4The creators, encircled around me like a very intimate Roman Coliseum. There are two hundred of them. 5Each wears a different colored robe. Each means something different. 6Who are they? Who are you? 7And then I feel their presence. It reaches out to me, stronger than a language. No body speaks.